1. Big City Orchestra ~ How The West Was Won

    08:53:20

    from nynnja / Added

    166 Plays / / 0 Comments

    from BCO's "Western Film Greats" (Roil Noise, 2012) http://www.roilnoise.com/bco-wfg.htm

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    • Taipei by Tao Lin a video reading by Grannell Knox

      08:04:39

      from RaccoonsAreNotAfraidofPeople / Added

      1,408 Plays / / 0 Comments

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      • Friction Of Passion Pleasure

        03:37:24

        from Frank Moore / Added

        261K Plays / / 18 Comments

        Center for Sex & Culture, San Francisco, California, July 16, 2011 Actually this snapshot says it all about our latest performance! More: http://www.eroplay.com/Cave/friction_of_passion_pleasure/index.html

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        • Erotic Friction

          03:21:43

          from Frank Moore / Added

          333K Plays / / 21 Comments

          Center for Sex and Culture, San Francisco, California, April 17, 2010. Ah, if you don’t do your best work when you are performing at THE CENTER FOR SEX AND CULTURE where there is a deep base, community, spiritual environment of freedom and exploring, you might reconsider your life work! And the physical theater there is designed to promote a cozy intimacy. This is not to say there are not special issues when you are performing in such an erotic institute of freedom. Like a lot of the people came in with crusts of sexual hip images. These would have blocked going deep within one another. But they very quickly shed these crusts. We then had a cozy room of adventurers who were willing to play softly and be silly together, floating together wherever the performance took us. They took personal responsibility for wanting to go wherever the performance went. This caused the night to be one movement flowing freely from one port of call to the other as if we just discovered a different level of where we were just exploring. Usually I just keep throwing out bits and see what catches. But last night it was so smooth! Of course Tomek’s music lubricated everything. But that is always what I depend upon! Last night I may have had one or two or more great plants. That always makes my job a lot easier! But mainly it was the people who came. Actually we ran out of time to get into EROTIC FRICTION. This is why I in my younger days did forty-eight hour performances, and why I do series of performances. More: http://www.eroplay.com/Cave/eroticfriction/index.html

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          • The Uncomfortable Zones Of Fun, April 2011

            03:05:38

            from Frank Moore / Added

            24.3K Plays / / 0 Comments

            Frank Moore’s The Uncomfortable Zones Of Fun, experiments in experience/participation performance Recorded at Temescal Arts Center, Oakland, California Saturday, April 23, 2011 The performance Saturday was like eating at an Italian family restaurant! Courses, in the form of people, kept coming in all night. Actually an audience member was so moved that he disappeared at one point into the street and dragged strangers into the theatre. Two of the strangers got extremely into the tribal community which had been created. Most of the people who came were ready to play, even bringing their own musical instruments [even the woman who is a buyer for the rich (buying literally shit for them!) brought her harmonica]. They cleaned out our three bins of free stuff which we have been carrying around for years! They were ready to pull their weight in the performance. This was especially true for the "autistic" kid and his "caregiver." The boy had a ball playing music joyfully, and he was able to put it into words. It turned out that another guy had a sister who is severely "autistic." All I had to do all night was to keep weaving the threads together and come up with bits like using a timer when a guy said he needed four minutes before he would be ready to take his clothes off. NO PROBLEM! But things were so rich I ran out of time again! I couldn't even follow up with the woman who said I was the inspirational source of her art of sexuality and spirituality [she even said I was one of the Grandfathers (am I that old?)]. Everything was so intense, dense and silky deep, time just ran out. We realized that one of the keys of the series is it is free. This opens it up to people who are living on various edges! I always have kept the price low, flexible, or nonexistent! ------- This is a night of the monthly performance series I have been doing for over two years in Oakland, California. At first I called the series REALITY PLAYINGS. But when people kept yapping about how I threatened their comfort zones, I changed the title to THE UNCOMFORTABLE ZONES OF FUN. For three hours I totally improvise around who comes. So I never know what will happen next. Often it gets very surreal erotic by the end! From the poster: Frank Moore, world-known shaman performance artist, will conduct improvised passions of musicians, actors, dancers, and audience members in a laboratory setting to create altered realities of fusion beyond taboos. Bring your passions and musical instruments and your senses of adventure and humor. Other than that, ADMISSION IS FREE! (But donations are encouraged.) More: http://www.eroplay.com/Cave/uzof/uzof-apr2011/index.html

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            • The Uncomfortable Zones Of Fun, February 27, 2010

