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  1. INORI (prayer)
    Super High Speed Face Mapping (1000fps)
    Making
    vimeo.com/210565827

    This project is achieved as collaborative work between AYABAMBI, Ishikawa Watanabe Lab,TOKYO, responding the call for collaboration by Nobumichi Asai (WOW).

    Staff

    Nobumichi Asai [Creative Director | Technical Director - WOW]
    Shingo Abe [CG Director - WOW]
    Atsushi Yoshimura [Programmer - WOW]
    Ayaka Motoyoshi [Assistant Producer - WOW]

    Eiji Tanigawa [Director | Editor - TOKYO]
    Senzo Ueno [Director of Photography - TOKYO]
    Toshiyuki Takei / Shinya Masuda [Producer - TOKYO]
    Minami Chiwaki / Yuma Yoshimura / Kohei Takayama [Production Manager - TOKYO]
    Suzuko Ohgaki [Making Director - TOKYO]

    Aya Sato [Choreographer]
    AyaBambi [Cast]
    Oi-chan[Management]

    Shootings

    Tomorio Takahashi [Gaffer]
    Hisashi Morikawa / Mie Inaba / Akihiko Imai [Light Assistant]
    Takashi Ideguchi [Camera 1st Assistant]
    Shibuya Hiromi / Fujii Ryosuke [Camera 2nd Assistant]
    Setsu Fukushima / Ryosuke Taniguchi [Music - Ongakushitsu Inc.]
    Yosuke Nagao [Music Composer]

    Yasuo Fukuda [Colorist]
    Ryota Abe [Online Editor]
    Mizuki Kawano [Mixer - TAIYO KIKAKU co.,ltd]

    Special Thanks

    Yoshihiro Watanabe [Ishikawa Watanabe Laboratory,University of Tokyo]
    Masatoshi Ishikawa [Ishikawa Watanabe Laboratory,University of Tokyo]
    Tomoaki Teshima [Exvision]

    TOKYO ELECTRON DEVICE LIMITED
    Takeshi Yuasa / Kiwamu Sumino / Hiroshi Watase /Toru Yamashita
    Atsuko Kushima / Tomoaki Kiguchi

    nobumichiasai.com

    - - - - - -

    First, the soundtrack was composed according along the theme "Life". Nobumichi Asai and Shingo Abe was inspired by the music and then made face mapping work. Aya Sato designed choreography. TOKYO completed the project by making the video work.

    The music brought Asai the image of “the radioactive.” The destructive force of the radioactive could cause “death,” “suffering,” and “sorrow.” And “prayers” could overcome them. These subjects infuse AYABAMBI’s powerful performance. Their performance crushes and conquer black tears, skulls and the Heart Sutra. We built up the concept during the production and Abe designed animation for face mapping.

    There was a big challenge in technical aspects. We realized the new mapping system that allows us to follow intense performances by using the latest 1,000 fps projector, DynaFlash(*1) and a super speed sensor. It is very new and it had not been done before. Projected images become part of their skin and they transform their faces.

    At the beginning of our development, there was an issue, AYABAMBI would loose freedom of performances if we accelerated the tracking speed. Asai, Yoshimura (WOW), Lecturer Watanabe and Teshima (EXVISION) explored how we could keep the tracking speed securing the freedom of performances, taking three months of trial and error to reduce a few milliseconds. And we finally developed this system(*2).

    *1 “DynaFlash” is developed jointly by Ishikawa Watanabe Laboratory, the University of Tokyo and is commercialized by Tokyo Electron Device Limited.

    *2 For tracking hands, we use the dynamic projection mapping technology developed by Ishikawa Watanabe Laboratory, the University of Tokyo. For tracking faces, we use the face mapping technology developed by the visual design studio, WOW inc.

    # vimeo.com/210599507 Uploaded 477K Plays 73 Comments
  2. »Nothing lasts, everything is impermanent. Like these flowers fade, our life will fade.« That's the meaning of the prayer in the beginning.

    In November we travelled to Sri Lanka to shoot this video for a charity organization. PINA Organisation helps people obtain access to clean drinking water.

