1. KARACHO? Unheimlich schnell...

    00:11

    from KARACHO / Added

    43 Plays / / 0 Comments

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    • The Square Roots Wallpaper Animation from The Fractal Architecture Series

      00:58

      from Laetitia Soulier / Added

      73 Plays / / 0 Comments

      The Fractal Architectures Series Building the image The Fractal Architectures series is divided into two chapters: The Matryoshka Dolls and The Square Roots. The hyper-realistic models, conceived for the unique point of view of the camera, are built in the toy scale of 1/24 to life size and above, following a fractal logic. Within the interlocked spaces, a foot, a thumb or a face appear to reveal the multiple scales incorporated in the model. Young characters unfold within these fractal architectures, which are at once their toy, their home, their childhood, their adulthood, the space between their past and their future. Fractal Geometry The conception of each model begins with a simple geometric figure; the circle for the Matryoshka Dolls and the square for the Square Roots. These elementary forms repeat at different scales to create an intricate pattern, which weaves together the infinitely small and the infinitely big. This never-ending fractal motif spreads across the wallpaper, and is the basis of the model’s floor plan and interior design. For example, the wallpaper for the Matryoshka series is made up of nested dolls woven in a circular dance, each impregnated with this repeating pattern. Similarly in the model, the circular archetype puts everything in rotation; the hardwood floor grows in concentric circles, the doors bend in arches, and the staircase swirls to the higher alcoves. The walls undulate organically, folding and refolding in a womb-like interior where the exterior seems to no longer exist. About the Artist Laetitia Soulier’s photographs, articulated in series, each invite the viewer to journey through different worlds ruled by different paradigms. The Palindromes series follows a binary system, using diptych images where twins wander in symmetrical landscapes. In the Fractal Architectures series, the geometry of the wallpaper and the structure of the decor follow a fractal logic, weaving together microcosm and macrocosm. Soulier’s characters are approximately eight years old. Their minds have reached the critical place between the rational and fantastical. This paradoxical state is represented in Soulier’s methodically composed yet chimerical photographs. This work cohabits mythical thought, inherited from her Berber genealogical background, and modern scientific thought, cultivated through a French philosophical education. Laetitia Soulier was born in 1978 in Bordeaux, France, studied throughout Paris to receive her BFA from the Art School of Cergy, her MFA from l’Ecole Nationale Superieure des Beaux-Arts, and a degree in philosophy from the University of Paris. She then studied photography and studio lighting at Les Gobelins, Ecole de l’Image. Her work has been exhibited internationally at the Palais de Tokyo in Paris, the Beaux Arts de Paris, and the Musashino University in Tokyo. Most recently she had a solo show at the Aperture Foundation. She was also selected as the New York Photo Festival’s Multimedia category winner and won the Exposure Award grand prize.

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      • The Square Roots 1/3 from The Fractal Architecture Series

        00:53

        from Laetitia Soulier / Added

        50 Plays / / 0 Comments

        The Fractal Architectures Series Building the image The Fractal Architectures series is divided into two chapters: The Matryoshka Dolls and The Square Roots. The hyper-realistic models, conceived for the unique point of view of the camera, are built in the toy scale of 1/24 to life size and above, following a fractal logic. Within the interlocked spaces, a foot, a thumb or a face appear to reveal the multiple scales incorporated in the model. Young characters unfold within these fractal architectures, which are at once their toy, their home, their childhood, their adulthood, the space between their past and their future. Fractal Geometry The conception of each model begins with a simple geometric figure; the circle for the Matryoshka Dolls and the square for the Square Roots. These elementary forms repeat at different scales to create an intricate pattern, which weaves together the infinitely small and the infinitely big. This never-ending fractal motif spreads across the wallpaper, and is the basis of the model’s floor plan and interior design. For example, the wallpaper for the Matryoshka series is made up of nested dolls woven in a circular dance, each impregnated with this repeating pattern. Similarly in the model, the circular archetype puts everything in rotation; the hardwood floor grows in concentric circles, the doors bend in arches, and the staircase swirls to the higher alcoves. The walls undulate organically, folding and refolding in a womb-like interior where the exterior seems to no longer exist. About the Artist: Laetitia Soulier’s photographs, articulated in series, each invite the viewer to journey through different worlds ruled by different paradigms. The Palindromes series follows a binary system, using diptych images where twins wander in symmetrical landscapes. In the Fractal Architectures series, the geometry of the wallpaper and the structure of the decor follow a fractal logic, weaving together microcosm and macrocosm. Soulier’s characters are approximately eight years old. Their minds have reached the critical place between the rational and fantastical. This paradoxical state is represented in Soulier’s methodically composed yet chimerical photographs. This work cohabits mythical thought, inherited from her Berber genealogical background, and modern scientific thought, cultivated through a French philosophical education. Laetitia Soulier was born in 1978 in Bordeaux, France, studied throughout Paris to receive her BFA from the Art School of Cergy, her MFA from l’Ecole Nationale Superieure des Beaux-Arts, and a degree in philosophy from the University of Paris. She then studied photography and studio lighting at Les Gobelins, Ecole de l’Image. Her work has been exhibited internationally at the Palais de Tokyo in Paris, the Beaux Arts de Paris, and the Musashino University in Tokyo. Most recently she had a solo show at the Aperture Foundation. She was also selected as the New York Photo Festival’s Multimedia category winner and won the Exposure Award grand prize.

