1. Creative Industries Convention 2010 (Cory Doctorow, Keynote)

    35:28

    from CIS Community / Added

    149 Plays / / 1 Comment

    Designing the Creative Societies of the Future What will follow Web 2.0, Twitter, Facebook, Youtube & Co? The future of the creative industries will be characterized by a new exposure to digital media and social networks. Creative Industries Styria dedicated the Convention 2010 to the vision of “Creative Societies of the Future”, which will see the democratization of new creative tools and a metamorphosis of the creative work as well as its marketing. Defining its new key role in the course of this confusing process and actively co-shaping the future will be one of the leading objectives of the creative industries. Keynote: Cory Doctorow Creative Semantic Web: Steve Rogers Design Commons: Andrea Goetzke Cloud Creativity: David Sasaki www.cis.at convention.cis.at/

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    • Lost in The Open: Andrea Goetzke (de) on Open Web and Free Culture

      02:48

      from transmediale / Added

      91 Plays / / 0 Comments

      transmediale 2011 Panel: Lost in The Open? Navigating the Open Web and Free Culture / 02.02.2011 11:00 ‘Free’ and ‘open’ – it sounds so idealistic and limitless. The so-called Open Culture has produced many alternative approaches in dealing with knowledge and information, but, on the other hand, the utopias of free access constantly breed confusion. How free is ‘free’, actually? Can a social community preserve its openness long term? And how sustainable can systems that are freely available to anyone at anytime really be? This discussion focuses on the future agenda of the Free Culture movement and provides guidance for all those who are confused by too much ‘freedom’.

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      • DAS INTERNET IST NICHT MEIN FEIND?

        01:14:01

        from c-base / Added

        1,361 Plays / / 0 Comments

        WIE MUSIK, KÜNSTLER, LABELS UND DAS NETZ FREUNDSCHAFT SCHLIESSEN Der Musikmarkt ist im Umbruch. Soundcloud, Blogs, Internetfreiheit, Youtube, GEMA und Selbstvermarktung sind nur einige der Buzzwords, die die Herausforderungen und Chancen von Musik im Netz beschreiben. Was passiert, wenn die Grenze zwischen Konsumenten und Produzenten verschwimmt? Ist die Selbstvermarktung im Netz ein Fluch oder Segen, welche Rolle spielen Blogger bei der Promotion und Distribution von Musik? Oder generell gefragt: Welche Möglichkeiten es gibt, welche funktionieren und wo die Probleme liegen diskutieren @sodapop72 --> http://www.re-publica.de/12/person/andrea-goetzke, @tanith --> http://tanith.org , @Barbnerdy --> http://www.hallama.org , @das_kfmw http://www.kraftfuttermischwerk.de und @plemo --> http://www.plemo.blogsport.de/ ... und hier noch der Link zu der "cultural commons collecting society --> http://www.c-3-s.eu

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        • Creative Industries Convention 2010 (Talk Part 1)

          24:34

          from CIS Community / Added

          34 Plays / / 0 Comments

          Designing the Creative Societies of the Future What will follow Web 2.0, Twitter, Facebook, Youtube & Co? The future of the creative industries will be characterized by a new exposure to digital media and social networks. Creative Industries Styria dedicated the Convention 2010 to the vision of “Creative Societies of the Future”, which will see the democratization of new creative tools and a metamorphosis of the creative work as well as its marketing. Defining its new key role in the course of this confusing process and actively co-shaping the future will be one of the leading objectives of the creative industries. Keynote: Cory Doctorow Creative Semantic Web: Steve Rogers Design Commons: Andrea Goetzke Cloud Creativity: David Sasaki www.cis.at convention.cis.at/

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          • Wikimedia-Salon - Das ABC des Freien Wissens, C = Crowdrock

            01:41:01

            from Wikimedia Deutschland / Added

            81 Plays / / 0 Comments

            Bei diesem Wikimedia-Salon geht es um die Zukunft der Musikbranche. Wir möchten die gegenwärtige Situation musikalischer Urheber und die Perspektive der Verwerter im Kontext des digitalen Wandels vorstellen. Welche Interessen ergeben sich mit den auch in diesem Bereich immer unschärfer werdenden Grenzen zwischen Produzenten und Konsumenten für Künstler, Labels und Verbände? Lassen die verschobenen Marktsegmente auch Experimente mit offenen Lizenzen zu? Wo sind diese, im Sinne einer gemischten Kalkulation, auch schon erfolgreich? Und: Welche Probleme in der Rechtewahrnehmung würden wegfallen, sobald mit der C3S Society eine echte GEMA-Alternative an den Start geht? http://wmde.org/abc-salon

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