1. Accurate Color Correction examples using After Effects and Photoshop in my tutorial.

    ☞ Watch the advanced After Effects Color Correction Tutorial! vimeo.com/14396098

    Please bestow a ♥ like or leave a ✉ comment if you have questions!

    To see other After Effects tutorials (including 60p to 24p Slow Motion Conversion, SUPER Slow Motion, Anamorphic Widescreen Tutorial, and more), go to:
    After Effects & Premiere Tutorials from devowe.com

    devowe.com/

    Prelude in G major by Maya Filipič from Jamendo.com

    # vimeo.com/14400218 Uploaded 16.3K Plays 26 Comments
  2. 30p to 24p slow motion in After Effects CS3. This tutorial is so easy it's ridiculous.

    Please bestow a ♥ like or leave a ✉ comment if you have questions!

    All you 5D Mark II users out there - rejoice! Transform your 30p footage from your 5D and create a 60FPS effect! This is accomplished using Frame Blending and Motion Blur inside of After Effects. Keep in mind this will likely cause aliasing and artifacts in your footage since AE will be 'guessing' every other frame. My footage in this tutorial isn't the best because it contains so much detail and distorts easily.

    Slow Motion from 30p!
    vimeo.com/11296318

    ★Other Slow Motion Tutorials:★

    After Effects & Premiere Tutorials from devowe.com

    60p to 24p TRUE slow motion in Premiere (POPULAR): vimeo.com/8478419
    60p to 24p SUPER slow motion in After Effects: vimeo.com/11280015
    ☞ Example: vimeo.com/11296764
    24p to 24p slow motion in After Effects! vimeo.com/11280739
    ☞ Example: vimeo.com/11284811

    To calculate the "Stretch Factor" for After Effects (as in this tutorial), just multiply the ORIGINAL footage times 2, divided by your OUTPUT frame rate. For example:

    ORIGINAL frame rate * 2 / OUTPUT * 100 = percentage of stretch. In this tutorial example,

    29.97
    times
    2
    divided by
    23.976
    equals
    2.5

    The quotient (2.5) is your stretch factor multiplied by 100 (two decimal places): 250% stretch factor.

    Play around with different stretch factors such as 150%, 175%, or maybe even 300%, depending on your footage. It is best to use whole numbers as mentioned. This way, After Effects can guess every other frame - not every 3 1/2 frames. The output tends to look better.

    ~----------------------------------------------------------------~
    NTSC Scenario:
    Project: 24p (23.976 fps)
    Unedited footage: 30p (29.97 fps)
    Desired output: 24p overcranked SLOW MOTION
    Method: The method in the tutorial explains this scenario. (23.976 timeline, drop 30p footage in, set time stretch to 250%, export as 23.976 [24p])
    ~----------------------------------------------------------------~

    Note: When I say 'forward slash for good quality' in the tutorial, I actually mean it will change the Frame Blending mode to Pixel Motion. Sorry for the confusion there.

    Audio: Zoom H4n + Redhead Windscreen
    devowe.com

    # vimeo.com/11281642 Uploaded 25.1K Plays 15 Comments
  3. 24p to 24p overcrank slow motion in After Effects CS3. This tutorial is so easy it's ridiculous.

    Please bestow a ♥ like or leave a ✉ comment if you have questions!

    Fast-Action Slow Motion from 24p!
    vimeo.com/11284811

    ☞ PLEASE NOTE: This tutorial will NOT teach you how to get SUPER slow motion out of your 24p footage. The slowest I push my 24p clips to is usually only 150% original speed. Any further, your footage will start to fall apart. This tutorial will give you more of the 30p to 24p 'dreamy' effect (i.e.: vimeo.com/10996788).

    ★Other Slow Motion Tutorials:★

    After Effects & Premiere Tutorials from devowe.com

    60p to 24p TRUE slow motion in Premiere (POPULAR): vimeo.com/8478419
    60p to 24p SUPER slow motion in After Effects: vimeo.com/11280015
    ☞ Example: vimeo.com/11296764
    30p to 24p OVERCRANKED slow motion in After Effects: vimeo.com/11281642
    ☞ Example: vimeo.com/11296318

    So you shot in 24p and you want to slow it down a little. Here, you will learn a quick method to get some nice slow motion from your footage. Transform your 24p footage from your 7D, 5D Mark II (or what have you), and create a beautiful slow motion effect! This is accomplished using Frame Blending and Motion Blur inside of After Effects. Keep in mind this will likely cause aliasing and artifacts in your footage since AE will be 'guessing' every other frame. My footage in this tutorial isn't the best because it contains so much detail and distorts easily.