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        • The Square Roots 2/3 from The Fractal Architecture Series

          00:46

          from Laetitia Soulier / Added

          45 Plays / / 0 Comments

          The Fractal Architectures Series Building the image The Fractal Architectures series is divided into two chapters: The Matryoshka Dolls and The Square Roots. The hyper-realistic models, conceived for the unique point of view of the camera, are built in the toy scale of 1/24 to life size and above, following a fractal logic. Within the interlocked spaces, a foot, a thumb or a face appear to reveal the multiple scales incorporated in the model. Young characters unfold within these fractal architectures, which are at once their toy, their home, their childhood, their adulthood, the space between their past and their future. Fractal Geometry The conception of each model begins with a simple geometric figure; the circle for the Matryoshka Dolls and the square for the Square Roots. These elementary forms repeat at different scales to create an intricate pattern, which weaves together the infinitely small and the infinitely big. This never-ending fractal motif spreads across the wallpaper, and is the basis of the model’s floor plan and interior design. For example, the wallpaper for the Matryoshka series is made up of nested dolls woven in a circular dance, each impregnated with this repeating pattern. Similarly in the model, the circular archetype puts everything in rotation; the hardwood floor grows in concentric circles, the doors bend in arches, and the staircase swirls to the higher alcoves. The walls undulate organically, folding and refolding in a womb-like interior where the exterior seems to no longer exist. About the Artist: Laetitia Soulier’s photographs, articulated in series, each invite the viewer to journey through different worlds ruled by different paradigms. The Palindromes series follows a binary system, using diptych images where twins wander in symmetrical landscapes. In the Fractal Architectures series, the geometry of the wallpaper and the structure of the decor follow a fractal logic, weaving together microcosm and macrocosm. Soulier’s characters are approximately eight years old. Their minds have reached the critical place between the rational and fantastical. This paradoxical state is represented in Soulier’s methodically composed yet chimerical photographs. This work cohabits mythical thought, inherited from her Berber genealogical background, and modern scientific thought, cultivated through a French philosophical education. Laetitia Soulier was born in 1978 in Bordeaux, France, studied throughout Paris to receive her BFA from the Art School of Cergy, her MFA from l’Ecole Nationale Superieure des Beaux-Arts, and a degree in philosophy from the University of Paris. She then studied photography and studio lighting at Les Gobelins, Ecole de l’Image. Her work has been exhibited internationally at the Palais de Tokyo in Paris, the Beaux Arts de Paris, and the Musashino University in Tokyo. Most recently she had a solo show at the Aperture Foundation. She was also selected as the New York Photo Festival’s Multimedia category winner and won the Exposure Award grand prize.

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          • The Square Roots 1/3 & 2/3 from The Fractal Architecture Series

            01:43

            from Laetitia Soulier / Added

            38 Plays / / 0 Comments

            The Fractal Architectures Series Building the image The Fractal Architectures series is divided into two chapters: The Matryoshka Dolls and The Square Roots. The hyper-realistic models, conceived for the unique point of view of the camera, are built in the toy scale of 1/24 to life size and above, following a fractal logic. Within the interlocked spaces, a foot, a thumb or a face appear to reveal the multiple scales incorporated in the model. Young characters unfold within these fractal architectures, which are at once their toy, their home, their childhood, their adulthood, the space between their past and their future. Fractal Geometry The conception of each model begins with a simple geometric figure; the circle for the Matryoshka Dolls and the square for the Square Roots. These elementary forms repeat at different scales to create an intricate pattern, which weaves together the infinitely small and the infinitely big. This never-ending fractal motif spreads across the wallpaper, and is the basis of the model’s floor plan and interior design. For example, the wallpaper for the Matryoshka series is made up of nested dolls woven in a circular dance, each impregnated with this repeating pattern. Similarly in the model, the circular archetype puts everything in rotation; the hardwood floor grows in concentric circles, the doors bend in arches, and the staircase swirls to the higher alcoves. The walls undulate organically, folding and refolding in a womb-like interior where the exterior seems to no longer exist. About the Artist: Laetitia Soulier’s photographs, articulated in series, each invite the viewer to journey through different worlds ruled by different paradigms. The Palindromes series follows a binary system, using diptych images where twins wander in symmetrical landscapes. In the Fractal Architectures series, the geometry of the wallpaper and the structure of the decor follow a fractal logic, weaving together microcosm and macrocosm. Soulier’s characters are approximately eight years old. Their minds have reached the critical place between the rational and fantastical. This paradoxical state is represented in Soulier’s methodically composed yet chimerical photographs. This work cohabits mythical thought, inherited from her Berber genealogical background, and modern scientific thought, cultivated through a French philosophical education. Laetitia Soulier was born in 1978 in Bordeaux, France, studied throughout Paris to receive her BFA from the Art School of Cergy, her MFA from l’Ecole Nationale Superieure des Beaux-Arts, and a degree in philosophy from the University of Paris. She then studied photography and studio lighting at Les Gobelins, Ecole de l’Image. Her work has been exhibited internationally at the Palais de Tokyo in Paris, the Beaux Arts de Paris, and the Musashino University in Tokyo. Most recently she had a solo show at the Aperture Foundation. She was also selected as the New York Photo Festival’s Multimedia category winner and won the Exposure Award grand prize.

