1. Beautiful/Decay Book 7: Class Clowns


    from Beautiful/Decay Magazine Added 1,135 5 0

    Laughter is universal; it transcends culture, trends, and time. The art world, however, is not considered to be droll. Galleries and museums are stoic, intellectual spaces and works of art are discussed…

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    • CalArts Visiting Artist Lecture Series Presents William Powhida, September 18, 2014


      from CalArts Art School Added 71 0 0

      CalArts Fall 2014 Paul Brach Visiting Artist Lecture Series Presents William Powhida on September 18, 2014 in F200

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      • County Down Episode 7: Angel’s Compound


        from Laura Parnes Added 218 0 0

        Gated community mass hysteria ensues as Angel gets in touch with her megalomaniac side. With special guests Ellen Cantor, Nicole Eisenman, Andy Haynes, Laura Parnes and William Powhida.

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        • Jennifer Dalton at WINKLEMAN & William Powhida at SCHROEDER ROMERO


          from James Kalm Added 72 0 0

          James Kalm goes west, to bring viewers an exhibition double bill. Jennifer Dalton and William Powhida have created a stir that reverberates throughout the New York art scene. Though working with…

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          • MTAA's autotrace #class, both sides of the table


            from Kai Vierstra Added 27 1 2

            MTAA's autotrace #class at Winkleman Gallery

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              from James Kalm Added 111 0 1

              James Kalm has been documenting the work of William Powhida for several years now, and is constantly baffled. The press release states "The directors of Marlborough Chelsea are pleased to announce…

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              • POWHIDA Trailer


                from Charlie James Gallery Added 1,084 2 0

                We flew William Powhida out to LA to shoot a video for the show, No One Gets Out of Here Alive at Charlie James Gallery. He showed up looking exhausted and spent several days hanging out with some…

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                • William Powhida's “Surviving the Art World Using the Art of Sorcery?”


                  from Hyperallergic Added 39 2 0

                  Described as a “gadfly in the art establishment” by the New York Times, an “irresistible double-dipper and ingenious double-crosser” by the Los Angeles Times and a “stupid…

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