Nikon D5200 Nikon NIKKOR 50mm f/1.2 at f/2.8 Kowa Vidoscope 16/2x Vivitar Pro Diopter 1x Just a small test, random images, with a Manfrotto suction mount on my car. I want to see the anamorphic sharpness, the bokeh, the compression, and the overal look inside a car. I used my Nikon D5200 this time, because I'm waiting the Nikon F to MFT adapter, so I can use Nikkor glass on the Blackmagic Pocket Cinema Camera ;) Next test will be on the BMPCC and several lenses and angles. Best, JDS+ More details
A title sequence made for fun. All characters, names and company names in this work are fictitious for visual pleasure. Tech info: - Panasonic GH2 (with Driftwood 'DREWnet' Cluster v6) - Sankor 16C - Nikon Nikkor 50mm f/1.8 Series E - True 3.55:1 footage (anamorphic 2x) - Edited and graded in Premiere Pro Music: “The Insider Theme" by The Insider "Black Ram" by Tom Fahy+ More details
Here's the 3.55:1 version... that's wwwwiiidddeeee as heck. For the other version and a ton of info go here: www.vimeo.com/campcomet/anmamorphic (not a typo) Thanks to Hot Rod Cameras and Blacklist Productions.+ More details
From the winning selection of the C-Coupé Your Week program hosted by Mercedes-benz United States of America, C[sea]-Change is a short film centered around the 2012 C-Coupé. The film is about an artist who is running out of inspiration for his passion, having a dream which eventually lead to a change in his preconception. While the 2012 Mercedes-Benz C-Coupé being the centerpiece of the film, the vehicle was also utilized as the official production vehicle as the production migrate from one location to another. It was filmed across seven days in various part of North Carolina, under very challenging weather during principle photography took place with a very limited crew (mostly just myself running the camera while acting on screen, and directing, with occasion help from local friends as I skip between town). It was shot on a Canon 5D mark ii via a Bell + Howell anamorphic lens through a Zeiss 2,8/80 and a Nikkor-Q 135mm f/3.5. With assisting car mount footage from a GoPro Hero2. Rather than post-cropping, the raw footage was actually able to unsqueeze into 4k 3.55:1 superwide anamorphic footage.+ More details
An hour walked up shooting night with my brother and my little girl at the night of Nine Emperors Festival 2011 (Test Shoot) @ Ampang, Malaysia. Kowa B&H + Carl Zeiss 50mm f2.8 with 7D Edited on Final Cut Pro X Music by "Flica" http://www.myspace.com/flicasound+ More details
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