PURCHASE THE DVD NOW: http://bit.ly/buytheriversdivide
The River's Divide is an award winning documentary following Donnie Vincent on his two year bowhunting quest for a single whitetail buck notoriously nicknamed 'Steve'. Set against the beautiful backdrop of the North Dakota Badlands, an amazing story unfolds as Donnie experiences the highs and lows of chasing a single animal in the middle of the vast wilderness.
”It’s a film with a soul, something largely missing from TV/video/film coverage of blood sport.” - Field & Stream
“Mind-blowing. Mesmerizing. The production quality, story-telling style and cinematography is the best I’ve seen, anywhere.” - Patrick Meitin
”However, like all rivers it seems to ebb and flow; much like Donnie’s journey for ‘Steve’, much like life. Do yourself a favor, set aside some time, be patient, and watch The River’s Divide... it's worth every moment.” - Bowhunting.com
The River's Divide was named the Judge's Choice for "Best in Festival" at the 2013 Maine Outdoor Film Festival, selected to The River's Edge Film Festival in Kentucky, nominated for "Best Cinematography" at the Fargo International Film Festival and won best Dakota documentary at The South Dakota Film Festival. The film will also be airing on national television in the near future & is now available for purchase on DVD.
Svalbard is an archipelago high within the Arctic Circle. The largest of its islands is called Spitsbergen, meaning “pointed mountains.” In 1920 a treaty known as the Svalbard Act was signed by several nations recognising Norwegian sovereignty over the islands, and declaring the whole region a demilitarized zone.
This is a short film about how Svalbard, over the course of recent history, became increasingly linked to developments in climate science, and climate change.
It is brief for a subject so large, and lacks the detail of key facts and figures that would provide a much better understanding of the current consensus on climate. Then again, you may perhaps feel it has too many numbers already. It is my hope that regardless of what you make of the content, you will find it beautiful to watch.
Swirling winds of diamond dust, rainbow refractions everywhere, deep sounds emanating from under the ice. Artists Darren Almond and Jacob Kirkegaard share their extraordinary experiences of the Arctic.
Meet English artist Darren Almond and Danish artist Jacob Kirkegaard in this video where they talk of their different approaches to the interpretation of the Arctic - Kirkegaard works with sound under the ice, and Almond with pictures over the ice - yet they both share similar observations.
Both Darren Almond and Jacob Kirkegaard have wondered about the space and colors of the Arctic: ”If I should imagine the Arctic in sound, I’d definitely imagine something vertical” begins Jacob Kirkegaard. ”To me the Arctic existed when the world was flat” says Darren Almond: ”I went to the Arctic to experience this flatness.”
”I went looking for the space beynd the space we live in.” Travelling to the Antarctic made Almond aware of how humans occupy the world on a vertical axis, between sea level and treeline. Almond has created numerous works based on his experience of the Arctic, amongst others the Arctic Plate series seen in this video (2003).
”You get these swirling winds of diamond dust, so you get these rainbows refractions everywhere, it’s very hypnotic, mesmeric kind of experience” says Darren Almond – but both he and Kirkegaard call the Arctic a kind of monochrome. It heightens your senses, and makes you focus on all the small details: ”What is there? Is there really nothing? Or, wow, there is something.”
Jacob Kirkegaard talks about his experience of the Arctic as well as of the creation of his recent work ISFALD (Icefall) which is audible in the video. The installation is a dark room with sounds rising from precise points on the floor - recordings of ice sheets falling into the sea, melting or scratching against on another.
The Arctic has very deep sounds, and very high sounds, but no sounds in the middle, Kirkegaard says, and explains how he uses his equipment to record the sounds that are almost impossible to hear with the human ear: ”The deep sound is so deep, that you can hardly hear it. But you know it’s under the water.”
English artist Darren James Almond (b. 1971) works in a variety of media including photography and film, which he uses to explore the effects of time on the individual. He uses film, photography and sculptural work to harnesses the symbolic and emotional potential of objects, places and situations, producing works which have universal as well as personal resonances.
Danish artist Jacob Kirkegaard (b.1975) is best known for his sound installations, such as ’AION’ (2006) which was recently part of MoMa’s first major exhibition of sound art: Soundings. AION is a recording of abandoned spaces at Chernobyl. Kirkegaard recorded ten minutes within each space and then played the recording back into the room, layering the sound to create a unique tone emanating from a seeming void.
Kirkegaard is a graduate of the Academy for Media Arts in Cologne (2006) and is currently based in Berlin, Germany. Parallel to his studies, he has been giving lectures on sound and space at the Royal Architect Academy and at the Art Academy in Copenhagen.
Darren Almond was interviewed by Marc-Christoph Wagner at Great Western Studios, London, 2013
Jacob Kirkegaard was interviewed by Marc-Christoph Wagner in his installation ISFALD at the ARCTIC exhibition, Louisiana Museum of Modern Art, 2013
Camera by Klaus Elmer (Almond) and Mathias Nyholm (Kirkegaard)
Editing by Martin Kogi
Produced by Marc-Christoph Wagner
Copyright: Louisiana Channel, Louisiana Museum of Modern Art.
Louisiana Channel is a non-profit video channel for the Internet launched by the Louisiana Museum of Modern Art in November 2012. Each week Louisiana Channel will publish videos about and with artists in visual art, literature, architecture, design etc.
For the opening to this mystery thriller, we explored the duality of ice crystals - that snowflakes can be beautiful and scary, growing like malignant cells, overwhelming the environment.
After exploring timelapse techniques the opening was developed with particle systems in C4D.
Designed & Directed by Nic Benns
Art Director Miki Kato
3D Animators: Peter Tomaszewicz, Andrea Braga
Theme music by Wildbirds & Peacedrums
Production Company: Momoco
Client: TIGER ASPECT / SKY ATLANTIC