Arachnodrone

  1. Excerpt from “Spider’s Canvas”
    Palais de Tokyo, Paris, France
    Friday, November 23, 2018

    We make music in the canvas of the spider, using sonification of 3D models and 2D images in the harmonic language of Just Intonation. Rather than playing with the spider herself, we are using her webs as the basis of our music, reading her scores, using her geometries as the foundation for our vibrations, she provides us a soundscape through which we can wander. Spider's Canvas is presented as part of Tomás Saraceno's Carte Blanche exhibit at the Palais de Tokyo. —

    Ian Hattwick, sound design
    Christine Southworth, guitars, video projection art
    Isabelle Su, coding and real-time data processing, sonification and visualization
    Evan Ziporyn, EWI, sonification

    # vimeo.com/305763113 Uploaded 34 Plays 0 Comments
  2. Excerpt from “Spider’s Canvas”
    Palais de Tokyo, Paris, France
    Friday, November 23, 2018

    We make music in the canvas of the spider, using sonification of 3D models and 2D images in the harmonic language of Just Intonation. Rather than playing with the spider herself, we are using her webs as the basis of our music, reading her scores, using her geometries as the foundation for our vibrations, she provides us a soundscape through which we can wander. Spider's Canvas is presented as part of Tomás Saraceno's Carte Blanche exhibit at the Palais de Tokyo. —

    Ian Hattwick, sound design
    Christine Southworth, guitars, video projection art
    Isabelle Su, coding and real-time data processing, sonification and visualization
    Evan Ziporyn, EWI, sonification

    # vimeo.com/305765219 Uploaded 31 Plays 0 Comments
  3. Excerpt from “Spider’s Canvas”
    Palais de Tokyo, Paris, France
    Friday, November 23, 2018

    We make music in the canvas of the spider, using sonification of 3D models and 2D images in the harmonic language of Just Intonation. Rather than playing with the spider herself, we are using her webs as the basis of our music, reading her scores, using her geometries as the foundation for our vibrations, she provides us a soundscape through which we can wander. Spider's Canvas is presented as part of Tomás Saraceno's Carte Blanche exhibit at the Palais de Tokyo. —

    Ian Hattwick, sound design
    Christine Southworth, guitars, video projection art
    Isabelle Su, coding and real-time data processing, sonification and visualization
    Evan Ziporyn, EWI, sonification

    # vimeo.com/305765271 Uploaded 18 Plays 0 Comments
  4. Excerpt from “Spider’s Canvas”
    Palais de Tokyo, Paris, France
    Friday, November 23, 2018

    We make music in the canvas of the spider, using sonification of 3D models and 2D images in the harmonic language of Just Intonation. Rather than playing with the spider herself, we are using her webs as the basis of our music, reading her scores, using her geometries as the foundation for our vibrations, she provides us a soundscape through which we can wander. Spider's Canvas is presented as part of Tomás Saraceno's Carte Blanche exhibit at the Palais de Tokyo. —

    Ian Hattwick, sound design
    Christine Southworth, guitars, video projection art
    Isabelle Su, coding and real-time data processing, sonification and visualization
    Evan Ziporyn, EWI, sonification

    # vimeo.com/305774769 Uploaded 95 Plays 0 Comments
  5. Excerpt from “Spider’s Canvas”
    Palais de Tokyo, Paris, France
    Friday, November 23, 2018

    We make music in the canvas of the spider, using sonification of 3D models and 2D images in the harmonic language of Just Intonation. Rather than playing with the spider herself, we are using her webs as the basis of our music, reading her scores, using her geometries as the foundation for our vibrations, she provides us a soundscape through which we can wander. Spider's Canvas is presented as part of Tomás Saraceno's Carte Blanche exhibit at the Palais de Tokyo. —

    Ian Hattwick, sound design
    Christine Southworth, guitars, video projection art
    Isabelle Su, coding and real-time data processing, sonification and visualization
    Evan Ziporyn, EWI, sonification

    # vimeo.com/305774799 Uploaded 10 Plays 0 Comments

Arachnodrone

Christine Southworth Plus

We make music in the canvas of the spider, using sonification of 3D models and 2D images in the harmonic language of Just Intonation. Rather than playing with the spider herself, we are using her webs as the basis of our music, reading her scores, using…


+ More

We make music in the canvas of the spider, using sonification of 3D models and 2D images in the harmonic language of Just Intonation. Rather than playing with the spider herself, we are using her webs as the basis of our music, reading her scores, using her geometries as the foundation for our vibrations, she provides us a soundscape through which we can wander. — Ian Hattwick, sound design; Christine Southworth, guitars &video art;
Isabelle Su, modeling & signification; Evan Ziporyn, EWI

Browse This Channel

Shout Box

Heads up: the shoutbox will be retiring soon. It’s tired of working, and can’t wait to relax. You can still send a message to the channel owner, though!

Channels are a simple, beautiful way to showcase and watch videos. Browse more Channels.