29th October 2013 | The Ritzy Cinema

On 28 October 2012, a government jet dropped a bomb on the village of al-Bara. Only 300 meters away, Olly Lambert was filming a meeting of rebel soldiers. While keeping his camera rolling, Lambert documented the shocking impact of the regime air strike on a civilian population.

As he was editing the highly acclaimed Syria: Across the Lines – a revealing report for Channel 4/PBS – he realised the footage shot that day in al-Bara offered a candid insight into the reality of documenting a war. Lambert decided to narrate the raw footage and publish it online, creating a rare, immersive and powerful portrait of the civil war. This footage went viral and reached a far greater number of people around the world than had tuned in to the original Channel 4/PBS piece.

Taking as his starting point the stark difference between the standard format piece of reportage he was commissioned to film and the 36 minutes of intimate personally narrated footage which became known as The Bombing of al-Bara, Lambert will discuss in depth the experience of filmmaking on the front line.

Between the Lines was a three-day festival that took place at Rich Mix from 1 to 3 March in collaboration with the Frontline Club. In a series of follow up events we continue to explore the challenges facing documentary makers, investigative journalists and citizen reporters in the new media landscape.

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Between the Lines Festival 2013

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DocHouse & the Frontline Club present Between the Lines Festival | Rich Mix Cinema | 1-3 March 2013

Between the Lines festival explored the challenges facing documentary makers, investigative journalists and citizen reporters in the new media landscape.

Three…


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DocHouse & the Frontline Club present Between the Lines Festival | Rich Mix Cinema | 1-3 March 2013

Between the Lines festival explored the challenges facing documentary makers, investigative journalists and citizen reporters in the new media landscape.

Three days of powerful films and lively debate on the issues and opportunities raised by the internet, trans-media and merging documentary conventions.

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