1. John Pomp is a craftsman, glass blower, lighting designer. The John Pomp Studio is located in Philiadelphia, but his work can be found in showrooms around the country.

    The promo was filmed by Ron Risman of Cinematic Stories and Gregor Halenda or Gregor Halenda Photography Film editing by Ron Risman.

    Visually, this was a great shoot. Glass blowing is such a beautiful art form and our goal was to capture the process, intensity, and craftsmanship of John Pomp and his team. Audio was a bit more challenging as the heaters that keep the glass at 2000 degrees made an incredible amount of noise. We captured audio using three separate audio recorders as well as a lav mic that we hid from sight.

    Please feel free to share the film on your blog, facebook, or through Vimeo.

    # vimeo.com/43487017 Uploaded
  2. Andrew Payne of General Knot & Co, talks tie making and why General Knot is made in the United States. Andrew discusses his love for fabrics (a love we share incidentally!) and his passion that led him to start the company and make the very unique ties they produce.

    The story behind General Knot & Co. is the one about two guys of like-mind who happened to meet while waiting for a train to New York City. One of us was a design director in the Fashion District and the other a technology engineer in the Flatiron District. Even with totally different career paths, our conversation quickly revealed a shared adoration for great colors and patterns, all things vintage, and an unyielding desire to create enduring products. The foundation of General Knot and Co. was set.

    With the world’s finest craftsmen right here in the U.S.A., there was never a question of where General Knot & Co.’s products would be manufactured. Our ties are proudly handmade by men and women in the country’s most sought-after tailoring shops. We thank our lucky stars everyday to be working with these artists.

    http://www.generalknot.com || http://www.outfluenced.tumblr.com

    # vimeo.com/39741197 Uploaded 15.4K Plays 2 Comments
  3. light-harvest.com

    We set out to create a one of a kind public art experience, a projection mapping installation for multiple surfaces and multiple dimensions. Created by a hand picked team of artists with sponsorship by AT+T, Senovva, Light Harvest, and Leo Kuelbs.

    Unfolding like an animated modern Botticelli painting, flowing above our heads and spreading outwards
    in every direction, “As Above, So Below” immersed viewers in the architecture of the Manhattan Bridge. Audiences physically entered the story and explored the shimmering surface as it ignited with messages and symbols.

    This originally conceived video mapping project was a challenge offered to a group of artists from varying backgrounds. Led by digital arts pioneers Farkas Fulop and Ryan Uzilevsky, with post production support by Sina Taherkhani, the group created a one-of-a-kind experience. Adding to the fun were Artists Simon Anaya, John Parker, Richard Jochum and Johnny Moreno. The final projection utilized over 25,000 square feet of architectural canvas, and ultimately won "Best In Show" at the Dumbo Arts Festival.

    This production tested every technique in image-making conceivable in the short time frame, including stop motion animation, and the suspension of over twenty performance artists from fly wires at sixteen feet off the ground.

    Leo Kuelb is responsible for securing the site and bringing the original team together. He also put together a great international video art showcase between screenings of "As Above, So Below."

    Soundtrack by Daft Punk

    Production Credits:

    “As Above, So Below”

    as part of “Immersive Surfaces”

    Artists:
    Farkas Fülöp
    Ryan Uzilevsky
    Simon Anaya
    Sina Taherkhani
    John Ensor Parker
    Johnny Moreno
    Richard Jochum

    Visual Effects Team:
    Sina Taherkhani – VFX Creative Direction

    Farkas Fülöp – Visual Effects Supervisor

    Simon Anaya – Video Mapping Specialist

    Ryan Uzilevsky – VFX Producer

    John Ensor Parker – 3D Environment Architect

    James Laudicina Jr – VFX Production Manager
    Isaiah Palmer – 3D VFX Artist

    Kevin Bleich – 3D Programmer

    Luis Valdes – VFX Artist

    Paul Imperio – VFX Artist

    Cory John Stoffa – VFX Artist

    Filip Radonjic – VFX Artist

    Paul Daniel – VFX Artist
    Adam VanDine – VFX Artist
    J.k. Carrington – VFX Artist

    Aerialists / Movement Performers:
    Malado Baldwin – Movement
    Kae Burke – Aerialist
    Darnell Celius – Movement
    Sarah Lisette Chiesa – Movement
    Iara Celest Diaz – Movement
    Nahdi Gibson-Zelaya – Movement
    David James – Aerialist
    Jesse Lenat – Movement
    Erinina Marie Ness – Aerialist
    Max Pollak – Movement
    Anya Sapoznihkova – Aerialist
    Rachael Shane – Movement
    Julianna Takacs – Aerialist
    Tyler Visar Shaqiri – Aerialist
    Despina Sophia Stamos – Movement
    Sarah Walko – Movement

    Crew:
    Kevin Bleich – 3D Scanning – Web Developer
    Chris Studley – Lighting Designer / Set Carpenter
    Buddy Raymond – Rigger / Set Carpenter
    Anya Sapozhnikova – Stunt Consultant
    Marion Talan – Costume Designer
    Dana Fairbairn – Script Supervisor
    Darnell Celius – Production Assistant

    Special Thanks:
    The House of Yes
    The Juilliard School
    Eugene Lang College The New School for Liberal Arts
    Columbia University
    Kevin Carlisle
    Katy Hamer
    Amelie Zadeh
    J. Peter Siriprakorn
    Andrew Esterly

    # vimeo.com/32756536 Uploaded 206K Plays 43 Comments
  4. A short film Ive made as a third year project at the Bezalel Academy of Art and Design. combining cg with live footage

    # vimeo.com/33870051 Uploaded 304K Plays 50 Comments
  5. "Trisha" is a portrait made of 3,621 used/recycled wine corks.

    Directed, filmed, edited and created by Scott James Gundersen.
    See more at: http://www.scottjamesgundersen.com

    questions: gundersen.scott@gmail.com

    song "Stained Glasses" by The Mines.
    On itunes: http://bit.ly/LUlOok

    # vimeo.com/45818343 Uploaded 297K Plays 21 Comments

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