Film School - Filmmaking

  1. Brad Bird, writer and director of animated films 'The Iron Giant', 'The Incredibles' and 'Ratatouille', gives an insight into his writing process, how he directs animation and why many people fundamentally misunderstand the medium. Subtitles available.

    Find out which animated film that one clip was from by turning on the 'English CC' subtitle track.

    This video combines excerpts from the three audio commentary tracks on home releases of 'The Iron Giant', 'The Incredibles' and 'Ratatouille', as well as fragments from the behind-the-scenes documentaries. Watching the films prior to watching this video is recommended, but not entirely necessary.

    Edited by Kees van Dijkhuizen Jr., © 2016. This non-profit project was made solely for educational purposes, not aimed at breaking copyright law. All rights to all material remain courtesy of their respective owners.

    # vimeo.com/189791698 Uploaded 125K Plays 60 Comments
  2. RED recently announced the EPIC-W, a DSMC2-based brain with the new HELIUM 8K S35 sensor. At 29.9mm x 15.77mm, the HELIUM 8K is slightly smaller than the DRAGON 6K sensor found in the EPIC or WEAPON, so lens choices should be very straightforward. Previously, the HELIUM 8K was only found in a limited quantity, special-edition body with a unique white finish (affectionately dubbed “Storm Trooper” models). Only a handful were available for sale on reduser.net, but they were never meant for general release. With the release of the EPIC-W, the HELIUM sensor is the fourth and latest evolution of RED sensor technology. What’s important to remember is that although HELIUM 8K offers the same 8192 x 4320 resolution as the previously announced WEAPON DRAGON 8K Vista Vision upgrade, the HELIUM is an all new design.

    To read the full post, visit our blog:
    blog.abelcine.com/2016/10/17/first-look-spotlight-on-the-red-epic-w

    # vimeo.com/191189655 Uploaded 365 Plays 0 Comments
  3. At the Sony Europe press event for the FS7 II, Newsshooter.com editor Dan Chung spoke to Sony's Claus Pfeifer about the company's reasons and intentions for the new camera.

    For the full story visit newsshooter.com

    # vimeo.com/190857401 Uploaded 1,608 Plays 0 Comments
  4. An inspiring look *now with commentary* at how the story-driven visual effects for The Walk were brought to life by artists at Atomic Fiction, Rodeo FX, and UPP.

    Nominated for three Visual Effects Society Awards, winner of the San Diego Film Critics Award for best VFX, and short-listed for the Academy's VFX Oscar Bake-Offs!

    # vimeo.com/147657847 Uploaded 183K Plays 18 Comments
  5. “Deadpool” marks the beginning of a new era for superhero films, and one sequence in particular was key to setting the tone. This is an in-depth VFX breakdown reel showcasing the behind-the-scenes efforts by the Atomic Fiction team. The work involved creating computer generated characters, vehicles, and an entire urban environment, for the thrilling car chase that kicks off this new franchise!

    Special thanks to Tim Miller, Jonathan Rothbart, our friends at Blur, and 20th Century Fox for the opportunity to contribute to these sequences.

    Music Credit: Deadpool (Original Motion Picture Soundtrack)

    © 2016 Twentieth Century Fox Film Corporation. All rights reserved.
    X-Men Characters and Likenesses TM & © 2016 Marvel Characters, Inc. All rights reserved.

    # vimeo.com/159011768 Uploaded 1.1M Plays 59 Comments

Film School - Filmmaking

Tommy Rodriguez

tommyrodriguezfilms.com/
This is the free Film School of cinemacuteo.com which are published videos tutorials to make your film projects, from the special effects, to the steadycam, lights, cranes. Filmmaking demystifies. Also visit the free…


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tommyrodriguezfilms.com/
This is the free Film School of cinemacuteo.com which are published videos tutorials to make your film projects, from the special effects, to the steadycam, lights, cranes. Filmmaking demystifies. Also visit the free Film School Group at: Film School - Filmmaking
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