Remaking Research Symposium - November 1 – 3, 2012

The fields and practices of art and design research represent a distinct array of alternative and critical approaches to the production of knowledge. Such contextualist, experimental, and practice–based traditions have profound implications for research in other fields and for our understanding of the cultural and aesthetic basis of research activity. From this perspective: What are the forms and methods of research that currently prevail within art and design contexts? How do they build on, or distinguish themselves from, other academic models and structures? What are the (real and practical) grounds for reconvening the conversations between fields of research practice that were separated by the academic movements of the 20th century?

- Reverse Engineering: Towards a Taxonomy of Art Practices, Adelheid Mers, School of the Art Institute of Chicago
- Current Design Research Journal, Celeste Martin and Deborah Shackleton, Emily Carr University of Art + Design
- Pratt’s Laboratory for Scientific Study of Art, Cindie Kehlet, Pratt Institute
- Digital Ceramics Archive Research, Paul Mathieu, Emily Carr University of Art + Design
- The Single Most Important Criterion for Reconfiguring Research Theory and Practice in the 21st Century, Anne-Marie Oliver, Barry Sanders, and Marie-Pierre Hasne, The Pacific Northwest College of Art; the University of California, Santa Barbara; and Oregon Health & Science University
- Wait a minute…, Gareth Jones, Rhode Island School of Design

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Remaking Research Symposium - November 1 – 3, 2012

Emily Carr University PRO

Visit the website at aicad.ecuad.ca/

Hosted by Emily Carr University of Art + Design and the Association of Independent Colleges of Art and Design, Remaking Research is a “working symposium” centred on the pragmatics and possibilities of creative…


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Visit the website at aicad.ecuad.ca/

Hosted by Emily Carr University of Art + Design and the Association of Independent Colleges of Art and Design, Remaking Research is a “working symposium” centred on the pragmatics and possibilities of creative practice as research, both within art and design institutions and in the context of interdisciplinary, inter–institutional, and partnered relations.

Investigating the philosophical provocations provided by human–centered, expressive and experimental approaches to knowledge formation and critical inquiry, this gathering will be centred around a series of primary themes and workshops, with the intent of sharing existing knowledge, showcasing new projects and contemporary methodologies, and addressing practical and ethical concerns involved in building successful research partnerships.

Themes
The Production of Knowledge in Art and Design - aicad.ecuad.ca/project/the-production-of-knowledge-in-art-and-design

The Political Economies of Art and Design Research
 - aicad.ecuad.ca/project/the-political-economies-of-research
Networked and Partnered Research Practice - aicad.ecuad.ca/project/networked-and-partnered-research-practice

Emily Carr gratefully acknowledges the support of the Association of Independent Colleges of Art and Design, the Canada Council for the Arts, the Social Sciences and Humanities Research Council of Canada, and GRAND.

Emily Carr University of Art + Design

1399 Johnston Street, Vancouver, BC
ecuad.ca/

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