This project is based on a 3D-scan technique, which allows me to reproduce an image of my own body as a 3D object in a software. It is possible to view this object not just from outside, but also from the inside as a negative as well, which creates abstract shapes.
The colouration was generated with the help of colour data I took from a real picture.
The film reflects the invisible inner world of an individual, which owns a small universe in itself, created by experiences and feelings - as well in the digital world as in real life. We try to express ourselves and approach our world another being, but still, nobody can see in our souls entirely.
For me, the process of scanning is a very important part of this work itself.
The idea of digitising a body and hence the creation and deformation of its computer generated self, reflects the digital world we live in today. We create an alternative world, in which everybody can be what they want to be. In some way, it resembles to an act of creation.
We never stop building more worlds for ourselves, even though there are already various ones encircling us, that we don't even understand yet.
Each universe encloses another, which creates a new one, and the world next to us still seems far away. And so we look into infinity again, which inevitably surrounds us.
A crazy road-movie that seems to melt down into an abstract painting.
Dirk Koy straps a camera onto a carwheel and rides off – from 0 to 140 km/h,
to the driving sounds of Boris Blank. Apart from cuts, cross-fades and
colour corrections there is no digital enhancement. A perfect symbiosis of
shot images and their abstraction.