Filmed in her Tribeca studio, Louise Despont peruses a vast reference library of images she began collecting in high school and maintains to this day. Drawn to geometry, energy waves, and universal symbols, Despont’s interests reveal a fascination with underlying patterns and cosmological draughtsmen: Rudolf Steiner, Carl Jung, Agnes Martin, Charles Burchfield, Martin Ramirez, Achilles G. Rizzoli, Adolf Wölfli, Hilma af Klint, Theosophy, Buddhist medical charts, Shaker gift drawings, seismographs, echolocation, mandalas, yantras, Tantric drawings, maps, gardens, fasciation in plants, beehives, kilim, ikat, Jantar Mantar, and masks. "What’s so interesting about the creative act is that you can access something completely outside yourself," says Despont, who makes a distinction between consciously referencing subject matter in her artwork versus communing with a sense of unconscious awareness. "If you offer yourself up as the hands to make the work the relationship you form with what you communicate with has its own voice." Featuring Despont’s drawings included in the exhibitions "Harmonic Tremor" (2015) at Nicelle Beauchene and "The Six-Sided Force" (2014) at Pioneer Works, as well as scenes from her stop-motion animation "Experiments in Moving Drawings, Parts I & II" (2007).
ART21 "New York Close Up" is supported, in part, by The Lambent Foundation; the New York City Department of Cultural Affairs in partnership with the City Council; The Andy Warhol Foundation for the Visual Arts; and by individual contributors.