              03:01:23

              from Frank Moore / Added

              141K Plays / / 12 Comments

              Frank Moore’s The Uncomfortable Zones Of Fun experiments in experience/participation performance Recorded at Temescal Arts Center, Oakland, California Saturday, February 27, 2010. Below is what I wrote after this performance: Ah! How do you measure success in a performance? Maybe when the audience [the people who come to the performance] start crying uncontrollably over releases of blocks that just disappeared just by walking through them with willingness and trust. Or maybe when a young sexy co-ed rocks nude on your lap, arousing all kinds of new possibilities. Or maybe when you attract a wide range of people, all ready to go all the way into the volcano, melting into a cozy little joyful community, willing to be uncomfortable and whatever else it takes to go into adventures of fun, floating on the mood music of Kene-J and a psychology grad student… The community so strong that they [most of them] kept staying, playing together, long after the “performance” was “over”, and then most of them went to an apartment of one of them to continue hanging out together! And I’m not even getting into what they said of how the performance effected them! [See the full write-up at the link below for that!] I am just glad I didn’t get in the way of the potential of the night! Yep! It was a great deep success! And the series is clearly building, tapping into the young art school student community, among other groups. Ah, yes, very dangerous and subversive! You need to do something for at least a year to start this kind of building. And it goes in waves. The art student came months ago. She went home all shining and open and vulnerable and creative. Her roommates and friends saw the changes in her. So when they came, they were ready to go into it explicitly. This audience was the most explicitly ready in over a year! More: http://www.eroplay.com/Cave/uzof/uzof-feb2010/index.html

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              • GRANDE MANOEUVRE

                02:43:49

                from K/W/A/Y / Added

                77 Plays / / 0 Comments

                K/A/Y Session 13/02/2011 Free audio download there dogmazic.net/​KWAY

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                • The Passions' Conductor, Part 2 - Build, San Francisco, December 1, 2000

                  02:35:26

                  from Frank Moore / Added

                  20.4K Plays / / 0 Comments

                  In this PART TWO of a six hour piece, a highlight is a long juicy sweaty erotic sexy enactment of my poem THE MAGICAL CAVE LOVERS by nude Linda, Teresa and me on the mat [one of the last mat pieces we did].

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                  • Cleymoore (Pluie/Noir, Archipel) @ Spot Bleu Session 03

                    02:31:45

                    from Spot Bleu / Added

                    1,125 Plays / / 0 Comments

                    Our third guest, dj & producer Cleymoore (Pluie/Noir, Archipel), as we don't want to sound pretentious will let the music speak for itself. Notre troisième invité, le producteur & dj Cleymoore (Pluie/Noir, Archipel), dans un souci de modestie nous laissons la musique s'exprimer. FREE DOWNLOAD LINK: https://soundcloud.com/spot-bleu/cleymoore-spot-bleu-session-03 Watch it on Youtube: http://www.youtube.com/watch?v=ShlX2X5QPmI Special Thanks to Le Point G for hosting us, Martin Letellier & Improvist CLEYMOORE: https://www.facebook.com/cleymooreoff... https://soundcloud.com/cleymoore PLUIE / NOIR: https://www.facebook.com/pluienoir https://soundcloud.com/pluie-noir SPOT BLEU: https://spotbleu.org https://www.facebook.com/pages/Le-Spo... IMPROVIST: https://www.facebook.com/IMPROVISTPARTY

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                    • The Uncomfortable Zones Of Fun, May 2011

                      02:31:02

                      from Frank Moore / Added

                      78.9K Plays / / 1 Comment

                      Frank Moore’s The Uncomfortable Zones Of Fun , experiments in experience/participation performance at Temescal Arts Center, Oakland, California Saturday, May 28, 2011 This one will be evermore known to us here as THE OBVIOUS BLOWJOB! This performance was clearly a piece within the larger performance which is the series which has been going on for about two years. It just took off as if we had started where we left off last month. People came back from previous times ready to play, bringing other people who also were ready to play. Then there was the woman who said she came because she heard that somebody sucked a cock at a previous expedition [I neither confirmed nor denied that]. That forced us to jump fully into the meat extremely quickly. Wonder what would have happened if I went for the obvious blowjob instead of going to the mysterious dance of erotic friction which brings up aroused intimacy of going outside taboos. [I have to try going for the obvious blowjob sometime!] So things went surreal and stayed there all night. Everyone participated deeply. I used all my tricks and tools: slides, strobe lights, random readings of my writings, the gestures which I have made more explicit, etc. There were layers of different activities in the room. On one end of the room were Tomek, Shirt, Abigail, etc. playing music joyfully. On the other end were the dancers working through morality, individualism, freedom, going beyond the comfortable acceptable thing, or not! In the middle of the room readers were totally jamming, when they were not playing dress-up. The altered state of awe was only limited by a fast fragile romantic wax which ultimately ended the performance early. But all in all, it was a great night! But what if I had gone for the obvious blowjob? More: http://www.eroplay.com/Cave/uzof/uzof-may2011/index.html

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