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  3. BUY the calendar "THE TWELVE MUSES": amazon.de/dp/B017Y448OS
    The presentation of the calendar “THE TWELVE MUSES” was on 10/26/15 in Berlin together with a shooting for the last calendar motif “THE NARCISSIST” (month 07), an allusion to “sex-yourself”.
    Star photographer PETER PALM photographed artist MILO MOIRÉ at Insomnia Club in Berlin. On the set were along with Milo, a bodybuilder and a female model.
    Enjoy the making of!

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Milo Moire

Milo Moiré PRO

„Performance as the locus of contradiction – the paradox as the nucleus of spiritual development“

Milo Moiré’s performances start with daydreaming, with (every)daily, personal physical experiences which condense by wild associations to an internal…


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„Performance as the locus of contradiction – the paradox as the nucleus of spiritual development“

Milo Moiré’s performances start with daydreaming, with (every)daily, personal physical experiences which condense by wild associations to an internal whole piece of art about to mature and enter the world. Thanks to the intensity of the seen, the experienced and the witnessed, it ultimately becomes clear through her performance art that art, as is so often the case, needs physicality in order to manifest itself.

“Performance art doesn’t simulate life in the way a play or a painting does. No. Performance art is life itself at a certain point and a certain time, whereby the audience become the actors. I as a performer and the attendees find ourselves in a place of liminality. Familiar things are jumbled up and generate new structures, which create courses of action.”
„To create art, I even use THE original source of the femininity – my vagina“.

Milo Moiré’s art is comparable to a confusing dream, where archetypes and the Zeitgeist meet. The artist extracts familiar symbols from their usual surroundings and then de/re-forms and contrasts them.

The resurrection of a snow witch in a masked battle of expressions between hot and cold on a white night, a woman dressed in words, neurons that sprout out of a head like roots from a tree, human robots run by a script, the dialogue with a wall, the intimate public, a picture born from a vagina, an egg as the beginning of everything…

“I feel that my vagina is a body part just like any other. It is much more than a birth canal or an organ for sexual pleasure. For me, the vagina is a metaphysical representation of a model that comprises a large part of my self. The egg and the vagina correlate to a unique symbolism in my performance “The PlopEgg-Painting”. How else could I have delivered the Art Birth, than with an egg and my vagina?”

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