1. Dubai : Aloft

    02:32

    from GoAerials Added 35.2K 36 9

    Dubai is an amazing city… The old town contrasts with the newest architecture of skyscrapers that seem to touch the sky. Worked with the Cineflex Elite and ARRI Alexa-XTM camera from Aerial Filmworks for one amazing day cinematography with the AS350B3 helicopter provided by HeliDubai, Production logistics by GoAerials. All images were filmed with the Canon 30-300 cinema lens www.GoAerials.ae www.facebook.com/GoAerials

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    • Cineflex Elite: Arri Alexa Demo Reel

      02:21

      from Aerial Filmworks Added 17.8K 146 4

      New demo reel with the Cineflex Elite over Northern California. The Cineflex Elite integrates the ARRI ALEXA-M camera and Canon Digital Cinema lenses for rock solid aerials. All footage filmed with the Canon 14.5 - 60mm Digital Cinema lens at 29.97p REC709 in ProRes 422HQ to SxS 64Gb Pro Media. The ARRI ALEXA records up to 2,880 x 2,160 images in ARRIRAW while simultaneously recording 1080p in ProRes 422HQ or ProRes 4444. High frame rates up to 120 FPS are available, along with all standard frame rates. Engineered and built in Grass Valley, California, the Cineflex Elite is the latest technological achievement from General Dynamics- Advanced Information Systems. Aerial Filmworks delivers carbon-neutral film production by investing in carbon offsets for every hour our Cineflex systems are flying on helicopters. Aerial Director and Camera Operator: Ron Chapple Editor/Colorist: Susan Dempster Pilot: Garner Shepard - Corporate Helicopters Music: Mike Sea ABOUT AERIAL FILMWORKS Aerial Filmworks provides Cineflex Elite and Cineflex V14HD camera systems and aerial filming services to the international entertainment, documentary and corporate marketplace. Highly regarded by award-winning clients, the Cineflex V14HD and Cineflex Elite provides the highest level of image gyro-stabilization. Our dedicated, experienced camera operators have thousands of hours using the Cineflex for clients including Disney, Discovery Channel, BBC, CBC, PBS/Nature, National Geographic, History Channel, Lexus, Ford, T-Mobile, Planet Green, Freeride World Tour, Red Bull, Burton Snowboards, Amazing Race and CBS/Survivor. Aerial Filmworks is a highly responsive company with over 25 years of aerial photography experience. Dedicated to providing Cineflex V14HD and Cineflex Elite systems and services, our experienced aerial filming crews specialize in international location work. Aerial Filmworks delivers Google Earth pre-flight visualization, GPS preparation and flight logistical planning; Geo-coded HD video and images for land survey or mapping; Google Earth integration of video, stills, 360 interactive panoramas, podcasts, historical imagery, topographic maps and data.

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      • Páramos: Agua Para la Vida

        07:49

        from Conservation International Added

        Ganador en el Festival de Cine Telenatura de España 2013 a la "Mejor Película de Conservación"! A tan solo 2.640 metros, Bogotá, capital de Colombia, abriga a más de ocho millones de habitantes quienes dependen de los cerros a su alrededor para el uso del agua. Allí se encuentran los páramos, un impresionante paisaje que forma parte de una máquina natural la cual ha sostenido a Bogotá durante siglos. Este ecosistema está amenazado por la minería ilegal, la ganadería y la agricultura a gran escala. Millones de bogotanos podrían sufrir si este frágil y maravilloso lugar no es protegido. Un film de CI Studios - John Martin, Director y Productor

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        • The "New" Magnum PI Helicopter in Hawaii

          03:36

          from Aerial Filmworks Added 14K 80 6

          The "new" Magnum PI helicopter filmed with the Cineflex Elite and the ARRI Alexa camera on Oahu. Ron Chapple, Aerial Director of Photography, flew with Film Pilot, Kalei Gregory, to shoot Josh Lang flying the MD500 Magnum helicopter. The new helicopter is owned by Paradise Helicopters, and available for tours and promotions anywhere in Hawaii. Using frame rates up to 120 FPS with simultaneous recording in both ARRIRAW and ProRes 422HQ, the Cineflex Elite is the perfect system for air-to-air cinematography. Aerial Director of Photography: Ron Chapple Editing and Color-grading: Susan Dempster Stills Photographer: Alex Chapple Executive Producer: Calvin Dorn Magnum Pilot: Josh Lang Film Pilot: Kalei Gregory Many thanks to Calvin Dorn, Josh Lang, Kalei Gregory, Rob Payesko, Ned Dawson, Alex Chapple, and the entire staff of Paradise Helicopters and Turtle Bay Resort!

