This was shot 1 hour after i unwrapped it.
I must admit, the AVCHD codec implementation in fs700 is simply amazing, its simply impossible to spot compression artifacts with a naked eye. I havent transcoded it to ProRes or anything but graded it straight in Premiere. Cinegamma 2 is a joy to work with, almost as raw. Used vintage primes such as 50mm nikkor 1.2, Tamron 200mm.