1. Living Large - A Comedy


    from Nathan Leach Added 16 0 0

    A comedy film that I worked on as Director of Photography for MART 590 with Simon Tarr in Spring 2014. Thomas Cataran is a seemingly ordinary guy, who's hard work as a professor has finally paid off. He receives the coveted 'Teacher of the Year' award, yet on the day of the ceremony his home life catches up with him...

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    • Transitions Urban Planning and Design: Columbia


      from Stephanie Orr Added 2 0 0

      Channel Surfing: project 2 for Simon Tarr's MART210 class at the University of South Carolina. Created by Stephanie Orr, Daniel Conner, Wendy Diaz, Geoffrey Adonis, and Jake Hutchison (Group 1).

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      • Revitalize Columbia - Channeling Surfing


        from John Goff Added 9 0 0

        Channel Surfing Project for Media Art Class. Group 7 Revitalize Columbia Checkout our website at www.revitsc.com Song is by Composer Johan Skugge and Jukka Rintamaki on the Battlefield 3 Soundtrack

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        • Ed the alien


          from Max Ridgeway Added 19 0 0

          class project

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          • The Walk


            from Max Ridgeway Added 13 0 0

            Mart 571 walk exercise

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            • Heider-Simmel Remake


              from Kee Eck Added 57 0 0

              For animation class, we had to "recreate" Heidler-Simmel's Experimental Study of Apparent Behavior.

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              • 3d Bouncing Ball


                from Kee Eck Added 15 0 0

                3-d animation for class. Generate a 3d ball and make it realistically bounce.

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                • Untitled


                  from Kee Eck Added 11 0 0

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                  • Mother of the World (preview)


                    from Simon Tarr Added 232 2 1

                    A 30-second preview of my newest film, MOTHER OF THE WORLD. Maybe the most honest preview of my work ever... you'll pretty much know from this clip if you either a.) simply must see the film or b.)should never ever go near my work. Film description: Six million tons, suspended by the slightest gesture. "Mother of the World" presents a series of brief vignettes of Cairo just prior to the 2011 Egyptian Revolution. These fragmented scenes choreograph class structure and foreign influence into an intimate, poetic view of a nation about to change.

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