Streets of painting

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Alyssa Monks (Ridgewood, New Jersey - USA, born 1977)

Alyssa Monks “The weight of tears”

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Alyssa Monks was born November 27, 1977 in Ridgewood, New Jersey.

Lives and works in Brooklyn, New York City.

Is a hyperrealist woman painter.

Alyssa Monks began oil painting as a child.

She studied at The New School in New York and Montclair State University and earned her B.A. from Boston College in 1999. During this time she studied painting at Lorenzo de’Medici in Florence. She went on to earn her M.F.A from the New York Academy of Art, Graduate School of Figurative Art in 2001.

She completed an artist in residency at Fullerton College in 2006 and has lectured at universities and institution nation wide. She has taught Flesh Painting at the New York Academy of Art, as well as Montclair State University and the Lyme Academy College of Fine Arts.

Monks's paintings have been the subject of numerous solo and group exhibitions including "Intimacy" at the Kunst Museum in Ahlen, Germany and "Reconfiguring the Body in American Art, 1820–2009" at the National Academy Museum of Fine Arts, New York. Her work is represented in public and private collections, including the Savannah College of Arts, the Somerset Art Association and the collections of Howard Tullman, Danielle Steele and Eric Fischl.

Alyssa has been awarded the Elizabeth Greenshields Foundation Grant for Painting three times and is a member of the New York Academy of Art's Board of Trustees. She is currently represented by David Klein Gallery in Birmingham, Michigan.

"Using filters such as glass, vinyl, water, and steam, I distort the body in shallow painted spaces. These filters allow for large areas of abstract design - islands of color with activated surfaces - while bits of the human form peak through. In a contemporary take on the traditional bathing women, my subjects are pushing against the glass “window”, distorting their own body, aware of and commanding the proverbial male gaze. Thick paint strokes in delicate color relationships are pushed and pulled to imitate glass, steam, water and flesh from a distance. However, up close, the delicious physical properties of oil paint are apparent. Thus sustaining the moment when abstract paint strokes become something else."

"When I began painting the human body, I was obsessed with it and needed to create as much realism as possible. I chased realism until it began to unravel and deconstruct itself,” Alyssa states, “I am exploring the possibility and potential where representational painting and abstraction meet - if both can coexist in the same moment." - Alyssa Monks.

New York Academy of Art Summer Exhibition, First Prize, Juried Exhibition, 2007
Grant for Painting, Elizabeth Greensheilds Foundation, Quebec, 2003, 2004, 2006
Travel Grant to Normandy, France at the Chateaux Balleroy: Forbes F. 2001
Academic Scholarship award: New York Academy of Art, 1999
Artplosion grant: Boston College, 1999
Stylus grant: Boston College, 1999


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Streets of painting

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