Laura Hindmarsh

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Hobart, Tasmania

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In seeking to avoid an art of fixity and finish Laura has a curiosity about the viewer’s moment before a work. Her preoccupation with the space between a work’s production, presentation and its reception permits little in the way of resolutions, the finalised or permanent, but rather, as she prefers, it represents opportunities for encounters with a work to remain ‘live’ and imminent, ineffable and in perpetual mediation.

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  1. Bea Haut