    I always took clean water for granted. But in Sri Lanka only 30% of the people have access to good drinking water. More than 20,000 people have died of chronic kidney disease over the last 20 years. Up to 400,000 suffer from the disease. One of the reasons are agrochemicals which poison the groundwater. The affected ones are very often poor farmer families from rural areas. We visited the opening ceremony of a new water plant in the small village Minneriya. The plant was, amongst others, funded by the company feedback communication. It will supply a school of 800 students and 1.500 villagers with 10.000 liters per day.

    Initiated, produced and supported by feedback communication
    feed-com.de/arbeiten/srilanka
    vimeo.com/feedcom

    Find out more about PINA Organisation
    pinasrilanka.org

    Support the the construction of the next water plant
    betterplace.org/en/projects/53109-healthy-drinking-water-for-sri-lanka-polonnaruwa-district

    Spenden aus Deutschland bitte an:
    taubertaeler-hilfsgemeinschaft.de/?p=1047

    Filmed, directed and edited by Jacco Kliesch

    # vimeo.com/247280882 Uploaded 2,905 Plays 10 Comments
  3. Directed by Addison Post

    Music Composed by Noel Heroux

    In October 2016, while filming another project, I drove from Reno, NV to Des Moines Iowa taking mostly backroads. One of the roads I drove, was Rt. 50 in Nevada, affectionately known as the Loneliest Road in America for it’s long meandering stretches of two-lane-blacktop intersecting several mountain passes and kept company only by a few small towns.
    A few months later I traveled the Loneliest Road again, this time without a destination. I packed my camera gear with the intention of capturing a few interviews and documenting my experience while I wandered aimlessly for a week.
    William Least-Heat Moon describes the motivation for such a journey in his book Blue Highways:
    “With a nearly desperate sense of isolation and a growing suspicion that I lived in an alien land, I took to the road in search of places where change did not mean ruin and where time and men and deeds connected.”

    # vimeo.com/219686074 Uploaded 8,463 Plays 14 Comments
  4. Production Company: We Are Scandinavia
    Commissioner: Rik Green

    Director: Joe Nankin
    Producer: Judy Craig
    DP: Lowell Meyer
    1st AC: Andrew Gerety / Scott Peragine
    Camera PA: Anthony Silvis
    Gaffer: David Cronin
    Key Grip: Matthew Garza
    Art Director: Alex Constable
    Picture Car: Heyzus

    Colorist: Derek Hansen @ The Mill

    Starring: Dasha Nekrassova

    Special Thanks to Asher Brown & Pollution Studios

    # vimeo.com/176286889 Uploaded 828 Plays 5 Comments
  5. We live in a new era of intrusion. I wanted to make visible the invisible violence of the moment we are living in.
    Beware of intruders!

    Shot in NYC in January 2017, the week Donald Trump became the 45th President of the United States.
    #streetmotionpictures #docu-monumentary

    Directed by Cyprien Clément-Delmas
    clement-delmas.fr

    Cinematography: Igor Kosenko
    igorkosenko.com

    Camera assistant: Charlotte Dupré
    charlottedupre.com/

    Music
    "Hurry" by Maeltrom & Louisahhh (RAAR/Savoir Faire)
    soundcloud.com/raarraar
    savoirfairecie.com/

    Sound design: Jaume Duque

    Camera operators: Igor Kosenko, Cyprien Clément-Delmas, Charlotte Dupré

    Editing: Cyprien Clément-Delmas

    Executive producers: Alexandr Kosenko, Cyprien Clément-Delmas, Igor Kosenko

    Produced by INTRUSION
    intrusion.studio

    in association with DEMOCRAZY

    Film Transfer: Mark Nakamine @ FOTOKEM

    Color grading: Frank Temmerman @ CAVIAR BXL

    Rental: Steve Gal @ Duall Camara

    Thank you
    Edouard Langé, Savoir faire, Edouard Mailaender, Alexandra Sieger, Florence Jacob, Caviar Brussels, Perry Suppa, Alexandra Agullo Soler, Katia and Sofia, Veselka

    # vimeo.com/205882086 Uploaded 21K Plays 51 Comments

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