Commissioned by Festival Proyecta Oaxaca, Zaachila celebrates form and typography with eight unique animated idents.
Each ident is inspired by street typography, letterforms and the distinctive colour palette found in Oaxaca's colonial architecture.
Zaachila Form & Type was presented as a vertical title animation and as individual horizontal animations during the festival in one of Oaxaca's colonial main plazas.
Design & Animation: Kultnation
Sound Design: Studio Takt
The Path is my Grad Project for the Digital Design program at VFS. It was inspired by a picture took from NASA's Hubble Space Telescope of one of the furthest galaxies ever seen, spotted crossing behind the Pandora's Cluster. The aesthetics came from a personal interest about the dimensions of the universe in terms of distance and time and the mechanics applied to it, making the universe a system of perpetual motion.
Mischa Rozema and PostPanic Pictures' debut film project SUNDAYS completes a first step towards its Feature Film goal with the release of this ambitious proof-of-concept short. Much-anticipated and widely-supported by the international creative community (over 50K US Dollars was donated on Kickstarter alone for the live action filming part in Mexico City), SUNDAYS is directed by Mischa Rozema.
Set in Mexico City sometime in the future and starring US actor Brian Petsos and Mexican actress Sofia Sisniega, SUNDAYS is an ambitious philosophical science-fiction proof-of-concept short.
The end of the world seems like a nightmare to Ben. A memory of a past life that doesn’t belong to him. When Ben starts to remember Isabelle, the only love he’s ever known, he realises she’s missing in his life. An existential descent into confusion and the desperate need to find out the truth begins. This reality depicts a stunning, surprising and dark world. A world that is clearly not his.
story & directed by MISCHA ROZEMA - cast BRIAN PETSOS - SOFIA SISNIEGA - score composed by BEN LUKAS BOYSEN - director of photography JON GAUTE ESPEVOLD edited by MISCHA ROZEMA - vfx supervisor IVOR GOLDBERG - co-producer mexico STACY PERSKIE KANISS - production designer mexico ROBERTO BONELLI associate producer ANNEJES VAN LIEMPD - screenplay by KEVIN KOEHLER - sound designer JOCHEN MADER - producers ANIA MARKHAM - JULES TERVOORT
Prix Ars Electronica 2014, nominated.
VIDA Awards 16.0, nominated.
This project is based on my personal experience of being discriminated, because of being gay. The class leading Korea currently, was forced to sacrifice for economic growth after the war. They were weak and exhausted from fighting off starvation. They didn’t have the luxury to fix all the errors. They still can’t understand and rejects ones individualities, and that tendency is being carried on to the next generation. But we can’t blame the victims of history. Shocking enlightenments can be a start of change. But shock is bound to be accustomed. Shock is something that slowly wears out. Even if not, people can stop paying attention to the "shock treatment”. Everyone has their own way to protect themselves from things that irritates them. Maybe the mix of art and technology can be a softer alternative instead of the “shock treatment”.
Every thoughts and actions that leaves our body, becomes some sort of force or energy and has influence over the world nonstop. "You hit the brakes for a second, just tap them on the freeway, you can literally track the ripple effect of that action across a two-hundred-mile stretch of road, because traffic has a memory. It’s amazing. It’s like a living organism.” (Mission Impossible III, Tom Cruise) Like this, it is hard to comprehend how powerful our actions can be. We need to realise that an action has the power to be delivered and have psychological impacts, as well as physical impacts. This is the message I wanted to deliver to the audience through this project using one of the most familiar force, gravity.
The direction of gravitational pull changes according to the hand movement of the audience. The signal that is sent from Kinect according to the hand movement, is received by the servo motor and link arm, which translates the signal to mechanical movements to control the angle of the tank and camera in real time. By syncing the position of the hand and the gravitational force, the audience will reminisce of the Jedi’s from Star Wars. But that experience is not direct or shocking, but completely emotional. Most of the people might just end with being slightly amused, but some might end up thinking deeply about "the force”. This is what I ultimately try to address with my work. I believe change can start with a simple experience like this.