Now in its sixth year, FITC Tokyo 2015 consists of presentations from some of the most interesting and engaging digital creators from all around the world. To commemorate FITC Tokyo’s inaugural title sequence we sought to encapsulate the city itself—distilled to graphic form. Aiming to contrast the harmonies of traditional Japanese culture against the backdrop and sensory overload of present-day Tokyo, we meticulously crafted elegant typographic forms to collide with abrasive, overstimulating glitch—giving way to a progressive journey where moments of extreme chaos fold into temporary tranquility.
Director: Ash Thorp
Producer: Andrew Hawryluk
Art Director: Michael Rigley
Type Designer: Nicolas Girard
Designers: Ash Thorp, Michael Rigley, Nicolas Girard
Type Animators: Nicolas Girard, Alasdair Willson
Animators: Michael Rigley, Chris Bjerre, Andrew Hawryluk
Computational Artist: Albert Omoss
Process Reel Editor: Franck Deron
In my life I have been fortunate to have explored fascinating places around the world. There is one particular city though, that keeps giving me new emotions every day. It is Roma (or Rome).
Its variety of architectures that stands clearly apart from other "megacities", Its unparalleled history legacy and Its intimate and quieter sides make Rome a city that does get into your bloodstream.
I have received so many messages asking for details on how I produce my videos.
I put down this short piece: oliverastrologo.com/videotips this explains few techniques I have been using and includes a list of equipment. Don't hesitate to write to me if you need further details or have any recommendation.
Gear (Find a comprensive list of my equipment here: oliverastrologo.com/gear)
Sony A7ii @ 1080 50p PP7 (Exposed in S-Log2)
Sony A7s @ 1080 50p PP7 (Exposed in S-Log2)
Riprese aeree (in italiano):
La questione delle riprese aeree effettuate con Droni è spesso soggetta a controversie, è importante ricordare che possono essere (e spesso sono) utilizzati in modo responsabile. Le riprese aeree di questo video sono state realizzate prima del 30 Aprile 2014 data antecedente alle nuove restrizioni sui voli, tutte le immagini sono state acquisite rispettando le seguenti modalità:
- Evitare le zone sensibili o qualsiasi cosa che può essere frainteso senza previa autorizzazione.
- Evitare i periodi più affollati, le ore di punta, eventi speciali, ecc.
- Evitare le folle. In caso di zone ove erano presenti delle persone con osservatori di terra e ricetrasmittenti.
- Rispettare le aree residenziali di tranquillità e diritto alla privacy.
- Eliminare qualsiasi materiale che rivela inavvertitamente persone o che possa compromettere la privacy.
Per domande riguardanti le riprese aeree, vi prego di contattarmi via e-mail.
** Important **
All video, music and sounds effects are rights reserved.
Please only use and share this embed code of the original video.
Third party downloads and distribution is not permitted.
This is compilation of hyperlapse videos that I shot over the course of the past 2 years. I spent a lot of time scouting for locations, waiting for the perfect conditions, and catching the beauty of the city. Lighting is important. Sunrises, sunsets; transitions from dawn to day, and from dusk to dark. I used a lot of self-developed tricks and techniques in both the shooting and editing processes - it took a lot of time and passion to make this video.
For all questions and inquires; email me: email@example.com
"One Day They'll Know" (Derek Smith) 8 Minutes 20 Seconds Records Performed by Pretty Lights. All Rights Reserved. Used by permission.
'And Then I Vanish' is a surreal motion poem, which has started as a simple spare time project months ago.
Since then it grew, it changed quite a lot - and now it's finally done.
I tried to restrict myself by some rules, e.G. only going for portraits & close-ups and maintaining the same light direction.
Made with Cinema4D & Octane Render.
created by Cornel Swoboda,
sound design by Oliver Salkic,
voice/vocals by Victoria Ward,
poem by Cornel Swoboda & Ron Weaver.
"A film is - or should be - more like music than like fiction. It should be a progression of moods and feelings. The theme, what's behind the emotion, the meaning, all that comes later."
― Stanley Kubrick
Beethoven - Symphony No.7 in A Major, Op.92: II. Allegretto
Eyes Wide Shut (1999)
Full Metal Jacket (1987)
The Shining (1980)
Barry Lyndon (1975)
A Clockwork Orange (1971)
2001: A Space Odyssey (1968)
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
Paths of Glory (1957)
The Killing (1956)
Killer’s Kiss (1955)