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Cheri Rose Katz

daniel daroca

Cheri Rose Katz has distinguished herself for her “beauty of tone and stylish musicality”. Her outstanding talent captured the attention of the Deutsche Opera Berlin, which engaged her for two seasons in over one hundred performances of the great Verdi…


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Cheri Rose Katz has distinguished herself for her “beauty of tone and stylish musicality”. Her outstanding talent captured the attention of the Deutsche Opera Berlin, which engaged her for two seasons in over one hundred performances of the great Verdi and Wagner roles. Her repertoire includes: Azucena, Amneris, Ulrica, Santuzza, Leonora (Fidelio), Ortrud, Lady Macbeth, Adalgisa, Maddalena, Enrichetta, Frugola, Rossweiße, Flosshilde, and Erda. Ms. Katz received praise from the press her “strong expressive voice, that can be delicate or powerful, as the music demands.” Among her most recent projects are the world premiere of Anton Coppola’s La Coupe et les lèvres (for which the New York press hailed her as “the polished mezzo-soprano”); Giovanna in Ernani at the Berlin Philharmonie with Renato Palumbo, the role of Teresa in the world premiere of Lorenzo Palomo’s Dulcinea at the Berlin Konzert Hall. Rossweiße in Die Walküre at the Festspielhaus Baden-Baden under Christian Thielemann; Amneris in Aida for Opera Internationale on tour; Maddalena in Rigoletto in South America; Handel’s Messiah in Israel, which was internationally televised in Manger Square in Bethlehem; excerpts from Carmen, Cavalleria Rusticana, and Don Carlo in Italy; Prokofiev’s Alexander Nevsky Cantata with the Sinfonica de Puerto Rico in San Juan, about her part in which El Vocero wrote, “Cheri Rose Katz displayed a rich voice of dark, majestic timbre and deep sonority. The long musical phrases, constructed with great skill and excellent articulation, were very organic”. Ms. Katz is an international prize winner of various competitions and a five-time recipient of grants from the Gerda Lissner Foundation.

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