1. REFLECTIONŠ - kinetic light installation for Škoda


    from ◥ panGenerator / Added

    746 Plays / / 0 Comments

    REFLECTIONŠ - KINETIC LIGHT INSTALLATION FOR THE NEW ŠKODA FABIA MOBILE PAVILION 95 INDIVIDUALLY CONTROLLED OSCILLATING MIRRORS SUBTLY BLURING REFLECTIONS AND BOUNCING LIGHT ON THE CAR BODY CREATING UNIQUE PLAY OF LIGHT CONCEPT / DESIGN / ENGINEERING / DEVELOPMENT by panGenerator group: Krzysztof Cybulski, Krzysztof Goliński, Piotr Barszczewski, Jakub Koźniewski www.pangenerator.com Agency: www.kalicinscy.com ---- Video credits: FOOTAGE - Łukasz Gregorek VIDEO EDITING & POST - Jakub Koźniewski ORIGINAL MUSIC - Maciek Dobrowolski ( www.mdobrowolski.com ) Special thanks: Katarzyna Grzeszczak Stefania Szczuka-Barszczewska Magdalena Major Piotrek Michałowski

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    • Shadow and Light ( Brighton Lens whacking Workshop 15 ) by James Miller


      from // Creative Capture Media // / Added

      1,527 Plays / / 14 Comments

      Recently we had the pleasure of learning from James Miller at the shadow and light event held in Brighton. After a short presentation we had the opportunity to try the technique of "Lens Whacking" ourselves. Heres a few clips from the day. Keep and eye on our Blog for future projects - http://www.creativecapturemedia.com/blog Sony A7s Osirus LUTS Premiere Pro 40% Grain Blended in all shot @ 50P and half speed.

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      • GREAT Canyon


        from Soraya Simi / Added

        126 Plays / / 0 Comments

        "Crying: acceptable at funerals and the Grand Canyon." -Ron Swanson Crossed white water rafting down the Grand Canyon off of our bucket lists! Shot with a GoPro Hero 3+ and another camera that I'm pretty sure was from the sale section in Walgreens. Enjoy!

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        • Title Sequence // In the Mood for Love


          from Grégoire Saint-Gilles / Added

          45 Plays / / 0 Comments

          The project was to create a title sequence for a given film, in our case: In the Mood for Love. My co-worker and I took scenes from the film, which would later be modified. At the beginning, it was only a sequence of scenes, which were slightly blurred, and where the light was enhanced. Throughout our journey, we decided to fully enhance the effects, creating this constant glowing light blur. Our purpose was to evoke the movie's atmosphere, without revealing too much. The font in use is an uppercase Optima (humanist sans-serif typeface). Elegant in design, it brings a graceful touch to an imperceptible image. The music theme was composed by Shigeru Umebayashi, it is part of the original film score. // Project created in Cooperation with Agnes Giannaros.

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          • blur - Trouble in the Message Centre - encore at secret gig London 20 March 2015


            from Richard Linton / Added

            14.2K Plays / / 1 Comment

            Managed to get into blur's (not so) secret 'fanclub' gig at west London's Mode at which - ahead of next month's release - forthcoming album The Magic Whip was played in full. Like the good guy I am, I didn't record the new stuff, but couldn't resist whipping out my trusty iPod for this single encore. "We haven't played this for twenty years" said Damon "so we might be a bit rusty". Sounds OK to me...

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            • Surface


              from Matthias Goedeking / Added

              14 Plays / / 0 Comments

              A Tale Of Textures

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              • James Watkins Portrait Study


                from Daniel O'Toole / Added

                59 Plays / / 0 Comments

                This work is intended to be a moving painting, the portrait has been shot through various layers of plastic and fogged glass to achieve a soft diffused image that leaves some space for the mind to fill.

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                  from Brett Anthony Mills / Added

                  34 Plays / / 0 Comments

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                  • Blur


                    from Justin Ramer / Added

                    8 Plays / / 0 Comments

                    An uptight young man loses his glasses while walking home from work and must blindly yet safely find his way home.

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                    • 6 Word Advocacy


                      from John Salazar / Added

                      8 Plays / / 0 Comments

                      This project, done for Visual Communication Design 2: Typography, serves to generate an animation for a 6-word advocacy statement we had previously designed. We were to place emphasis on meaning and content through visual expression. My advocacy statement "not all wounds are made visible" reflects the stigma on mental illness and brings to light the severity of these diseases. Inspired by the opening sequence for David Fincher's film Se7en, I wanted to play around with the meaning of the word "visible" through experimenting with opacity, scale, blur, glow, and speed. My ultimate goal was to make the viewer pay attention to how we view each word as well as feel a sense of uneasiness. March 2015.

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