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  1. Chromakey showdown - FCPX vs Premiere Pro

    00:30

    from Matt Davis / Added

    Sorry folks, Premiere Pro takes the prize. More detail, better handling of motion blur, easier setup. It rocks, though I would do a second pass at removing the spill and doing some beautification. My…

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    • MovieSlate Review

      07:17

      from Matt Davis / Added

      Having wrestled with a number of apps to capture important info for corporate shoots, I've finally got to grips with MovieSlate, and have been enthused enough to create a review. It's not…

    • Difference between XDCAM and ProRes 422

      00:15

      from Matt Davis / Added

      Demonstrating the subtle differences between 422 from a Ninja Blade, vs straight XDCAM EX from the EX1R's internal recording. Vimeo has not been kind to this video - please download using…

    • Keying from 4:2:2 vs from 4:2:0 in FCPX

      00:13

      from Matt Davis / Added

      You do get a stronger key with more robust edges from the 4:2:2 material. However, FCPX has a hybrid keyer which does a good job with 4:2:0, and some may prefer its quasi 'shallow depth of field'…

    • Difference Matte (1 frame offset)

      00:10

      from Matt Davis / Added

      We hear a lot about LongGOP compression, so this is an amusing illustration to show how much (or in this case, how little) changes from frame to frame. Only the bits that aren't grey are the…

    • MovieSlate Demo

      00:06

      from Matt Davis / Added

      A quick illustration of slating corporate interviews, complete with useful info for editors.

    • C100 - Canon EF 100mm f/2.8L Macro IS USM tests

      02:18

      from Matt Davis / Added

      This movie has no sound. I have borrowed a new lens - the Canon EF 100mm f/2.8L Macro IS USM. As you can see, it's very sharp and has the traditional 'wafer thin DoF' look when used…

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      • Canon C100 Dual Pixel Auto Focus - the chicken test

        04:21

        from Matt Davis / Added

        This video has no sound. So, I'm trying out the new Dual Pixel AF mode using Continuous AF with the Canon 18-135 STM lens, including a little slow motion. Not all shots work, but still impressive.…

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        • Matt Davis - Sizzle reel

          01:58

          from Matt Davis / Added

        • Compressor-Video-Vimeo.mov

          00:15

          from Matt Davis / Added

        • Compressor-Bars-Vimeo.mov

          00:10

          from Matt Davis / Added

        • StreamClip-Video.mp4

          00:15

          from Matt Davis / Added

        Browse Videos

        Matt Davis

        Here are all of the videos that Matt Davis has uploaded to Vimeo. Appearances are videos that Matt Davis has been credited in by others.

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