Architect, composer, sound artist.
Transfere marginal processes between music and architecture, in the imminence of the intractable.
The precise and the indeterminate, error, repetition and exception and
the perceptual repercussions of time and space are all questioned in
the manipulation of sonic material from its essential physical
Creating anomalous microdetails and using error as structure provides
an analogy to tectonics, where the precision of accidents, the order
in the midst of chaos, creates a dialogue that envisions landscapes