Directed by Andrew Thomas Huang

Producers: Brian Welsh & Matt Marsh
Executive Producer: Tamsin Glasson

Director of Photography: Laura Merians
Production Designer: Rebecca Stillman
Hair & Makeup Artist: Olive Meyer
Production Supervisor: Lauren Simpson

1st AC: Robby Hart
2nd AC/DIT: Daniel Wurschl
Camera PA: Rebecca Carpenter
Gaffer: Jamie Davis
Key Grip: Mark Hyde
Jib Operator: Stephen Winders

Art Director: Adrian Romo
Makeup Assistant: Tina Martinez
Stop Motion Animator: Eileen Kohlhepp

Art Department Artists:
Emily Franz
Jody Hughes
Nancy Jean Tucker
Jeff Knowlton
Jenn Rose
Chris Swanson
Amanda Tasse

Production Assistant: Brian Steffen


Visual Effects Supervisor: R James Healy
Lead CG Lighter: Carlos Diego
Lead Compositor: Andrew Thomas Huang
Lead CG Modeler: Lucas Cuenca

Leo Bridle
Mathias Cadyck
Elisa Ciocca
Alix Fizet
Jonathan Gallagher
Duncan Gist
Sami Guellaï
Stefano Lari
Adriano Vessichelli

CG Technical Directors:
Mathias Cadyck
Gianmarco Colalongo
Gareth Ermisz
Sami Guellaï
Tim Jenkinson
Simon Renaud
Johannes Sambs

CG Tracking:
Grant Hewlett
Dan Newlands
Natalie Rocks

Behind-the-Scenes Crew:
On Set Photographers: Chris Sinclair & Leandro Santini
Editor: Leandro Santini

Visual Effects created at Blinkink Studios
Head of Production: Josephine Gallagher

Color Correction by The Mill
Colorist: James Bamford
Mill Producer: Cath Short

Props Workshop provided by Screen Novelties

Sound Stage provided by Milk Studios

Special Thanks to:
Blinkink Studios
Screen Novelties: Chris Finnegan, Seamus Walsh & Mark Caballero
Logan Schneider
The Mill
Milk Studios & LEGS Media: Mazdack Rassi, Shaun Murdock, Adam Joseph & Tom Berendsen

A Colonel Blimp & Good Company Production

Video Commissioner: Phil Lee
Record Label: XL Recordings

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Shout Box

  • Lieber Analog | Tom Kretschmer

    A CinePoem of Berlins trainstation Ostkreuz before the gigantomanic reconstruction 2005-2007.
    The film bespeaks the loss of atmosphere, individuality and social ties, suggests that there is a difficult path to be taken between the trade-offs of necessary change and the preservation of evolved structures. It is an attempt to memorialize in poetic images this decrepit and yet so charming train station at Ostkreuz.

    by Lieber Analog | Tom Kretschmer

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