Some documentation -- shot and edited by Sarah Riemers -- of an amplified performance instrument created by David Dupuis and myself in 2003. Contact mics amplify the sound of water dripping on an assortment of found objects. One performer controls the rate of dripping and can also play the objects as percussion instruments. The amplified signals are mixed and processed in real time by the other performer.
A site specific sound art installation using cycling 74's MAX software to control motors which vibrate large sheets of plastic. The transparent plastic sheets act as an unstable barrier between an artificial natural environment on the inside and what we normally refer to as the natural one on the outside.