1. After numerous requests, I finally decided to create a sequel to "First and Final Frames". Part II plays the opening and closing shots of 70 films side-by-side. Like the first video, some of the opening shots are strikingly similar to the final shots, while others are vastly different--both serving a purpose in communicating various themes. The side-by-side comparison can communicate an entire story, but also allows us to develop new theories about a given film. So once again, what can we learn from examining the first and final frames of a film?
    My deepest thanks to everyone for the praise and support on the first video!
    View Part 1 here: vimeo.com/122378469
    MUSIC: "Together We Will Live Forever" by Clint Mansell
    Potential SPOILERS for the following films:
    Sunshine
    Snowpiercer
    Biutiful
    21 Grams
    The Prestige
    All is Lost
    Take Shelter
    The Impossible
    United 93
    Vanilla Sky
    Ex Machina
    Inside Llewyn Davis
    Dead Man
    Mystery Train
    Melvin and Howard
    Fury
    Full Metal Jacket
    A Clockwork Orange
    Eyes Wide Shut
    Eraserhead
    The Elephant Man
    The Fall
    The Thin Red Line
    The New World
    Road to Perdition
    Snow Falling on Cedars
    The Bourne Ultimatum
    The Imitation Game
    Flight
    Hard Eight
    Inherent Vice
    World War Z
    Wild
    The Double
    The Machinist
    Born on the Fourth of July
    Brideshead Revisited
    Maps to the Stars
    The Skeleton Twins
    Mommy
    A Scanner Darkly
    10 Years
    Milk
    Lost Highway
    Boxcar Bertha
    Badlands
    Ghost Dog: The Way of the Samurai
    Ratcatcher
    Ida
    Raise the Red Lantern
    Gattaca
    Kundun
    Bringing Out the Dead
    A Most Wanted Man
    The Curious Case of Benjamin Button
    The Social Network
    Jack Goes Boating
    Submarine
    Half Nelson
    Eternal Sunshine of the Spotless Mind
    Babel
    Django Unchained
    True Grit
    Vertigo
    Oldboy
    Apocalypto
    Dawn of the Planet of the Apes
    Gladiator
    Mad Max: Fury Road
    World's Greatest Dad

    Copyright Disclaimer: Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

    # vimeo.com/140600860 Uploaded 236K Plays 18 Comments
  2. http://flavorwire.com/267040/video-essay-the-martin-scorsese-film-school

    Inspired by: http://www.fastcocreate.com/1679472/martin-scorseses-film-school-the-85-films-you-need-to-see-to-know-anything-about-film

    # vimeo.com/38109663 Uploaded 42.4K Plays 7 Comments
  3. # vimeo.com/48425421 Uploaded 2.5M Plays 313 Comments
  4. A few before and after color grading samples from the independent feature film "The House On Pine Street." This film was colored by Taylre Jones at Grade located in Kansas City.

    Director(s): Aaron and Austin Keeling
    Director of Photography: Juan Sebastian Baron
    Colorist: Taylre Jones

    For more information about color work, check out our website at gradekc.com or shoot an email to taylrejones@gradekc.com

    To learn more about the film, check out their website!
    thehouseonpinestreet.com/

    Music is from The House On Pine Street film score.
    Check out more of the talented works of Jeremy Lamb and Nathan David at their websites.
    jeremylambmusic.com/
    nathanmatthewdavid.com/

    # vimeo.com/116019668 Uploaded
  5. Can movement tell a story? Sure, if you’re as gifted as Akira Kurosawa. More than any other filmmaker, he had an innate understanding of movement and how to capture it onscreen. Join me today in studying the master, possibly the greatest composer of motion in film history.

    For educational purposes only. You can donate to support the channel at
    Patreon: patreon.com/everyframeapainting

    And follow me here:
    Twitter: twitter.com/tonyszhou
    Facebook: facebook.com/everyframeapainting

    Interview Clips:
    Sidney Lumet on RAN: http://bit.ly/1B7mfTD
    Robert Altman on RASHOMON: http://bit.ly/1BDuvL7
    Paul Verhoeven on Kurosawa: http://bit.ly/197vwnS

    Music:
    Yoko Kanno & Seatbelts - N.Y. Rush
    J Dilla - Untitled Track 03 (from King of Beats)
    J Dilla - Untitled Track 14 (from King of Beats)
    Nujabes - Sea of Clouds
    Nujabes - Transcendence
    DJ Shadow - Why Hip Hop Sucks in ‘96

    # vimeo.com/122702786 Uploaded 251K Plays 93 Comments

CANAL

Júlio César

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