1. Frame grab: 500px.com/photo/3401436
    Red Scarlet X
    Lens: Canon L 85mm 1.2

    All shot at 24fps - 4K - 48th Shutter - 8:1 setting.

    I included different faces from young to old. All of whom have different skin tones and texture. Shot using pure natural light.

    # vimeo.com/32843511 Uploaded 19.3K Plays 63 Comments
  2. Graded in REDCINE X PRO - pushed alchemy for the "SURREAL" look.

    Frame Grab Still here: 500px.com/photo/3362516

    Shot # 1 - Shot 4k - 24 fps cityscape shot in real time
    Shot # 2 - Shot 4k - 24 fps fast moving pan of boat
    Shot # 3 - Shot 3k - 48 fps bird +waves
    Shot # 4 - Shot 5k - 1fps cityscape time-lapse

    Soundtrack by Gemini - "BLUE"

    # vimeo.com/32606141 Uploaded 34.8K Plays 65 Comments
  3. This is the first of a series of footage. (don't worry it won't all be flowers from here on out hehe)

    I went for the exaggerated colors on these 6 short clips.

    Full size stills and frame grabs here:

    I highly urge everyone to experiment with the raw files by downloading the free REDCINE X PRO software:

    Original R3ds here:


    Red Scarlet X
    Zeiss Super Speed
    Color graded in Redcine X Pro (Alchemy)

    All shot at 24fps - 4K - 48th Shutter - 8:1 setting.

    # vimeo.com/32433131 Uploaded 27.1K Plays 60 Comments
  4. This is the very first public footage of a working Red Scarlet Fixed Lens camera. I'm currently at Red Studios helping with the Santa Fe 3d Workshop with Geoff Boyle. Just as I am sitting there...in comes Jarred with a WORKING Red Scarlet 8X fixed camera! Naturally I was dying to hold the camera. As Jarred passed it to me, he told me I was the first public person to hold a working Red Scarlet. Let me tell you folks, it is real and is working. The Scarlet I was holding had the 5inch lcd touchscreen. The lens gear ring which can be set to zoom, iris or focus is buttery smooth. QUALITY. The electronic zoom works like a charm. I used the up-down rocker on the camera to zoom in on a Jeep in the parking lot (though I was "Mr. Shakey" due to the sheer excitement of finally getting to hold the Red Scarlet.) Justin O'Neill and I got to see it for a mere brief moment and off it went back to the vault. This should be comforting to those who may fear that RED wouldn't have time for the Scarlet with all the Epic buzz going on. This gives me more confidence that the Red Scarlet is definitely around the corner. I have been really lucky to have held both the Epic and Scarlet. The Scarlet is lighter in weight than the Epic even with the fixed lens. This is due to the Scarlet body being more narrow. The weight felt very good and the camera felt rugged. Touch screen controls were functional. Enjoy! tonacitran.com

    # vimeo.com/17819409 Uploaded 139K Plays 115 Comments
  5. Just a placeholder until the Scarlet comes out in 2009

    # vimeo.com/1173392 Uploaded 520 Plays 3 Comments


Andrew Gentle

Films shot with the RED Scarlet digital cinema camera.

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