"Christian Roane" an independent film production

  1. A glimpse into composing and recording an original score for the micro budget feature film “Safe Space" released through Wild Eye Releasing.

    Documentary video by Peter Leix, edited by Collin McRae.

    "As I worked through post production on my first feature film, out of pocket, my inquiries into hiring an independent film composer spotlighted that it was outside my means. The catch was that instead of an electronic sequenced score, I aimed for orchestral music of the type I heard in childhood favorite films.

    In middle school, I spun the vinyl soundtracks of Jerry Goldsmith, John Barry, James Horner, Basil Poledouris, and of course John Williams. I wanted a retro thematic score with at least the illusion of an orchestral texture. And, I did not want the indie sound of a MIDI triggered set of instrument samples and unconvincing keyboard preset voices. Unfortunately, hiring this out professionally was beyond my financial means.

    I decided to compose and produce myself. With no musical education and simply an ear for what I liked, I was inspired by the stories of one-man-band, pop artists like Paul McCartney or Prince, that could perform and produce entire albums by playing and recording all the parts themselves one layer at a time. I slowly created a demo for the main theme on a Pro Tools workstation in my living room with an old Roland XP-80 keyboard. The risk of course was that because I'm not Prince or Paul McCartney, this would all turn out dodgy.

    After completing the demo, I enlisted the help of artist/musician Collin McRae, initially as a session musician, to add a real violin track to hide the stiffness of only the keyboard voices. Collin's sessions yielded take after take of variations of improvised lead lines. Using those lead line fragments, as bricks on the foundation of my demo, I built melodies and counter melodies together into a cohesive composition. In effect, Collin became the co-composer of the lead melodies which in turn influenced the remaining themes.

    Here is a behind the scenes look at the process of that initial theme, at my home studio in Ann Arbor in 2012." - Sharad K Patel (Director)

    Almost all of the film's music can be heard at somebodysdarlingthemovie.com/score/

    # vimeo.com/46559419 Uploaded 1,341 Plays 4 Comments
  2. (This is an old video post from 2009, the finished sequence today is much more elaborate and polished)
    These are some rough composites for the independent film "Somebody's Darling"": my first feature which is in post production which is being funded out of pocket by myself... slowly. I threw these together using Final Cut Pro to key and After Effects to stabilize the push in shot. We shot the footage on the fly with no budget and the backgrounds were shot without reference 6 months or more later. But.... it's all coming together well... for a low budget production, with only me putting it together in post, and a makeshift green screen setup.

    More work: sharadkantpatel.com

    # vimeo.com/3853676 Uploaded 621 Plays 7 Comments
  3. Title Sequence by Sharad Kant Patel
    Music and vocals by Sharad K Patel & Collin McCrae who performs viola, violin, and esraj.

    One month was spent creating this title sequence for the feature length independent film "Somebody's Darling". Inspired by the title sequences of Saul Bass and Maurice Binder, this is an attempt to tell also tell back story through symbolic illustration.

    Movie review: aintitcool.com/node/74971
    For more on info on the film and a 2 min trailer check out: somebodysdarlingthemovie.com

    Follow on twitter for fun stuff: twitter.com/darlingthemovie
    Like us on Facebook and help support independent creativity! facebook.com/somebodysdarlingthemovie

    # vimeo.com/8113600 Uploaded 496 Plays 3 Comments
  4. Written, Directed, & Edited by Sharad Kant Patel

    Here is a scene from my first feature film retitled "Somebody's Darling". It's a project that started as a short film but then expanded by me as a personal art project (out of pocket) into a feature film.

    For more info: somebodysdarlingthemovie.com
    Movie review: aintitcool.com/node/74971

    # vimeo.com/17972722 Uploaded 544 Plays 0 Comments
  5. Feature independent film (80min)
    Genre: Psychological Horror
    Movie review: aintitcool.com/node/74971
    Trailer #2: vimeo.com/184919908

    Synopsis: Unnatural secrets surface as the president of a mysterious fraternity obsesses over a coed in this retro-styled, psychological, horror drama touching upon current issues of date rape culture and privilege.

    This is the first feature film directed by filmmaker Sharad Kant Patel who previously screened shorts in SXSW and Raindance and also shot and acted in the feature “Bindlestiffs” which won the audience award at Slamdance. It was created “Robert Rodriguez” guerrilla style on a budget of a few hundred dollars per scene using every creative ounce of resource.

    Winner Best International Feature at FERATUM FILM FEST 2016, Mexico´s big Fantasy, Horror, Sci-Fi Film Festival.
    Official Selection of Silver Scream Fest by Famous Monsters of Filmland 2016
    Winner Best Horror Feature 2016 Subversive Film Society

    Visit somebodysdarlingthemovie.com for another layer of experience.
    Want to preview the full movie? Just ask: somebodysdarlingthemovie.com/contact/

    Copyright 2015 UFOclub Creative LLC

    # vimeo.com/127993395 Uploaded 1,423 Plays 2 Comments

"Christian Roane" an independent film production

Sharad Kant Patel PRO

A collection of various videos that all concern the independent film "Christian Roane" written and directed by Sharad Kant Patel.

ABOUT THE FILM:
With a story expanded from a simple meditative 40 minute short produced five years ago, the current much…


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A collection of various videos that all concern the independent film "Christian Roane" written and directed by Sharad Kant Patel.

ABOUT THE FILM:
With a story expanded from a simple meditative 40 minute short produced five years ago, the current much more complex feature is now locked at a tightly paced running time of 1 hour and 20 minutes. The project is completely self financed with no investors. It is a joint personal effort between the original producer Sebastian Mathews (based on his original story), Sharad Patel (writing and directing), Robert Murphy (DP throughout) and many subsequent volunteer actors, 2nd unit producers, and production assistants in the indie Texas filming community.

Many meticulous technical processes have taken place on this budget of pennies. The final locked cut was converted from the original inferior HDV 30p format into a true 24p format and pushed with a "cinematic" look involving multiple layers of digital adjustments taking months of experimentation to develop. (The original short was unfortunately shot with a Sony HVR-Z1U 1/3-inch ccd HDV Camera years before the current wave of inexpensive and superior 24p large sensor cameras appeared). We've worked very hard to try to distance the movie from its native live video look with our home grown techniques.

Post production is now continuing in Ann Arbor, Michigan in a home studio workspace. Original sound effects and foley are being recorded. Color correction and special effects are being devised and added, and an original score will be composed.

More work from this filmmaker: krop.com/sharad/

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