1. Lom, 49°39'27.087"N, 14°22'2.225"E

    00:59

    from Kryštof Brůha / Added

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    Voda, je jedním z elementům, který nás obklopuje, avšak i přes svoji všudy přítomnost není dosud zcela probádaným prvkem. Například struktura vody pro nás stále představuje nejasnost, zejména v počtu vodíkových vazeb připadajících na molekulu vody. Za další možnou neznámou lze považovat takzvanou paměť vody. O paměti vody uvažuje několik kontroverzních teorií, které jsou dosud v procesu bádání, avšak odrážejí se v několika projektech pracujících s tímto jevem. Například Johann Grander a jeho Granderuv revitalizátor vody, kdy voda díky jeho úpravě, prý dosahuje vyšších kvalit. To je údajně způsobeno tím, že voda transformuje své struktury. Teorie paměti vody se ovšem týká i homeopatie. Homeopatie vychází z předpokladu zapamatovat si a uchovat energii určitých aktivních látek. Homeopatikum je technicky vzato natolik zředěná látka, která ze statistického hlediska nemůže obsahovat jedinou molekulu aktivní látky. Londýnská redakce časopisu Nature, proto například homeopatikum zavrhuje. Je ovšem pozoruhodné, že na zvířata, na která praktikuje homeopatickou léčbu Dr. Peter Knafl z Vídeňské veterinární kliniky, a na která se nevztahuje placeboefekt, má léčba pozitivní účinky. O změnách struktury vody v důsledku poslechu hudby, nebo negativního či pozitivního myšlení je přesvědčen i japonský badatel Masadu Emoto. Ten vytvořil vlastní metodu fotografování zmrazené vody, aby mohl pozorovat změny její struktury v závislosti na těchto jevech. Představme si, že k vodě nepřistupujeme pouze jako k estetickému objektu, ale jako k médiu, schopnému naší reflexe. Objekt s názvem, Lom 9°39'27.087"N, 14°22'2.225"E navazuje na mou předchozí práci Virtuální hladina. Tvoří ho Černý válec fungující jako piedestal pro vodu pocházející z lomu, jímž jsem se v minulosti mnohokrát zabýval. A který se pro mě, stal inspirativním prvkem. Vodu jsem zde použil jako médium. A nechal jsem transformovat její tvar působením zvukových vln, procházejících skrze ni. Jednotlivé frekvence vytvářející toto zvukové vlnění reprezentují znaky, které dohromady tvoří větu komentující teorii paměti vody. Věta říká, mluvím s tebou.

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    • Liminaria 2014: tracking borders

      15:23

      from Leandro Pisano / Added

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      Liminaria aims at narrating the territory of Fortore, a marginal rural region located in the South of Italy, through an artistic point of view, putting together the ability of digital storytelling and the approach of different disciplines (literature, sociology, aesthetics, anthropology) and different fields of investigations (design, oenogastronomy). Liminaria is a platform in which stories of places, people and landscapes come together through the hybridization and the convergence of modalities, languages and tools (sound, video, photography and literature). Liminaria looks at creating a narrative that will give a new perspective to cultural, social, natural, architectural and landscape elements of the land, by having local communities teaming up with artists, curators, researcher, writers, and specialists of new technology. Editing, postproduction, camera: Antonello Carbone Storyboard: Leandro Pisano Translation (ENG/ITA): Annalia Palma

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      • WELL / Ozan Turkkan

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        from Ozan Turkkan / Added

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        Well - Sound Interactive Installation /// Ozan Türkkan Curation: Ebru Yetişkin BLOK art space, İstanbul 2015 Flute player: Emrah Adıtatar

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        • "Rise / Times Square, July 2014" (2015) by Daniel Canogar