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            • Kanal 9

              11:34

              from TinyGiantsMovies / Added

              12 Plays / / 0 Comments

              Während eines nächtlichen Gesprächs über CB-Funk mit seinem Freund Sebastian erfährt der Hobby-Funker Sascha plötzlich auf dem Notrufkanal seines Gerätes, dass offenkundig ganz in der Nähe jemand bei einem Autounfall gestorben ist. Sascha will der Sache unbedingt auf die Spur kommen, doch es stellt sich heraus, dass die Bedeutung der Nachricht viel schrecklicher ist, als er es sich jemals hätte vorstellen können... Hintergrund: „Kanal 9“ erschien 2005 als erster Kurzfilm von ANDARO (früherer Name der TinyGiants).

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              • gestern, heute, morden

                11:29

                from TinyGiantsMovies / Added

                7 Plays / / 0 Comments

                Eines schönen Nachmittags machen es sich die beiden Studenten René und Lars auf einem Hochsitz im tiefen Wald bequem, um mit Bier und Chips die Semesterferien einzuläuten. Plötzlich entdecken sie von dort aus einen mysteriösen Mann mit einem Klappspaten, der sich erst verdächtig umschaut und anschließend eine Plastiktüte im Waldboden vergräbt. Nachdem der Mann verschwunden ist, begeben sich die beiden voller Neugier zu dem Versteck - in der Hoffnung, Geld darin zu finden. Schon bald ahnen die zwei jungen Männer jedoch, dass sie den geheimnisvollen Gegenstand, der sich in der dunklen Tüte befindet, besser nicht hätten ausgraben sollen... Hintergrund: Der dritte Kurzfilm der TinyGiants erschien an Halloween 2014.

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                • Kanal 9 (Trailer)

                  00:45

                  from TinyGiantsMovies / Added

                  6 Plays / / 0 Comments

                  Während eines nächtlichen Gesprächs über CB-Funk mit seinem Freund Sebastian erfährt der Hobby-Funker Sascha plötzlich auf dem Notrufkanal seines Gerätes, dass offenkundig ganz in der Nähe jemand bei einem Autounfall gestorben ist. Sascha will der Sache unbedingt auf die Spur kommen, doch es stellt sich heraus, dass die Bedeutung der Nachricht viel schrecklicher ist, als er es sich jemals hätte vorstellen können... Hintergrund: Der Trailer erschien im Jahr 2004 und kündigte die Premiere des ersten Kurzfilms von ANDARO (früherer Name der TinyGiants) für 2005 an.

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                  • gestern, heute, morden (Trailer)

                    01:12

                    from TinyGiantsMovies / Added

                    7 Plays / / 0 Comments

                    Eines schönen Nachmittags machen es sich die beiden Studenten René und Lars auf einem Hochsitz im tiefen Wald bequem, um mit Bier und Chips die Semesterferien einzuläuten. Plötzlich entdecken sie von dort aus einen mysteriösen Mann mit einem Klappspaten, der sich erst verdächtig umschaut und anschließend eine Plastiktüte im Waldboden vergräbt. Nachdem der Mann verschwunden ist, begeben sich die beiden voller Neugier zu dem Versteck - in der Hoffnung, Geld darin zu finden. Schon bald ahnen die zwei jungen Männer jedoch, dass sie den geheimnisvollen Gegenstand, der sich in der dunklen Tüte befindet, besser nicht hätten ausgraben sollen... Hintergrund: Der Trailer erschien im Herbst 2014 und kündigte die Premiere des Films für Halloween an.

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                    • Unheimlich

                      01:01

                      from Michelle Simpson-Hay / Added

                      33 Plays / / 0 Comments

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