[click on CC for subtitles]
Short documentary about collector and entrepreneur Enzo Pertoldi who sold his legendary 35-year robot collection, one of the greatest assemblages of robots and space toys ever amassed, counting over 2000 pieces. Enzo, defined by Mark Bergin as a “very thorough collector”, is now collecting space guns. “Anyone who knows and follows robots is aware of the importance of Enzo’s collection” said auctioneer Dan Morphy. “He built his collection like a curator acquiring fine art. He went for the rarest and best-quality pieces, and placed a top priority on obtaining toys that had their original boxes.”
As the owner of FriulPrint, a textiles-printing factory that serves the interior décor and fashion industries, Pertoldi already had a discriminating eye for design and color which he used when choosing not only the toys but also their beautiful original boxes.
Directed, edited and produced by Stefano Giacomuzzi
Shot by Emanuele Fornasier, Luca Pupil and Stefano Giacomuzzi
Photography by Luca Laureati
A huge thanks to Enzo, for his patience and for being willing to tell us his story, to Emanuele and Luca, for helping me out with the shoot as always, to Gian Luca - who put up with me editing the video for over a week - for making the video accessible to everyone, to Joshua Anderson-Rose - the Englishman who knocked on our door at the right time - for correcting the subtitles and last but not least to Camilla Rigoni for lending us her camera.
Thank you all!
Radio Design toasts 10 years of animation with a robot reboot.
In May 2014, Radio Design celebrates its 10th birthday. From our early years creating TV titles for BBC and Channel 4 to more recent work on the 007 Skyfall movie, it’s been quite a journey. To commemorate our 10 years in the industry we’ve revisited a favourite early animation and given it the full 2014 reboot treatment. Ladies and Gentleman, may we present the all new Electro Boogie.
Onedotzero screened Electro Boogie at the launch of their monthly event #dotdotdot on 24th July 2014.
Creative Director, Ben Cook, explains the process:
“These little guys kick-started the career over a decade ago. It seemed only fitting to reboot the robots for the Radio Design 10 year anniversary. The process, however, wasn’t all that simple – since the original version had been created as a 400x400px flash movie. There was no way these were going to look good in a full HD movie. I had to delve back into the project files saved on an old 2001 iMac G3, modelled in Poser 3.0 – it was like time travelling, and I’d completely forgotten how to use OS9. I experimented with export options but the old Poser 3.0 wireframe mode used to give that stylised box effect for the robots didn’t like being translated into OBJ sequences, so there was no way of importing them into Cinema 4D. Back to the drawing board. Undeterred, I used a workaround which involved creating several passes of the robot animation sequence at different camera angles, exporting from Poser as very large greyscale Quicktime movies with alpha channels, and compositing them in After Effects. So the final effect isn’t real 3D, although it’s almost convincing, it’s actually the trusty After Effects 2.5D. I used the camera cuts to switch to a new quicktime movie at a different angle to spoof the effect. An additional challenge was the floor. Initially it was set up as a large shape layer with very thin strokes, but I found this created problems. Not only did it really hog the processor for previews, but the quality of the lines was quite poor when they disappeared into the distance, and were undesirably thick in the foreground, even at the tiniest stroke width. I turned to Plexus 2 in the end, importing an OBJ and using the inbuilt lines and points renderers in the plug-in. The results were infinitely better and even though I didn’t need to use the animation power of Plexus for the floor, it’s real-time generative speed kept the rendering to a minimum and the lines crisp and clean. Lastly were the lighting effects. I’m indebted to the Video Copilot tutorial on Volumetric Light, the technique I used for the disc up-lighters. Also essential to the animation’s success was the Video Copilot plug-in Element 3D, which I used for the light floor ‘tubs’ and the title sequence. Several months later, after some heavy compositing, sound design and a final colour grade – voila! Electro Boogie mk.II.”
Here’s where it all began. The original Electro Boogie made over 10 years ago. Not too shabby, even though he’s getting on a bit:
Direction, Design, Animation, Sound:
A story of love and friendship that isn't always understood.
Song by Waitress for the Bees, from the album Albertosaurus. (available here: itunes.apple.com/us/album/albertosaurus/id458456393)
This video was filmed in Barcelona in August 2011. It shows the first public testing of the Ant Ballet Machine. Using synthesised pheromones (Z9:16Ald Hexadecanol) and highly invasive Linepthinema humile Argentine ants, a robotic arm lays pheromone powder trails that cause the ants to behave in a different way to their usual foraging. Performances in late 2012 will feature mass colony movement testing, and the first intercontinental ant ballet.
The machine is part of a larger study of paranoia, control systems, insects and architecture.
See the machine:
- Pestival @ ZSL London Zoo, until June 2012
- FutureEverything festival Manchester, 16-19 May 2012 futureeverything.org/art/ollie-palmer-ant-ballet/
- Pestival, Sao Paolo, late 2012 (with real live ants!)
BRAND NEW VIRAL: vimeo.com/43239312 - The world's Tiniest Police Chase!
Google Street View stop motion animation short made as a personal project by director Tom Jenkins.
Story: A lonely desk toy longs for escape from the dark confines of the office, so he takes a cross country road trip to the Pacific Coast in the only way he can – using a toy car and Google Maps Street View.
Music by the wonderfull Cinematic Orchestra (cinematicorchestra.com) and the track is Arrival of the Birds - please buy the fantastic album: itunes.apple.com/gb/album/the-crimson-wing-mystery-flamingos/id297787201
All screen imagery was animated - there are no screen replacements.
Shot using Canon 5d MkII, Dragonframe Stop Motion software and customised slider.
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