Fabio Burtin Plus

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As Director of Photography: DOP:
DIRETOR DE FOTOGRAFIA:
● TV Serie “GNT Natura”, (Brazil), 2014/13. DIRECTOR: Tati Villela Shot in FS700, 5DMKIII.
● Second Unit for TV Serie “Mulher Do Prefeito”, (Brazil), 2013. DIRECTOR: Maurício Farias 1o Unit: Luiz Villaça, 2o Unit: Claudia Reis Shot in Alexa 2K.
● Second Unit for TV Serie “Três Teresas”, (Brazil), 2013. DIRECTOR 1o Unit: Luiz Villaça, 2o Unit: Claudia Reis Shot in Alexa 2K.
● Second Unit for Feature Film “Jonas e a Baleia”, (Brazil), 2012. DIRECTOR: Lo Politi. Shot in Epic 5K.
● Feature Film and Second Unit “Vai Que Dá Certo”, (Brasil) 2012. DIRECTOR: Maurício Farias. Shot in Alexa 2K.
● Feature Film “Totalmente Inocentas”, (Brasil), 2012 DIRECTOR: Rodrigo Bittencourt. Shot in Alexa 2K, SI2K.
● Feature Film “La Redota”, (Uruguay), 2010 DIRECTOR: Cesar Charlone. Shot in 35, SI2K.
● Second Unit for the Feature Film “Futebol Brasileiro”, (Japan), 2009 DIRECTOR: Miki Kuretani. Shot in HVX200.
● Second Unit for the Feature Film “BLINDNESS”, (Co-production: Brazil/Canada), 2008. DIRECTOR: Fernando Meirelles. Shot in 16mm.
● Documentary “PRINCIPE DE ASTURIAS”. DIRECTOR: Mauro Lima, 2004. (Brazil and Argentina). Shot in 16mm and Video.
● Documentary about the Music Group “TRIO NORDESTINO”, 2002. Also Director at this project. Shot in 16mm.
● TV Show “Under-Clip”, 2001. DIRECTOR: Tambke. Made in Video.
Besides some publicity films and music videos, shot in 16mm, 35mm and Video.

