1. Check out my new film Adrift: vimeo.com/simonchristen/adrift

    Update: Thanks so much for all your comments! I am reading them all and enjoy them a lot! I am sorry I can't reply to all of you. I am traveling at the moment and only have internet access once in a while. I hope to get to all the questions eventually. Thanks again!

    A collection of time lapses I took around the San Francisco Bay Area roughly shot over the period of one year.

    Please watch in HD :-)

    Find more of my work on my website simonchristen.com

    Follow me on my Facebook page: facebook.com/pages/Simon-Christen-Photography/183499695028114

    or on my flickr account: flickr.com/seemoo

    Music by Nick Cave - Mary's Song from the Soundtrack of "Assassination of Jesse James"

    # vimeo.com/15069551 Uploaded 3.2M Plays 842 Comments
  2. "Slow" marine animals show their secret life under high magnification. Corals and sponges build coral reefs and play crucial roles in the biosphere, yet we know almost nothing about their daily lives. These animals are actually very mobile creatures. However their motion is only detectable at different time scales compared to ours and requires time lapses to be seen.

    bioqueststudios.com.au
    Don't forget to check out our new video with updated technology: vimeo.com/220289475

    Make sure you watch the video on a large screen. This clip is displayed in Full HD, yet the source footage (or the whole clip), is available in UltraHD 4k resolution for media productions.

    The answer to a common question: yes, colors are "real" and not exaggerated by digital enhancement. We have only applied basic white balance correction. However, we used specialized lights to mimic the underwater ambient spectrum. When photographers use white light (artificial spectrum) on corals, they simply miss the vast majority of colours. Corals have spectrum-sensitive colouration due to fluorescent pigments.

    The duration of sequences varied from 20 minutes to 6+ hours.

    === Technical details ===

    To make this little clip we took 150000 shots. Why so many? Because macro photography involves shallow depth of field. To extend it, we used focus stacking and deconvolution algorithms. Each frame of the video is actually a stack that consists of 3-12 shots.

    Just the intro and the last scene are regular real-time footage. One frame required about 10 minutes of processing time (raw conversion + stacking + deconvolution in some scenes). Unfortunately, the success rate was very low due to copious technical challenges and we spent almost 9 long months to get it right.

    Music: Atmostra III by Cedric Baravaglio, Jonathan Ochmann and Zdravko Djordjevic.

    === Sharing/Use ===

    Inquiries/licensing/press: find our contact details bioqueststudios.com.au/

    More information about using our videos:
    bioqueststudios.com.au/image-and-video-use/

    Please support the Great Barrier Reef conservation efforts marineconservation.org.au/pages/donate.html

    # vimeo.com/88829079 Uploaded 4M Plays 371 Comments
  3. Update II: Check out my latest time lapse project: vimeo.com/simonchristen/timelapsecollection

    Update: Thank you so much to all of you. I am humbled and a little bit overwhelmed with all your comments. I am trying to answer all the questions (please keep 'em coming) but would like to thank each of you for taking the time to write a comment. I am reading them all. THANK YOU.
    Almost 3/4 of a million views and 10k likes in one week, I am floored. It truly makes me happy that my little film is able to connect with you and hopefully evokes the same feeling of happiness that I felt while shooting it.

    Thank you also so much to everybody that has left me tip. You are too kind!

    -

    It has been almost 3 years since I released "The Unseen Sea" and I'm excited and proud to share with you my latest project "Adrift".

    "Adrift" is a love letter to the fog of the San Francisco Bay Area. I chased it for over two years to capture the magical interaction between the soft mist, the ridges of the California coast and the iconic Golden Gate Bridge. This is where “Adrift” was born.

    The weather conditions have to be just right for the fog to glide over the hills and under the bridge. I developed a system for trying to guess when to make the drive out to shoot, which involved checking the weather forecast, satellite images and webcams multiple times a day. For about 2 years, if the weather looked promising, I would set my alarm to 5am, recheck the webcams, and then set off on the 45-minute drive to the Marin Headlands.

    I spent many mornings hiking in the dark to only find that the fog was too high, too low, or already gone by the time I got there. Luckily, once in a while the conditions would be perfect and I was able to capture something really special. Adrift is a collection of my favorite shots from these excursions into the ridges of the Marin Headlands.