          01:05

          from bitforms gallery / Added

          Daniel Canogar Rise / Times Square, July 2014, 2015 high resolution screen display, generative animation, computer 66 x 37.8 x 2.3 in / 167.6 x 96 x 5.8 cm Edition 1 of 3, 1 AP Since 2009, Daniel Canogar has been creating public projects and interventions that recognize the human gesture of crawling as a powerful symbol of overcoming imposed obstacles in one's life. When a baby starts to crawl, this is universally understood as a first sign of independence and a mark of pure physical will. "Rise / Times Square, July 2014" is a live generative artwork that is based on approximately 1200 recordings of people crawling in public through New York's famed midtown crossing. This piece marks Canogar's first composition to run on custom software. It also captures his largest participatory public project to date. The artwork is based on a staged interaction took place in New York’s Times Square over four days. Participants of multiple nationalities, ages and professional backgrounds crawled over a green-screen surface, contributing their performance to the final artwork. The captured video footage was later processed in Canogar's studio. The work unpredictably plays back an incessant progression of climbing bodies, which metaphorically evokes past revolutionary upheavals such as the Storming of the Bastille or the Winter Palace. Using the most basic of human actions in its symbolism, this work probes our ambitions, and more importantly, our fantasies of triumph. The Imagery in this artwork originally debuted as part of a monumental multiple-channel video installation titled "Storming Times Square". Specially commissioned by the Times Square Public Arts program, Storming Times Square screened on 47 LED billboards every night of September 2014. The display at ARCO 2015 is the first time Canogar has presented any of its footage as a single-channel artwork.

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          • Spongefield

            02:13

            from Miles Rufelds / Added

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            2015 - Video/audio (continuous loop) - duration variable.

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            • Virtual memory space - captured scenes (2011)

              05:49

              from SZNL / Added

              The purpose of this project was to represent my subjective cityscape of my hometown Budapest, which is built mainly on my personal experiences and childhood memories. I 3D-scanned the places are important to me with a Kinect, and shaped them to an integrated virtual space, which can be roamed from a subjective point of view. The recorded objects have several malformations and errors due to immatureness of the technology. However, exactly these deficiencies reveal the fragmentation of the recollection's process.

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              • A PSA

                01:17

                from Rachel-Jolie / Added

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                A Fire Hydrant. NOT AFFILIATED WITH THE AD COUNCIL OR THE USDA FOREST SERVICE! Final project for my Moving Image Studio Class (Animation/New Media Art). All filmed and edited by moi! Music Credit: THX Sound effect, Smokey the Bear (from the commercials), Grainy Horn by Ripple7, Canción para Ana - Secuancia 7a (Persecución 1) by Andrés P. Estrada, and all sound effects from flashkit.com

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                • The Reason (2008/2010 - teaser)

                  01:38

                  from Charif / Added

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                  Without violence. Without erotism. Without suspense. Without blood. Without romance. And without no action. "The Reason": a film that no seek entertain or amuse. DIRECTION, TEXTS, FINAL CUT: Gustavo Charif. EDITION AND IMAGE POST-PRODUCTION: Martín Ramírez and Gustavo Charif. MUSIC (ENDING TITLES): Moby. MUSIC AND SOUND EDITION: Victorio Lenz (a.k.a. Gustavo Charif). SCRIPT AND EXECUTIVE PRODUCTION: Gustavo Charif - Andrés Onna. CINEMATOGRAPHER: Daniel Calvo. PRODUCTION: Kino Red [un]corporation. ASSOCIATED PRODUCERS: Gastón Portal, Gustavo Charif, Martín Ramírez and Amín Yoma. PRE-EDITION OPERATOR: Paula Pollacchi. DIRECT SOUND: Sumaia Daher and Pol. MAKE-UP: Florencia González Pena. ASSISTANS: Mariángeles Taroni and Sumaia Daher (production), Nicolás Onna and Florencia León (direction), Julián Gaggioli and Leticia Bobbioni (cinematographer), Santiago Fredes and Darío Fantacci (art), Paola Verónica Farías (make-up). CAST: Francisco Pizarro Sáenz de Urtury (Lamarck), Manuela Krumm (María), Héctor Díaz Peña (matón), Luis Andrés Mancini (matón), Sumaia O (asistente de Lamarck), Fernando List (asistente-sepulturero), Francisco Suárez (asistente-sepulturero), Milita Brandon (empleada de la Oficina de Migraciones), Said Charif (estafador), Paula Manrupe (niña), Martín Schiappapietra (niño). ANIMALS (in alphabetical order): Balbín (dog 1), Jorge Antonio (rabbit), Juan Duarte (black cat), Irigoyen (dog 2). THANKS: Salön Muaré - Sombrerería Señora Mary - Agencia de Viajes Multidestinos - ABRN Producciones Gráficas - Sólo Empanadas - Yomka Entertainment - GP Producciones. IN MEMORIAM Jorge Luis Borges. ORIGINAL TITLE: La razón. LANGUAGE: Spanish. RUNTIME: 70 minutes. ASPECT RATIO: 1.78 : 1 / (anamorphic) / color. YEAR: 2008/2010. RELEASED DATES: 6th October 2010, Festival de Cine Inusual de Buenos Aires, Argentina (Special prize Technical Realization, and prize Best Cinematographer). IMDb: http://www.imdb.com/title/tt0970955. LINK: http://charif-films.tumblr.com/post/106864933908/23-the-reason-gustavo-charif-2007-2010 (more about The Reason). LINK: www.charif.org (Charif's official site).

