The City in Cinema

In the downtown Los Angeles of the late 1970s, a man known only as the Driver picks up criminals and drops them off for a living. A man known only as the Detective puts guys like the Driver away for a living. "The Driver" finds the two locked in a near-abstract battle of will and technique, no meaning asked, none given, casting the city in its most basic elements — its roads, its bank, its flophouse, its train station, its outlaws in the form of sheriff, gambler, and cowboy — as a modernized yet archetypal western setting.

The video essays of "Los Angeles, the City in Cinema" examine the variety of Los Angeleses revealed in the films set there, both those new and old, mainstream and obscure, respectable and schlocky, appealing and unappealing — just like the city itself.

For more on "The City in Cinema", "Notebook on Cities and Culture", and "A Los Angeles Primer" visit colinmarshall.org

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The City in Cinema

Colin Marshall Plus

The video essays of "Los Angeles, the City in Cinema" examine the variety of Los Angeleses revealed in the films set there, both those new and old, mainstream and obscure, respectable and schlocky, appealing and unappealing — just like the city itself.

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The video essays of "Los Angeles, the City in Cinema" examine the variety of Los Angeleses revealed in the films set there, both those new and old, mainstream and obscure, respectable and schlocky, appealing and unappealing — just like the city itself.

For more on "The City in Cinema", "Notebook on Cities and Culture", and "A Los Angeles Primer" visit colinmarshall.org

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  • Riccardo Uras

    IN & OUT
    vimeo.com/143491754
    A digital short that derives from the union of passion/obsession between Photography, Videography and Surfing
    Shoot with Blackmagic Digital Cinema Camera (bmpcc)
    Sardinia, ITALY

    by Riccardo Uras

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