1. Margrethe-Skolen Spring/Summer '14 // Copenhagen Fashion Week


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    Margrethe-Skolen Spring/Summer '14 fashion show during Copenhagen Fashion Week.

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    • Brums catwalk Moscow SS14


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      Brums catwalk Moscow SS14

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      • DIMITRI Spring-Summer 2014


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        DIMITRI embodies sensuality, style, self-confidence, exclusiveness – and most importantly – sex appeal. The glamorous dresses of the Italian label caress the bodies of strong and successful women around the globe. After a short excursion to Siberian tundras in Fall/Winter 2013, DIMITRI once again returns to his Mediterranean roots for Spring/Summer 2014: distinct colours, curve hugging cuts, small-sized patterns, classy materials and light knit pieces define the style of the current collection. Feminine silhouettes such as well-fitted shift dresses, summerly dresses with slender tops and exposed skirts as well as perfectly cut pantsuits compose the line. The designs are as elegant as they are wonderfully feminine. This season, the focus particularly lies on the aesthetic details, which subtly come together for a seductive look. It is the thin line between extreme opposites such as soft vs. hard and innocent vs. passionate that makes DIMITRI so exciting and reflects the vibrant strength of Italian elegance.

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          • Pineal Grand "MAY THE LIGHT BE WITH YOU" Director's cut


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            Video for fashion brand "Pineal Grand" SS14 collection "MAY THE LIGHT BE WITH YOU" Directed by Wing Shya in collaborated with Kim Lam Edited by Riz Law and Kim Lam Hair by Tristan Chan, Make up by Candy Law Music Taken from Actress, Caribou, Four Tet and Neu!

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            • Yiorgos Eleftheriades SS14 - 080 Barcelona Fashion Week


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              Yiorgos Eleftheriades SS14 collection at 080 Barcelona Fashion Week.

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                from DSQUARED2 Added 4,524 12 0

                Saturated with joyful colours and an upbeat carefree vibe, the idyllic island beaches of the 50s are where Dsquared2’s vacation belles are headed next summer. Glowing from the sun, their bathing beauty style, reminiscent of Esther Williams, turns up the luster at night where they cocktail and cha cha decked out in the haut-est of island glamour. Feminine, 50s couture inspired shapes come in a duo of head-turning silhouettes. Bathing suit style cocktail dresses with hiked hemlines are padded at the hips and bust to exaggerate hourglass curves. Longer skirts and dresses are puffed up with tulle layers and balloon hems to emphasize tiny waists, topped with cocoon-sleeved cocktail coats. Leathers come laser cut with a delicate lace pattern, as sheared pony in a jungle print or opulently glossy in a crocodile miniskirt and cropped trapeze jackets. Fabrics inspired by upholstery textiles of the era are given the luxe treatment via punchy prints, three-dimensional lame effects and floral embroideries that bloom over shorts and jackets. Dripping with crystals and beads, bustier dresses sparkle and glitter when Dsquared2’s beach beauties shake to the Mambo. Matching accessories give the pretty beach looks a ladylike edge. The structured Vancouver bag’s feminine lines and polished lock, and slingback pointed pumps coordinate the richly coloured looks in the same fabrics and leathers. A sexy sandal reveals a crafted wooden heel inspired by the leg of a 50s dining table design. Jaunty lampshade hats and seductive cat eye glasses with detachable sunglass frames in tortoiseshell, mother of pearl or horn add to the intrigue. Jumbo jewels are mixed with oversized gold leaves and bunches of coral for show-stopping necklaces, earrings and bracelets. www.dsquared2.com

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                • NEIL BARRETT - SS14 Menswear Collection SHOW


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                  Moving on from last season's influence of 1930s Bauhaus Modernism, the 1950s California Minimalism of Charles and Ray Eames is the inspiration for a spring/summer collection that combines the graphic and the natural. Engineering Eames to the body, the organic shapes of their mid-century design classics are echoed in inlaid fabric panels or engineered patterns throughout the collection, designed to morph around the form. The influence of another defining twentieth-century American movement, grunge, can be seen in the collection's use of lumberjack plaids in red, white and black. Throughout is the feel of American streetwear. The ease of a t-shirt is translated into every garment, but the silhouette and perfect finishes are controlled, sharp and contemporary. The attitude is casual but the execution is precise. The silhouette is tailored away from the body, short sleeves standing away from the arm to create an emphatic silhouette above wide-legged shorts or narrow trousers. Crew-necklines supplant collars, cut clean across the neck. Streetwear staples like sweatshirts, biker-jackets and bombers feature. Proportion and finish give a futuristic spin. Seams are bonded, visible stitching and fastenings stripped back to the absolute minimum. Magnets and velcro are used instead of buttons. Concealed scuba zips as front fastenings and pockets streamline surfaces even further, their bindings becoming minimalist decoration, reducing the zip to a crisp black or white line. Prints are simple, classic. Monochrome horizontal stripes are shown alongside lumberjack checks in black, red and white in a trio of scales: micro, macro and mega. Sometimes all are combined in a single garment through an engineered weave. The graphic nature of the patterns emphasise the curvilinear forms taken from the ergonomic designs of Eames, evoked through circular inlays. Texture is a focus, fabrics given a lightness despite their complex surfaces. Rayon, viscose and nylon technical fabrications are woven into jersey ready to wear and sweatshirtings. These stand alongside perforated neoprene and knits, giving a sensual sense of the body beneath. Leather and pony are requisitioned for summer duty, perforated to give lightness. Leather is woven intricately to create a masculine boucle, the boucle texture also used for jersey separates. All fabrics have body, double-faced or bonded to create architectural volume around the figure. Shoes are black, the textures of leather and rubberised finishes showcasing cut-outs of natural shapes, again influenced by Eames, supported by a light rubber sole.

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                  • SOIA & KYO Spring/Summer '14 Runway


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