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          • Aero Costa Rica

            01:53

            from Aerial Filmworks Added 10.4K 63 3

            Beautiful Costa Rica aerials using the Cineflex V14HD and recorded to HDCAM SR on the Sony SRW1 record deck. Helicopter provided by Volar Helicopters. Aerial Filmworks delivers carbon-neutral film production by investing in carbon offsets for every hour our Cineflex systems are flying on helicopters. Aerial Director and Camera Operator: Ron Chapple Editor/Colorist: Susan Dempster Helicopter: Volar Helicopters Music: M.Paramonov

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            • Cineflex- Urban Assault Vehicle

              00:45

              from Aerial Filmworks Added 9,119 51 4

              New video of our "cineX" off-road vehicle for the Cineflex V14HD gyro-stabilized camera system. All footage for this reel shot with the Canon 5DM2 by Gray Mitchell. Editing and color-grading by Susan Dempster on Final Cut Pro. Directed by Ron Chapple. Audio from royaltyfreemusic.com along with the natural sound of the DMC dual exhaust! About The Machine Aerial Filmworks introduces the cineX 4WD machine as the latest vehicle for gyro-stabilized Cineflex V14HD filming. In development for one year, our engineering team modified a Polaris RZR 800 EFI machine with a custom welded brackets, suspension modifications, Rigid Industries LED light bar, and new DMC dual exhaust system. The cineX goes beyond rugged. Custom Bilstein racing shocks smooth the ride in the roughest conditions, while the latest gyro-stabilization Cineflex V14HD camera technology from Axsys Technologies | General Dynamics Advanced Information Systems delivers full 1080p resolution at 24, 25, 30 or 60p frame rates.

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              • Vital Films - "Close To Home"

                03:25

                from Vital Films Added 7,849 107 14

                Vital Films and Aerial Filmworks presents "Close To Home"…a bonus project of "Days To Come" see now at vimeo.com/57135411 Nestled in one of the most beautiful areas of the world. Aspen Colorado and the surrounding Elk Mountains holds some of natures most spectacular sights. We had the privilege working along side Aerial Filmworks and DBS Helicopter in capturing breathtaking imagery of the Elk Mountains on a Cineflex Camera. "Close To Home" takes you on a stunning journey, as you witness nature in its true beauty. In a time of environmental uncertainty. We felt it was vital to show you our home, and how important this precious area is to us. If we do not change as a whole, beautiful areas like this will only be around so long for us to enjoy. The balance of nature and humanity can be equal. But it starts with understand what it at stake, and protecting that at all cost. For us, this topic is close to home, in fact its right out the back door. Please do your part in protecting our winters, nature, and earth. So we can continue enjoying this place we call home in our lifetime and beyond! Aerial Filmworks invested in carbon-offset credits for all of the helicopter hours in the filming of this production, making this a carbon-neutral production! Music By : Blackmill "Fortune Soul" vitalfilms.com facebook.com/vitalfilmsinc

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                • New York City

                  03:02

                  from Aerial Filmworks Added 7,167 144 8

                  Our new demo reel of New York City! All aerial footage shot with the Cineflex V14HD gyro-stabilized camera system using a Sony HDC1500-R and Fujinon 42x 9.7mm lens. Footage captured to Sony SRW1 record deck on HDCAM SR tape stock at 29.97p 4:4:4. Edited on the Aerial Filmworks in-house edit suite on a Mac Pro with Final Cut Pro 7. The Aerial Filmworks team believes in doing our part to maintain a carbon neutral planet. Through a partnership with TerraPass, we invest in carbon offsets for every hour of flight time that our Cineflex equipment is on a helicopter. Aerial Director of Photography Ron Chapple Editor Susan Dempster Music "The Heist" by Luke Richards

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                  • Los Angeles | A Unique Perspective

                    02:37

                    from Aerial Filmworks Added 6,895 167 10

                    All footage created with Cineflex gyro-stabilized systems using a variety of lenses and cameras. Footage includes a unique view of the skyline and time-lapse scenes of the LAX airport. Cameras included the ARRI Alexa-M and Sony HDC1500 with Canon 14.5-60mm, Canon 30-300mm cinema zooms, and the Fujinon 13x 4.5mm super wide. Sensor sizes were set to ARRIRAW, 2K and 1080p with recording to XR Capture Drives, AJA KiPro, and SxS 64Gb Pro Media. Time-lapse scenes were flown at slow airspeeds using the ARRI Alexa capability to set custom frame rates. The aerial team worked out of Aerial Filmworks' new hangar at Hawthorne Airport, just 3 minutes flight time from LAX.

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                    • Grand Canyon Tour

                      03:28

                      from Aerial Filmworks Added 4,591 22 0

                      View the Grand Canyon through our video and images. We use a Google Earth tour to show the locations of each geo-referenced image and video clip. Sara Woodmansee in our studio creatively matched up the real video sequences with the fly-through commands in Google Earth. All images were shot with a Hasselblad H3D-39 camera, and color-corrected in-house. Aerial Filmworks is working with the Grand Canyon National Park to film the national park using the Cineflex V14HD. This amazing gyro-stabilized aerial system uses an integrated Sony CineAlta HDC1500 camera with 42x 9.7mm Fujinon lens. All footage was recorded 1080/23.98p dual-link 4:4:4 to a Sony SRW1 deck on HDCAM SR tape stock. The Cineflex V14HD was mounted on the nose of a Bell 206B3 Jet Ranger helicopter. We worked closely with the national park to make sure all permissions and permits were in place. Daily updates to local air traffic control and the tour helicopter companies were sent on flight days. Our pilot was specifically approved for the operation by the FAA and Department of Interior. We mapped reference points to the GPS and input sensitive condor nesting areas that we needed to avoid. Natural resource and wildlife managers reviewed our flight plans.

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