1. Action Movie (beta trailer )

    00:53

    from Luigi Ulisse Iovane / Added

    303 Plays / / 0 Comments

    Shot with Blackmagic Pocket Camera Color grading with DaVinci Resolve

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    • Anton Markus - Status

      04:10

      from Andrey Savchuk / Added

      8 Plays / / 0 Comments

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      • Alina Artts - High Enough feat. Papercha$er

        03:55

        from Andrey Savchuk / Added

        2 Plays / / 0 Comments

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        • Deserted Park - PXW-FS7K

          02:33

          from lolograph / Added

          145 Plays / / 0 Comments

          An experimental video, just for fun. Shot with a PXW-FS7K and a DJI Ronin (with Sony Carl Zeiss 24mm f1.8)

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          • Natural Skin Smoothing

            00:16

            from MIKHAIL VASILEV / Added

            97 Plays / / 0 Comments

            Канадский колорист Benoit Cote разработал метод частотного разложения в DaVinci Resolve для удаления дефектов кожи по аналогии с Photoshop. Результат превзошёл все ожидания!

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            • Titling in DaVinci Resolve

              57:16

              from Boris FX / Added

              5 Plays / / 0 Comments

              Kevin P. McAuliffe shows you how you easy is it to incorporate BCC and RED seamlessly into your Resolve workflow and create extruded text, extruded eps, lower thirds, title crawls, and more. Plus, discover how to create and save a preset in your NLE and open it in Resolve.

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              • SF Denoiser II Test

                00:56

                from AndrewB / Added

                Same video as previous (FujiSuperior200 LUT), taken into Premier for Denoiser II, sharpening, then H.264 FHD output. That whole process eliminated the noise issue, and some of the moire, but at too a cost of image sharpness. While PP is efficient, I will focus on using NR in Resolve (Full)...and shooting in 4K.

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                • SF LUT Test 2: FujiSuperior200FC

                  00:56

                  from AndrewB / Added

                  A second LUT test from the SF footage. LUT=BMCCFujiSuperior200FC. A few take-aways from these tests toward the evolution of a shooting style: 1) Moire is unacceptable with the speedbooster, and problematic without it. Note the first shot. With sharp glass, the speedbooster creates moire incompatible with many subjects: bricks, trees, fabric. Even without speedbooster, rigging up some sort of OLPF is probably required, or spend a lot of time cleaning up in post. 2) Software stabilization is unacceptable. I like Resolve's stabilization better than Premiere's, but it still creates bizarre artifacts. The second shot is the only one with stabilization: static shot with no object movement to through off the tracker. Still, the odd bending and warping of the image was not acceptable. For the type of result I would like, camera supports will be required. 3) Color correction workflow that seems most intuitive to me: Step 1: For first/master shot Set up Resolve Node 1: adjust offset level only to put RGB parade bands in center, Node 2: Apply LUT, Node 3: Adjust Lift, Gamma, Gain. Step 2: Tweak Raw settings for first master shot with the 3 notes in place. Step 3: Apply Raw settings from master shot to all other shots Step 4: Set up Resolve Nodes 1,2,3 for all shots as done in Step 1. Step 5: Where needed, add additional nodes for power window-based adjustments 4) Color Noise in BMPCC is pretty heavy, even at 400 ASA and corrected gently. I have never been a fan of grain, going back to my large/medium format still photography days. Note that this footage has no NR applied to it. Resolve 11 full version NR would likely help. Better yet: shoot 4k and reduce to FHD.

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                  • Black Widow Kiss // Satisfied (Until I Die)

                    04:21

                    from Nicholas Lam / Added

                    Artist: Black Widow Kiss Song: Satisfied (Until I Die) Director | DP: Nicholas Lam Producers: Kyle Burt, Luke Guevarra Executive Producer: Dez Cleo Inferno Cinematography: Brendan Bellomo, Greg Wilson Editors: Nicholas Lam, Josh Mork VFX: Depock/MTSX

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                    • Magnezij TVC

                      00:30

                      from Dragan Šiša / Added

                      6 Plays / / 0 Comments

                      Director: Zoran Garača Director of photography: Dragan Šiša Producer: Miroslav Kosanović Canon 5D MK2 Post Production work: DCE www.dce.hr

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