As a Camera Operator:
● Feature Film “Vai Que Dá Certo”, (Brasil) 2012. DOP: Uli Burtin. Shot in Alexa 2K.
● Feature Film “Jonas e a Baleia”, (Brazil), 2012. DOP: Ale Ermel. Shot in Alexa 2K.
● Feature Film “No Place On Earth”, (USA, Ukraine, Germany) 2010. DOP: Cesar Charlone. Red One, 5D MKII, SI2K.
● Feature Film “Futebol Brasileiro”, (Japan), 2009. DOP: Cesar Charlone. Shot in 35mm, 16mm.
● Feature Film “Salve Geral”, (Co-production: Brazil/Canada), 2009. DOP: Uli Burtin. 16mm.
● Feature Film “Reflexões De Um Liquidificador”, (Brazil), 2008. DOP: Uli Burtin. 16mm.
● Feature Film “Guerra dos Vizinhos”, (Brazil), 2008. DOP: Uli Burtin. 16mm.
● Feature Film “BLINDNESS”, (Co-production: Brazil/Canada), 2007. DOP: Cesar Charlone. Shot in 35mm, Vistavision, 16mm.
● Second Unit for the Documentary Feature Film “FUTEBOL ALEGRE”. (Production: Japan), 2006/2007. DOP: Cesar Charlone. Shot in 35mm, 16mm and HD.
● Feature Film “MEU NOME NÃO É JOHNNY”. DOP: Uli Burtin, 2006/2007. (Brazil/Spain/Italy). Shot in 16mm.
● Documentary “PRINCIPE DE ASTURIAS”. DOP: Uli Burtin, 2004. (Brazil and Argentina). Shot in 16mm and Video.
● Second Unit for the Feature Film “TAPETE VERMELHO”. DOP: Uli Burtin, 2004. Shot in 35mm.
● Second Unit for the Feature Film “LISBELA E O PRISIONEIRO”. DOP: Uli Burtin , 2002. Shot in 35mm.
● Short movie “CALCANHAR DE AQUILES”. DOP: Otho, 2002. Shot in 16mm.
Besides some publicity films and music videos, shot in 16mm, 35mm and Video.
As a Camera Assistant:
Works as a 1AC (Focus Puller) in Feature Films and Documentaries:
● Feature Film “Quanto Dura O Amor”, (Brazil), 2008. DOP: Tim Tim. Shot in Red One.
● Feature Film “Rosa Morena”, (Co-production: Brazil/Denmark), 2008. DOP: Philippe Kress. Shot in 35mm, 16mm.
● Feature Film “BLINDNESS”, (Co-production: Brazil/Canada), 2007. DOP: Cesar Charlone. Shot in 35mm, Vistavision, 16mm.
● Feature Film “MEU NOME NÃO É JOHNNY”. DOP: Uli Burtin, 2006/2007. (Brazil/Spain/Italy). Shot in 16mm.
● Second Unit for the Feature Film “ANDAR AS VOZES”. DOP: Pedro Farkas, 2006. Shot in 16mm.
● Documentary Film “FUTEBOL ALEGRE”, 2006. DOP: Cesar Charlone. (Production: Japan). Shot in 35mm and 16mm.
● Documentary Film “PURE SPIRIT”, 2006. DOP: Ching Wang. (Production: USA). Shot in 16mm.
● Feature Film “OLHO DE BOI”, 2006. DOP: Uli Burtin. Shot in 35mm.
● Feature Film “Garibalddi in America”, 2005. DOP: Claudio Collepiccolo. (Co-production: Brazil/Italy). Shot in 35mm.
● Feature Film “JOURNEY TO THE END OF THE NIGHT”, 2005. DOP: Uli Burtin (Production: USA). Shot in 35mm.
● Second Unit for the Feature Film “ANJOS DO SOL”, 2004. DOP: Tuca Moraes. Shot in 16mm.
● Feature Film “TAPETE VERMELHO”, 2004. DOP: Uli Burtin. Shot in 35mm.
● Documentary Film “PRO DIA NASCER FELIZ”, 2004. DOP: Uli Burtin. Shot in 16mm.
● Feature Film “TAINA 2”, 2003/2004. DOP: Uli Burtin. Shot in 35mm.
● Feature Film “SNAKE MAN”, 2003. DOP: Eric Moynier (Production: USA). Shot in 35mm.
● Feature Film “O CORNETEIRO LOPES”, 2003. DOP: Aloísio Raolino. Shot in 35mm.
● Feature Film “LISBELA E O PRISIONEIRO”, 2002. DOP: Uli Burtin. Shot in 35mm.
● Feature Film “ESTORIAS DE TRACOSO”, 2001. DOP: Claudio Portiolli. Shot in 16mm.

● Feature Film “OS XERETAS”, 2000. DOP: Claudio Portiolli. Shot in 16mm.
● Documentary Films for German TV (Production House: DIGITAL DRAMA): Paraguay, Uruguay, Chile, Argentina, Colombia e Venezuela, 2000, 1999 and 1998. DOP: Florian Pfeifer. Shot in 16mm.
● Feature Film “PENSAMENTOS SELVAGENS”, 1998. DOP: Douglas Machado. Shot in 35mm. Besides hundreds of publicity films.
As a 2AC:
● Feature Film “HANS STADEN”, 1997. DOP: Uli Burtin. 1AC: Cristiano Conceição. Shot in 35mm.
● Feature Film “DEUS JUNIOR”, 1995. DOP: Uli Burtin. 1AC: Luizinho Oliveira. Shot in 35mm. Besides lots of publicity films and music videos.
Other works:
Technician of Panavision Brazil (camera and lenses collimation), 2004/2005.
Photography Exhibition in 1998, Espaço Simplesmente, Rio de Janeiro.
Still Photographer for CD Covers, Portfolios and Models Composites, between 1995 and 2002.
Still Photographer Assistant for Fashion Photography, 2001, 2002 and 2003.

Following

  1. Dolce&Gabbana
  2. Brian Liepe
  3. Super Frog Saves Tokyo
  4. Sweetgrass Productions
  5. Philips TV Türkiye
  6. Marcelo Corpanni
  7. maria rezende
  8. TALK FILMES
  9. Paulo Cesar Toledo
  10. André Katopodis
  11. Rafael Schunck
  12. marcelo guimarães