1. This is a film based on the book "Death of the Liberal Class" by journalist and Pulitzer prize winner, Chris Hedges.

    It charts the rise of the Corporate State, and examines the future of obedience in a world of unfettered capitalism, globalisation, staggering inequality and environmental change.

    The film predominantly focuses on US corporate capitalism, but it is my hope that the viewer can recognise the relevance of what is being expressed with regards to domestic political and corporate activity.

    It was made entirely of clips found on the web.

    Music by Clark (warp.net/records/clark)

    Warning - this film contains scenes that some viewers may find disturbing.

    # vimeo.com/59002146 Uploaded 168K Plays 60 Comments
  2. Madrid Fashion Film Festival 2013
    Award "Best Fashion Film International 2013"
    Award " Best Art Direction 2013"

    New York Fashion Film Festival 2013
    Selection

    ASVOFF 5
    Award 2012 " Best Art Direction"

    DIRECTOR: Monica Menez

    WRITTEN: Monica Menez

    PRODUCTION: Monica Menez

    ART DIRECTION: Monica Menez

    CAST: Albe Hamiti / Tune Models

    DIRECTOR OF PHOTOGRAPHY: Paul Robert Klinar

    SET DESIGN : Atelier Josche.

    STYLIST: Sanne Roesch

    HAIR: Sabine Nania

    MAKE-UP: Sabine Nania

    # vimeo.com/49497952 Uploaded 355K Plays 78 Comments
  3. willstrathmann.com
    instagram.com/willstrath

    Percussions of Light is the first ever timelapse video of lightning bugs in 4K. Photographed during a full lunar cycle in southeastern Pennsylvania, Percussions of Light consists of over 20,000 images taken during summer 2015. Watch in HD and with headphones for optimal viewing experience.

    ARTIST STATEMENT:

    Every June, days turn to dusk and the lights come out. In the early summer of 2015 I set out to capture one of my favorite natural phenomenon; the dance of light flashing through the fields of my family farm. This year, as I began to photograph, I realized that these tiny biolumenencent bugs continued their dance deep into the night, far later than I would stay out watching as I grew up. Over the course of the next four weeks I stayed out, camped out, and took over 20,000 photographs in hour long sequences in the fields and forrest surrounding the farm. When it came time to create a video that represented this familiar summer phenomenon, I wanted to create something that packed in the energy of every bug, star, and blade of grass that moved during the project. As I created the image sequences and watched as hours of time compressed into seconds, the video began to take on its own rhythm. Each flicker of light built upon the last and created a natural percussion, matching the beat of the drums.

    The creation of this film allowed me to see lightning bugs in a new light, one that was full of energy and volume rather than the tranquil flicker I was used to watching as I grew up. I hope it can do the same for you.

    To see more from this project, including full resolution composite photographs from each of the sequences please go to: willstrathmann.com/will-strathmann/photography/light-up-the-night/

    ...

    For licensing information, use of footage, or inquiry about purchasing prints from this project please contact wstrathmann@gmail.com.

    Equipment:
    Nikon D610
    Nikon 14-24mm f2.8 lens

    Post Processing:
    Adobe Lightroom
    Adobe Photoshop
    Adobe Premiere Pro
    StarStax
    LRTimelapse4

    # vimeo.com/143559676 Uploaded 3,633 Plays 2 Comments
  4. An eight-part series (Poetry of Perception) on representations of perception and sensation made for fundamentalsofneuroscience.org. "If we understood something just one way, we would not understand it at all." Marvin Minsky

    Words by Emily Dickinson
    Animation by Brian Smee briansmee.biz
    Narration by Nak Yong Choi
    Translation by Yoonah Caroline Lee
    Coloring Assistance by Isabelle Aspin
    Sound + Music by Skillbard skillbard.com
    Produced by Nadja Oertelt nadjaoertelt.com

    # vimeo.com/139611890 Uploaded 8,506 Plays 15 Comments

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