    To calculate the "Stretch Factor" for After Effects (as in this tutorial), just multiply the ORIGINAL footage times 1.5, divided by your OUTPUT frame rate. For example:

    ORIGINAL frame rate * 1.5 / OUTPUT * 100 = percentage of stretch. In this tutorial example,

    23.976
    times
    1.5
    divided by
    23.976
    equals
    1.5

    The quotient (1.5) is your stretch factor multiplied by 100 (two decimal places): 150% stretch factor.

    Play around with different stretch factors (maybe up to 200%, 225% or 250%, depending on your footage). It is best to use whole numbers as mentioned. This way, After Effects can guess every other frame - not every 3 1/2 frames. The output tends to look better.

    ~----------------------------------------------------------------~
    NTSC Scenario:
    Project: 24p (23.976 fps)
    Unedited footage: 24p (23.976 fps)
    Desired output: 24p overcranked SLOW MOTION
    Method: The method in the tutorial explains this scenario. (23.976 timeline, drop 24p footage in, set time stretch to 150%, export as 23.976 [24p])
    ~----------------------------------------------------------------~

    Note: When I say 'forward slash for good quality' in the tutorial, I actually mean it will change the Frame Blending mode to Pixel Motion. Sorry for the confusion there.

    Audio: Zoom H4n + Redhead Windscreen
    devowe.com

    # vimeo.com/11280739 Uploaded 17.7K Plays 11 Comments
  4. This example was created by converting 7D 30p footage to 24p super slow motion in After Effects CS3. Follow the tutorial here: vimeo.com/11281642

    The first clip is original speed, followed by the slow motion clip at 250% stretch factor. Distortion is very noticeable in this example. Too much detail and movement. Let me know what you think in the comments below.

    ★Other Slow Motion Tutorials:★

    After Effects & Premiere Tutorials from devowe.com

    60p to 24p TRUE slow motion in Premiere (POPULAR): vimeo.com/8478419
    60p to 24p SUPER slow motion in After Effects: vimeo.com/11280015
    ☞ Example: vimeo.com/11296764
    24p to 24p slow motion in After Effects! vimeo.com/11280739
    ☞ Example: vimeo.com/11284811

    devowe.com

    # vimeo.com/11296318 Uploaded 8,822 Plays 12 Comments
  5. This example was created by converting 7D 24p footage to 24p slow motion in After Effects CS3. Follow the tutorial here: vimeo.com/11280739

    The first clip is original speed, followed by the slow motion clip at 150% stretch factor. For this example, 150% seemed to work well. Let me know what you think in the comments below.

    ★Other Slow Motion Tutorials:★

    After Effects & Premiere Tutorials from devowe.com

    60p to 24p TRUE slow motion in Premiere (POPULAR): vimeo.com/8478419
    60p to 24p SUPER slow motion in After Effects: vimeo.com/11280015
    ☞ Example: vimeo.com/11296764
    30p to 24p OVERCRANKED slow motion in After Effects: vimeo.com/11281642
    ☞ Example: vimeo.com/11296318

    devowe.com

    # vimeo.com/11284811 Uploaded 4,837 Plays 0 Comments

After Effects & Premiere Tutorials from devowe.com

☞ Michael DeVowe Plus

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Hi! I'm Michael from Michael DeVowe Creative Works (devowe.com).

This channel is for the video tutorials I create on advanced techniques, workflow tips, and color correction in After Effects and Premiere.

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Hi! I'm Michael from Michael DeVowe Creative Works (devowe.com).

This channel is for the video tutorials I create on advanced techniques, workflow tips, and color correction in After Effects and Premiere.

Send some tutorial ideas my way in the shout box!

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Shout Box

  • Prügivedu

    love this channel!

    by Prügivedu

  • alex great

    fantastic. wish you would talk about slow motion in general more.

    by alex great

  • John Veale

    Being color-blind, red/green makes all this a challenge, but your tutorial was most helpful! Very clearly presented and easy to follow.

    by John Veale

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