The nine virtual sculptures underlying vitreous resulted from experimental setups by Robert Seidel for generating three-dimensional clusters of fibrous refractions, as well as the gravitational lensing of different volumetric and chromatic densities. Singular elements gravitate towards each other, accumulating in a gigantic sculptural system, where each entity exists with its own visual axis and vanishing point. The impalpable luminous formations create prismatic interactions between the ridges and plateaux of the main colours floating in front of the infinite violet background.
The multilayered, continuously expanding and decaying system is driven by semi-chaotic processes with localized impulses and their speculative chain reactions. In the spectrum of these possible movements, each singular sculpture becomes an integral component of the whole pictorial force-field. In its asymmetrical orchestration and multitude of spatial-temporal interactions, the abstract-organic images are close in appearance to the concepts of “moving paintings” and “living sculptures” Seidel develops for more than a decade now.
Originally vitreous was conceived as a media façade artwork of 80 × 24 × 14 Meters (Target City Lights, Minneapolis, USA, 2012). It later developed in a large-scale projection of 4 × 14 Meters (German Filmmuseum, Frankfurt, Germany, 2015). The short film released in December 2015 features a music score exclusively composed by Nikolai von Sallwitz.