1. EXU-Xasture (Techno) "native instruments maschine"

    10:07

    from EXU Added 56 0 0

    Techno produced on Maschine from NI.http://soundcloud.com/exu-200/exu-xastur

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    • Mostly robot

      15:54

      from MoTA - Museum of Transitory Art Added 308 1 0

      Mostly robot (Jamie Lidell, Tim Exile, Jeremy Ellis, Mr Jimmy and DJ Shiftee) in conversation with Tijana Todorović. Interview recorded at Sonar 2012.

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      • Practice and enjoy (:

        01:41

        from Dorin Andreescu Added 55 0 0

        Some practice before my saturday gig! My new Kontrol F1 from NI! facebook.com/dorinandreescu www.dorinandreescu.ro

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        • Cinesamples CineBrass Pro library review

          12:47

          from SoundsAndGear.com Added 784 1 0

          http://soundsandgear.com/cinesamples-cinebrass-pro-review checking out the CineBrass Pro library from Cinesamples for Kontakt. It's an expansion for the original CineBrass library, a library dedicated to cinematic and hollywood style brass sections, instruments and fx.

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          • Big Fish Audio - Urban Guitar Collection review

            08:33

            from SoundsAndGear.com Added 643 0 0

            http://soundsandgear.com/checking out a new urban guitar loop collection from Big Fish Audio called Urban Guitar collection. Chopping up the samples and making a beat in NI Maschine

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            • Synthmagic Digital Love Child Kontakt library review

              12:01

              from SoundsAndGear.com Added 725 1 0

              http://soundsandgear.com/synthmagic-digital-love-child-kontakt-library-review checking out the new Digital Love Child library from Synthmagic for Native Instruments Kontakt

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              • J.Paul Promo Video 06/2012

                01:40

                from jpaulnoise Added 37 0 0

                This video was shot by Francis Lazaro of Pheosia Films in Phoenix, Az. as a promotional tool for Jared "J.Paul" Jackson of HavocNdeeD & 119 Sound.

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                • FINEST EGO | Interviews Om Unit

                  05:08

                  from Project Mooncircle Added 74 2 0

                  http://www.omunit.com/ | http://www.finestego.com | http://www.projectmooncircle.com | http://www.hhv.de | http://www.ableton.com | http://www.nativeinstruments.com | http://www.civilmusic.com/ | http://www.facebook.com/cosmicbridgerecs We had the chance to meet with Om Unit before he played a set at Prince Charles and sat down with him in the grungy backstage room to talk about some of his latest releases, travelling & touring, his take on collaborations and a change of names.

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                  • SkinnyFingaz-Euthanasia

                    01:49

                    from SkinnyFingaz Added 31 0 0

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                    • Flux ( Synthesis and Sound Design II Final Project)

                      04:52

                      from Zakk Steinke Added 126 0 0

                      http://www.flickr.com/photos/80194171@N08/sets/72157630067892422/ - this is a link to my Flickr to see some screens of things I was doing. I will be adding more to it as soon as I can. Please read the entire text !! It's not that long :) Project Proposal: I am proposing to rescore the video flux as I interpret it. I see a shape getting larger and more fractal as the video goes on. I plan on using something quiet and ambient to start with almost a minimalistic approach to the soundscape and sound set. As the video goes on, I intend on creating a denser soundscape with an emphasis more on the sounds of the shape transforming instead of background. I feel that crisp, clear, and controlled sounds for the beginning melting into chaotic, bit-crushed, noise-filled, static, aggressive type sounds. I plan on accomplishing this with a small amount of samples, if any at all, from my own library with emphasis on Ableton Live 8 and NI’s Massive. The way I see it, the shape is at a distance, you become one with the shape as it passes through you and then you are at a distance again. A herd of buffalo at a distance, a stampede that you are in the middle of and then they pass you would be a good example. This project will mainly be a study in wave table and grain table synthesis. Notes/Discussion: For this project, I did a study in wavetable synthesis via Native Instrument’s Massive. I loaded up the video in Ableton and got to work on creating my sounds. I began by designing the atmosphere, which from my point of view, is a shape-shifting shape in a sterile environment if you will. Through out the entire piece there is a simple chord being held down which is a C and G# and then with all the complexity of the synth patch and hours and hours of automation I created an environment/atmosphere that I was content with. When I say hours and hours of automation I literally mean that I have spent roughly the same amount of time going over the automation than I did designing the actual synth patches. I took a somewhat unorthodox approach by not doing a cue sheet. I felt it unnecessary because I just watched the video and made sounds for what I seen, one at a time. When I make cue sheets, I tend to write too many things on it, which causes me to feel overwhelmed and hinders my workflow. Had this been for a client I would most certainly have done a cue sheet. The sounds were made more or less in the order you hear them whilst being played. I feel that I came close to my original goal stated in my proposal however there is never enough time in the day and my projects get done but I feel them never finished. The entire sound palette was created via NI’s Massive and one whispered word at the beginning. The intent was to do a study in wave table synthesis much like Aguado Dionisio has composed a piece titled study in Am, in this case my Am is a wave table synth. I had to limit myself to a common theme or item and the WT synth was my limit. At first you might think, well you have a synth you can make any sound you want, and that might be true but since you can make almost any sound that limit seems a bit more daunting. Not only does it make it a more monumental task since there are just some things you can not do with a synth. All in all I spent a lot of time on it and I hope you enjoy my work. P.S. I DID NOT CREATE THE VIDEO ALL RIGHTS TO SOLE OWNER ( see links at the end of video)

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