Last summer we spent a view days running around with Host Creative in an effort to work out some production schedules and logistics for a larger project we are putting together with them. We were lucky enough to get some solid use out of a Red Epic with a full range of CP2 lens's. If you've not had a chance to shoot with these setups, it's a bitch. Each shot demands a certain time for set up, the file size is massive, you run through memory incredibly fast, not to mention the stress of holding $40k in your hand sometimes...in the sand...at the beach near the wet water that electronics do not like usually. But, if you get through all of that, the results are nuts. Short of having access to a Cinema Panavision set up, this is what it's all about. We've a few more shoots planned up for the rest of the year, and with our new found knowledge we are stoked to have worked out the learning curves.
This edit was put together by Michael Papavero, featuring one of our epically water capable dudes, Jason Harris. Enjoy.