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                  • The Reason (2008/2010 - trailer)

                    02:26

                    from Charif / Added

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                    DIRECTION, TEXTS, FINAL CUT: Gustavo Charif. EDITION AND IMAGE POST-PRODUCTION: Martín Ramírez and Gustavo Charif. MUSIC (ENDING TITLES): Moby. MUSIC AND SOUND EDITION: Victorio Lenz (a.k.a. Gustavo Charif). SCRIPT AND EXECUTIVE PRODUCTION: Gustavo Charif - Andrés Onna. CINEMATOGRAPHER: Daniel Calvo. PRODUCTION: Kino Red [un]corporation. ASSOCIATED PRODUCERS: Gastón Portal, Gustavo Charif, Martín Ramírez and Amín Yoma. PRE-EDITION OPERATOR: Paula Pollacchi. DIRECT SOUND: Sumaia Daher and Pol. MAKE-UP: Florencia González Pena. ASSISTANS: Mariángeles Taroni and Sumaia Daher (production), Nicolás Onna and Florencia León (direction), Julián Gaggioli and Leticia Bobbioni (cinematographer), Santiago Fredes and Darío Fantacci (art), Paola Verónica Farías (make-up). CAST: Francisco Pizarro Sáenz de Urtury (Lamarck), Manuela Krumm (María), Héctor Díaz Peña (matón), Luis Andrés Mancini (matón), Sumaia O (asistente de Lamarck), Fernando List (asistente-sepulturero), Francisco Suárez (asistente-sepulturero), Milita Brandon (empleada de la Oficina de Migraciones), Said Charif (estafador), Paula Manrupe (niña), Martín Schiappapietra (niño). ANIMALS (in alphabetical order): Balbín (dog 1), Jorge Antonio (rabbit), Juan Duarte (black cat), Irigoyen (dog 2). THANKS: Salön Muaré - Sombrerería Señora Mary - Agencia de Viajes Multidestinos - ABRN Producciones Gráficas - Sólo Empanadas - Yomka Entertainment - GP Producciones. IN MEMORIAM Jorge Luis Borges. ORIGINAL TITLE: La razón. LANGUAGE: Spanish. RUNTIME: 70 minutes. ASPECT RATIO: 1.78 : 1 / (anamorphic) / color. YEAR: 2008/2010. RELEASED DATES: 6th October 2010, Festival de Cine Inusual de Buenos Aires, Argentina (Special prize Technical Realization, and prize Best Cinematographer). ORIGINAL TITLE: La razón. IMDb: http://www.imdb.com/title/tt0970955 . LINK: http://charif-films.tumblr.com/post/106864933908/23-the-reason-gustavo-charif-2007-2010 (more about The Reason). LINK: www.charif.org (Charif's official site).

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                    • "9 prepared dc-motors, felt balls, cardboard boxes 22.5x22.5x5.5cm", (2014) by Zimoun

                      00:43

                      from bitforms gallery / Added

                      Zimoun "9 prepared dc-motors, felt balls, cardboard boxes 22.5x22.5x5.5cm", 2014 motors, metal, felt, cardboard, power supply 26.8 x 26.6 x 2.5 in / 68.3 x 67.6 x 6.4 cm edition of 6

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