    I hope with my short film I am able to convey the feeling of happiness I felt while I experienced those stunning scenes.

    I am so grateful to Jimmy LaValle, from the band “The Album Leaf”, for composing a custom score for Adrift. Jimmy's music is fantastically beautiful and captures the mood perfectly. Please check out his website. Thanks again Jimmy for your hard work.

    I hope you enjoy the film and thank you for watching.

    If you like this short film, please consider using the Tip Jar below, proceeds will go towards the next project...

    Licensing: Adrift is copyrighted. All of my work is available for licensing under a rights-managed agreement. If you are interested in using any of my images and/or time lapse footage, please visit my website or contact me directly. Most of my clips are available up to 4K resolution! All of them support 2.8K and standard HD resolutions of 1080p/720p. Some of my favorite scenes in the film are also available as high resolution prints.

    Visit my website at simonchristen.com
    or follow me on facebook: facebook.com/SimonChristenPhotography
    or 500px: 500px.com/SimonChristen

    You can follow Jimmy LaValle's work here and get a free copy of the song: on.fb.me/1b6c6gy

    # vimeo.com/69445362 Uploaded 4M Plays 830 Comments
  4. Every frame in this video is a photograph taken by astronauts aboard the International Space Station (ISS).
    I created this timelapse on a long weekend after discovering the image library online. I used Photoshop and Sony Vegas to edit and compile the footage.
    The music is a track from one of my favorite sci-fi movies, Sunshine. I thought the music and imagery would fit well together.

    *** Thank you all for likes,comments, shares and support this video has received. I'm truly glad so many have enjoyed it.***

    You can view my other work and see my other projects here:
    facebook.com/kn8photo
    knatephoto.com

    Music by John Murphy - Sunshine (Adagio In D Minor)
    Performed by the City Of Prague Philharmonic
    amazon.com/dp/B003YYX1YG/?tag=you09f-20

    Image Courtesy of the Image Science & Analysis Laboratory,
    NASA Johnson Space Center, The Gateway to Astronaut Photography of Earth
    eol.jsc.nasa.gov

    # vimeo.com/45878034 Uploaded 4.8M Plays 489 Comments
  5. Time lapse sequences of photographs taken by the crew of expeditions
    28 & 29 onboard the International Space Station from August to October,
    2011, who to my knowledge shot these pictures at an altitude of around 350 km.
    All credit goes to them.

    Full HD, refurbished, smoothed, retimed, denoised, deflickered, cut, etc.
    All in all I tried to keep the looks of the material as original as possible,
    avoided adjusting the colors and the like, since in my opinion the original
    footage itself already has an almost surreal and aestethical visual nature.

    Music: Jan Jelinek | Do Dekor, faitiche back2001
    w+p by Jan Jelinek, published by scape Publishing / Universal
    janjelinek.com | faitiche.de

    Image Courtesy of the Image Science & Analysis Laboratory,
    NASA Johnson Space Center, The Gateway to Astronaut Photography of Earth
    eol.jsc.nasa.gov

    Editing: Michael König | koenigm.com

    Shooting locations in order of appearance:

    1. Aurora Borealis Pass over the United States at Night
    2. Aurora Borealis and eastern United States at Night
    3. Aurora Australis from Madagascar to southwest of Australia
    4. Aurora Australis south of Australia
    5. Northwest coast of United States to Central South America at Night
    6. Aurora Australis from the Southern to the Northern Pacific Ocean
    7. Halfway around the World
    8. Night Pass over Central Africa and the Middle East
    9. Evening Pass over the Sahara Desert and the Middle East
    10. Pass over Canada and Central United States at Night
    11. Pass over Southern California to Hudson Bay
    12. Islands in the Philippine Sea at Night
    13. Pass over Eastern Asia to Philippine Sea and Guam
    14. Views of the Mideast at Night
    15. Night Pass over Mediterranean Sea
    16. Aurora Borealis and the United States at Night
    17. Aurora Australis over Indian Ocean
    18. Eastern Europe to Southeastern Asia at Night

    # vimeo.com/32001208 Uploaded 11.2M Plays 926 Comments

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