1. A critical part of Paris Photo Los Angeles was the educational component, organized by independent curator Douglas Fogle, and titled Sound and Vision. This program offered our visitors multiple intellectual perspectives on the use of images – both moving and still – in contemporary culture.

    Bringing together two artists at a time in the Sherry Lansing Theater on the Paramount Studios lot, the Conversations could open a free wheeling discussion of the practice of image making whether it be in the realm of the expanded uses of the photographic image or in the world of film and video.

    Each conversation was introduced by an international curator or critic who opened the talk with a conceptual meditation on the relationship between still and moving images in the history of art and cinema.

    Read more at parisphoto.com/losangeles/program/sound-and-vision-the-conversations

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  2. A critical part of Paris Photo Los Angeles was the educational component, organized by independent curator Douglas Fogle, and titled Sound and Vision. This program offered our visitors multiple intellectual perspectives on the use of images – both moving and still – in contemporary culture.

    Bringing together two artists at a time in the Sherry Lansing Theater on the Paramount Studios lot, the Conversations could open a free wheeling discussion of the practice of image making whether it be in the realm of the expanded uses of the photographic image or in the world of film and video.

    Each conversation was introduced by an international curator or critic who opened the talk with a conceptual meditation on the relationship between still and moving images in the history of art and cinema.

    Read more at parisphoto.com/losangeles/program/sound-and-vision-the-conversations

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  3. A critical part of Paris Photo Los Angeles was the educational component, organized by independent curator Douglas Fogle, and titled Sound and Vision. This program offered our visitors multiple intellectual perspectives on the use of images – both moving and still – in contemporary culture.

    Bringing together two artists at a time in the Sherry Lansing Theater on the Paramount Studios lot, the Conversations could open a free wheeling discussion of the practice of image making whether it be in the realm of the expanded uses of the photographic image or in the world of film and video.

    Each conversation was introduced by an international curator or critic who opened the talk with a conceptual meditation on the relationship between still and moving images in the history of art and cinema.

    Read more at parisphoto.com/losangeles/program/sound-and-vision-the-conversations

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  4. A critical part of Paris Photo Los Angeles was the educational component, organized by independent curator Douglas Fogle, and titled Sound and Vision. This program offered our visitors multiple intellectual perspectives on the use of images – both moving and still – in contemporary culture.

    Bringing together two artists at a time in the Sherry Lansing Theater on the Paramount Studios lot, the Conversations could open a free wheeling discussion of the practice of image making whether it be in the realm of the expanded uses of the photographic image or in the world of film and video.

    Each conversation was introduced by an international curator or critic who opened the talk with a conceptual meditation on the relationship between still and moving images in the history of art and cinema.

    Read more at parisphoto.com/losangeles/program/sound-and-vision-the-conversations

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  5. A critical part of Paris Photo Los Angeles was the educational component, organized by independent curator Douglas Fogle, and titled Sound and Vision. This program offered our visitors multiple intellectual perspectives on the use of images – both moving and still – in contemporary culture.

    Bringing together two artists at a time in the Sherry Lansing Theater on the Paramount Studios lot, the Conversations could open a free wheeling discussion of the practice of image making whether it be in the realm of the expanded uses of the photographic image or in the world of film and video.

    Each conversation was introduced by an international curator or critic who opened the talk with a conceptual meditation on the relationship between still and moving images in the history of art and cinema.

    Read more at parisphoto.com/losangeles/program/sound-and-vision-the-conversations

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Paris Photo Los Angeles - Sound and Vision - 2013

Paris Photo PRO

A critical part of Paris Photo Los Angeles is the educational component, organized by independent curator Douglas Fogle, and titled Sound and Vision. This program will offer our visitors multiple intellectual perspectives on the use of images – both moving


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A critical part of Paris Photo Los Angeles is the educational component, organized by independent curator Douglas Fogle, and titled Sound and Vision. This program will offer our visitors multiple intellectual perspectives on the use of images – both moving and still – in contemporary culture.
Bringing together two artists at a time in the Sherry Lansing Theater on the Paramount Studios lot, the Conversations will allow for a free wheeling discussion of the practice of image making whether it be in the realm of the expanded uses of the photographic image or in the world of film and video.
The stellar roster of invitees will include an international selection of artists, filmmakers, and thinkers from a wide variety of fields such as music and architecture. Confirmed participants include Doug Aitken, Phil Collins, Gregory Crewdson, Thomas Demand, John Divola
, Roe Ethridge, An-My Lê, Sharon Lockhart, Richard Misrach, Catherine Opie and Alec Soth along with Mad Men creator Matthew Weiner.

Read more at parisphoto.com/losangeles/program/sound-and-vision-the-conversations

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