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The primary conceptual focus of my work has been on the nature of photographic representation. I continue to examine the relationship between photography and reality, and to probe the boundaries between the two. A running theme in my work is the treatment of the photographic print as an object in its own right; my work often involves rephotographing and refilming prints, exploiting the process of the photograph recording and representing reality, whilst becoming part of it. This desire to exploit, advance and push this curious relationship has led the work through photography, into film-making, and stop-motion animation, often combining and crossing mediums, making use of diorama, screen printing, projection, model-making, music and text.