1. Six Easy Pieces, Germany 2010
    HD video transferred from 16mm and photo-stills
    2 channel installation 7 min

    Reynold Reynolds
    artstudioreynolds.com/
    facebook.com/Artstudio.Reynolds

    Six Easy Pieces is the last part of the Secrets Trilogy; a three-part cycle exploring the imperceptible conditions that frame life and is preceded by Secret Life, 2008 and Secret Machine, 2009.

    The work is based on the book
    “Six Easy Pieces: Essentials of physics explained by its most brilliant teacher”.
    by Richard P. Feynman

    "Film is the Seventh Art, a superb conciliation of the Rhythms of Space (the Plastic Arts) and the Rhythms of Time (music, poetry and dance), a synthesis of the ancient arts: architecture, sculpture, painting, music, poetry and dance." -Ricciotto Canudo

    CREDITS

    Produced by- Saskia Lutter, Pierre Düsing

    Cinematography by- Carlos Vasquez

    Production manager - Julia Mari Bernaus
    Director Assistant - Moritz Uebele
    Art director - Merle Vorwald
    Lighting and additional cinematography - Ben Mergelsberg
    Costume designer - Janne Kummer
    Assistants art director - Max Krutz, Susanne Steckel, Henrieke Naumann
    Interns - Isa Saðlam, Rebecca Gomes-Ferenczi, Ewa Kniaziak Gazeta

    Sound director and design - Martin Backes (Aconica)
    Music- Peer Neumann, Martin Backes, Didio Pestana
    Foley- Martin Backes

    Arduino programming - Rodrigo Frenk, Michael van Rosmalen
    Documentation - Robin Thomson

    with-
    Helga Wretman, Juliette Bonneviot, Francesca Pellanda, Sanela Hasanovic,
    Pirnes Steante, Ana Bellido, Dave Krepfle, Agnes Lindström Bolmgren,
    Charlotte Miller, Jo Siska, Stephan Rumphorst

    produced in cooperation with Museum of Old and New Art (MONA), Tasmania, Australia, Impakt - Utrecht - The Netherlands, and Medienboard Berlin-Brandenburg, Germany

    # vimeo.com/25653921 Uploaded 899K Plays 48 Comments
  2. Secret Machine, Germany 2009
    HD video transferred from 16mm and photo-stills
    2-channel installation 7min

    Reynold Reynolds
    artstudioreynolds.com/
    facebook.com/Artstudio.Reynolds

    Secret Machine is the second of the Secrets Trilogy; a cycle exploring the imperceptible conditions that frame life and is preceded by Secret Life (2008) and followed by Six Easy Pieces (2010)

    In Secret Machine a woman is subjected to Muybridge’s motion studies. She is treated in the same fashion as in the original Muybridge photography: with Greek aesthetic in a Cartesian grid. A short time after Mybridge’s studies, Duchamp painted Nude Descending a Staircase, No. 2 (1912) attempting to show time on a flat surface. He is expanding cubism and painting into another dimension: time. Time is about movement and change, like our experience of reality. Without change life does not exist. Photography does not capture this experience. In Secret Machine different filming techniques are compared to the motion of the body. The film camera becomes another measurement tool in a way a video camera cannot. The intention was to make an art piece from the point of view of a machine, specifically a camera.

    CREDITS

    Protagonist Helga Wretman
    Antagonist Ana Bellido
    Stand in for Antagonist Nana Bahlmann

    Cinematography by Carlos Vasquez

    Art Direction, Production Design: Maria Schöpe
    Motion Programming: Daniel Urria
    Assistant to Carlos Vasquez: Juan Manuel Ortiz
    Set Construction: Thomas Maurer
    Driver: Daniele Fermani
    Drawings: Clement Page
    Intern: Dylan Walsh
    Intern: Laura Speicher
    Math and Philosophy Consultant: Erik Douglas

    Post-Production
    Director Visual Effects: Carlos Vasquez
    Music, Additional Foley: Hannes Strobl
    Film to Video Transfer: Philipp Orgassa at "PICTORION Das Werk"

    Special Thanks to
    Anamarie Michnevich
    Jozefina Chetko
    Yuki Jungesblut
    Beate Kunst
    Catherine Nichols
    Rotraut Buß
    Friederike Oberlin

    # vimeo.com/8600304 Uploaded 245K Plays 49 Comments
  3. Secret Life, Germany 2008
    HD video transferred from 16mm and photo-stills
    2 channel HD projection 5 min.

    Reynold Reynolds
    artstudioreynolds.com/
    facebook.com/Artstudio.Reynolds

    Secret Life is the first of the Secrets Trilogy; a cycle exploring the imperceptible conditions that frame life and is followed by Secret Machine (2009) and Six Easy Pieces (2010)

    Secret Life portrays a woman trapped in an apartment with a life of its own. Transcending the narrative horizons of human desire, the film visits upon us a glimpse of a shared and sacred reality. A work that defies the ultimate metaphysical taboos of temporality by combining novel technique with intrepid philosophical vision; and daring to present that which is seldom, if ever, portrayed in any artistic medium.
    Impossibilities are made possible through Reynolds’ signature aesthetic, a lens that can fill one with reverence for the mundane.
    Have you ever wondered what time sees, experiences? Without mortal assumptions about time, the occupant of the apartment is no longer limited even to unique location, but here, seen through the eye of time, space itself is now become alive. Without the context of space and time, the woman’s mind collapses and neglects the organization of her experience, leaving her only with sensations. The viewer may ask: Is it her mind or is it time itself that creates the uncontrolled and uncontrollable environment? The work suggests that all living things are endowed with consciousness, meaning all living things have awareness. While the space increases in its activity, the woman becomes an ever more passive element in her world. She moves at a mechanical speed and her mind is like a clock whose hands pin the events of her life to the tapestry of time, all the while, the truth is transcendentally reflected in the mechanical eye of the camera. Her thoughts escape her and come to life, growing like the plants that inhabit the space around her: living, searching, feeling, breathing and dying.

