the Good, the Bad, the Title sequence

Nothing sets the scene for a film better than a well executed title sequence. I have always admired the work of Saul Bass, so for my final university project I decided to address the sad fact that movies often neglect to include one these days.

I chose the modern remake of the classic Ocean's Eleven because the film itself exudes style, and features a slick plot that leaves that ‘smile in the mind’. Yet it lacks a proper title sequence, perhaps out of respect to Bass' work on the original, but I decided to have a go anyway.


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