Resolution chart shot with the Canon C500 in 4K and 4K Half Raw, Sony F55, Scarlet-X and Blackmagic Cinema Camera.
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All cameras are tested with the same 28mm Ziess CP2 at T5.6, which allowed us to use the same lens, but change between EF and PL mount to accommodate more camera systems. The charts were lit with Hive Wasp Plasma Pars. The daylight balanced Pars allowed for shooting in optimal conditions for video cameras, which are natively balanced for daylight. In addition, Plasma Pars reproduce daylight better than HMIs and have a cool beam, which reduces wear and fade on the chart itself.
The charts were lit evenly using both a waveform and light meter. The light meter was used to set exposures and an 18% gray card was used as a reference for setting exposure.
Special thanks to P3 Media works for letting us use their Studio: p3mediaworks.com/
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