    CREDITS

    Woman- Helga Wretman

    Cinematography- Carlos Vasquez

    Produced by Anamarie Michnevich
    Production Design: Daniele Fermani
    Art Department: Michelle Letelier
    Set Construction: Thomas Maurer, Charles Green

    Post-Production
    Director Visual Effects: Carlos Vasquez
    Additional Cinematography: Daniele Fermani
    Music: Hannes Strobl

    Film to Video Transfer: Philipp Orgassa at "PICTORION WERKSTATT"


    Special Thanks to
    Saskia Draxler
    Hermann Nöring
    Gabriel Soucheyre
    Lies Declerck
    Friederike Oberlin
    Stuart Isto

    For Jane Williams

    Produced in cooperation with:

    European Media Art Festival
    49074 Osnabrück / Germany

    Videoformes
    63002 Clermont Ferrand, Cedex 1 / France

    Contour
    B.2800 Mechelen / Belgium

    # vimeo.com/8716852 Uploaded 59.1K Plays 16 Comments
  4. Reynold Reynolds
    Six Apartments, Germany 2007
    HD video transferred from 16mm and Super8
    Single channel HD projection 12.30 min

    artstudioreynolds.com/
    facebook.com/Artstudio.Reynolds

    Six Apartments is a poetic document of decline and deterioration -both physical and conceptual. Six isolated residents of six different apartments live their lives unaware of each other. They eat their food, wander between rooms, bathe, watch television, and sleep. For them, this is life.
    Yet while it may appear that nothing is happening here, the apartment building and its inhabitants’ bodies are aging, giving way to bacteria, larva, and finally transformation. Televisions and radios tell them about the destruction of the planet but it does not seem to affect their lives. Everything is in a state of resolute conversion. Immense drama does exist: chaos overcomes order and rot supersedes life. The residents’ lives are moving slowly towards death following the deliberate and methodical rhythms of their uniform days. This continuous erosion of bodies, buildings, and the planet, reveals the ever-active potential of death and its material processes.
    In their passivity and isolation, the inhabitants emerge as the true form of death, while the rooms they inhabit maintain the ongoing transformation of life. The potential of life, then, exists only in the process of death.
    Eventually all forms of life are consumed by new life.

    CREDITS

    Clean Woman- Cornelia Brelowski
    Biker- Wolfram Von Staufenberg
    Sick Girl- Johanna Kunig
    Woman- Edith Hermann
    TV Man- Norbert Decker
    Messy- Michael Arndt Gastaud

    Produced by Pierre Düsing, Lina Schuller, Marcela H. Polgar

    Cinematography- Kenzo Guzman
    Camera and Electrical- Carlos A. Lopez
    Production Design- Daniele Fermani
    Set Dresser- Andreas Böttger
    Set Construction- Mark Preuss, Yves Boczek

    Art Department for Clean Woman and Biker
    Samuel Hof
    Friederike Donath
    Jelena Nagorni
    Eva Swoboda

    Post-Production
    Visual Effects Supervisor -Carlos Vasquez
    Digital Artist- Cristóbal León
    3D Digital Artist- Joulia Strauss
    Photo Artist- Matilda Mester
    Management- Susen Hermann

    Additional Cinematography -Carlos Vasquez, Daniele Fermani
    Additional Post-Production- Letizia Mariotti

    Film to Video Transfer
    16mm-New York Du Art
    16mm-Berlin das werk
    Colorist Phil Whitfield
    S8mm Screen Shot Berlin

    Video Capture Berlin
    Fabian Dittmann
    Michael Labus

    Sound Design- Reynold Reynolds
    Sound Effects Editor- Claudia Neri
    Sound Recordist -Sam Auinger, Dany Scheffler

    Special Thanks To
    Filipa César
    Friederike Oberlin
    Taylor Van Horne
    Sacatar Foundation Brazil
    Stacey Steers

    # vimeo.com/8599219 Uploaded 43.1K Plays 8 Comments
  5. Reynold Reynolds, Patrick Jolley, Samara Golden
    Sugar, USA 2005
    32min video transferred from 16mm

    artstudioreynolds.com/
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    Music, J.G. Thirlwell;
    Sound designers, Bruce Odland, Sam Auinger.
    Actress: Samara Golden

    A young woman descends into madness in a gripping one-hour looped film by Reynold Reynolds and Patrick Jolley. That's what seems to happen, anyway, as the film's nonlinear narrative and mix of grainy black-and-white and lucid color tend to confuse what is real and what is hallucinated or dreamed.

    By turns funny, sad, mysterious and scary, the film's events take place in a squalid studio apartment. A young woman played by Samara Golden arrives carrying a suitcase and begins cleaning up. At one point, she extracts a corpse resembling her from behind a radiator screen and tends to it as though preparing it for a funeral. In other scenes the room violently shakes and water starts to flood it. Light bulbs pop and overloaded electrical connections crackle and buzz. Finally, she transfers her doppelganger's body from the refrigerator to the suitcase she came in with and departs.

    Film students will detect references to famous movies -- Roman Polanski's ''Repulsion'' most conspicuously. But because Ms. Golden plays her role with such understated earnestness, the film isn't just an arch exercise in appropriation. It immerses you in a harrowing dark night of the soul.
    -KEN JOHNSON (New York Times- December 23, 2005)

    # vimeo.com/19667993 Uploaded 42.5K Plays 1 Comment

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