A wordless analytic interpretation of Begleitungsmusik zu einer Lichtspielscene, Op. 34, 1929–1930, by Arnold Schoenberg, performed by Takuo Yuasa and the Ulster Orchestra (2002), Courtesy of Naxos of America, Inc.
For a gloss on this video, see Orit Hilewicz, 2021, “Schoenberg’s Cinematographic Blueprint: A Programmatic Analysis of Begleitungsmusik zu einer Lichtspielscene (1929–1930),” MTO 27.1 http://mtosmt.org .
Footage : Arnold Fanck, Der Heilige Berg (1926); Fritz Lang, Metropolis (1927); Sergei Eisenstein and Grigori Aleksandrov, Oktoyabr’: Desyat’dney kotorye potryasli mir (1928); Hans Richter, Vormittagsspuk (1928); Luis Buñuel and Salvador Dali, Un Chien Andalou (1929); Merian Cooper and Ernest Schoedsack, King Kong (1933); Sidney Franklin, Victor Fleming, Gustav Machaty, and Sam Wood, The Good Earth (1937)