1. F L U X

    04:45

    from candas sisman / Added

    751K Plays / / 354 Comments

    by the courtesy of Plato Art Space (Plato College of higher education) ilhan koman hulda festival, a journey into art and science exhibition Ayvansaray Caddesi No:33 Balat - İstanbul 22 September - 31 october video and sound design by Candas Sisman commissioned by Plato Art Space (Plato collage of higher education) thanks to :İlhan Koman, Bager Akbay, Gorkem Sen, Burcu Beslioglu, Plato Art Space (Plato collage of higher education), Koman foundation, Deniz kader http://www.csismn.com/ http://www.PlatoSanat.com http://www.huldafestival.org http://www.koman.org/ A Short Animation Inspired by the Works of İlhan Koman Plato Art Space is proud to present Candaş Şişman’s video dedicated to famous sculptor İlhan Koman produced for the exhibition İlhan Koman: Hulda Festival, a Journey into Art and Science opening on the 22nd September, 2010. İlhan Koman’s unique design approach in his form studies also inspires contemporary art works. The video installation Flux by young artist Candaş Şişman can be defined as a digital animation which is inspired from the structural features of some of İlhan Koman’s works like Pi, 3D Moebius, Whirlpool and To Infinity... A red circle, which is colored in reference to the red radiators of Ogre, is traced in a morphological transformation which re-interprets the formal approach of Koman’s works. The continuous movement sometimes connotes the formal characteristics of Pi, 3D Moebius, Whirlpool and To Infinity..., as well as the original formal interpretations of the design principles of the works . In Flux, Koman’s design process in the making of the Pi series has been treated as the emerging of a sphere from a two-dimensional circle by the principle of increasing the surface; and that simple direction is re-interpreted in digital medium. Thanks to this, in the digital animation an entirely different form serial that does not resemble Pi yet remaining its design principle can be followed through the flow of a circle to the sphere. As a conscious attitude of the artist, this work is not designed in a direct visual analogy with Koman’s works. During the animation, none of the moments of the transforming form look like Pi or 3D Moebius, however the subjective reading of Koman’s approach can be observed. With the integration of the sounds of various materials – which Koman used in his sculptures – Flux turns into an impressive spatial experience. Flux, also exemplifies that Koman’s work can be re-interpreted by the analysis and manipulation of form in the digital medium.

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    • as·phyx·i·a

      02:42

      from Maria Takeuchi / Added

      486K Plays / / 76 Comments

      Experimental project using Xbox One Kinect for motion data capture. Making of: https://vimeo.com/121436666 Gallery:http://www.asphyxia-project.com/gallery Official website here www.asphyxia-project.com/ Credits: Music and Direction : Maria Takeuchi Visuals and Direction : Frederico Phillips Performance Artist : Shiho Tanaka Camera Filming / Support : Samuel Blalark Camera equipment : Jason Guerrero

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      • The Tarantino Mixtape

        07:17

        from Eclectic Method / Added

        527K Plays / / 205 Comments

        Tarantino movies in Eclectic Method's blender eclecticmethod.net http://www.facebook.com/eclecticmethod twitter.com/eclecticmethod http://soundcloud.com/eclecticmethod youtube.com/eclecticmethod TARANTINO: http://www.imdb.com/name/nm0000233/

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        • Partitura 001

          03:02

          from Quayola / Added

          384K Plays / / 63 Comments

          Realtime sound visualisation made with custom software "Partitura" Sound by Telefon Tel Aviv an ongoing collaboration between Abstract Birds and Quayola Partitura is a custom software built in vvvv to generate realtime graphics aimed at visualising sound. . The term “Partitura” (score) implies a connection with music, and this metaphor is the main focus of the project. Partitura aims to create a new system for translating sound into visual forms. Inspired by the studies of artists such as Kandinsky, Paul Klee, Oscar Fischinger and Norman McLaren, the images generated by Partitura are based on a precise and coherent system of relationships between various types of geometries. The main characteristic of this system is its horizontal linear structure, like that of a musical score. It is along this linear environment that the different classes of abstract elements are created and evolve over time according to the sound. Partitura creates endless ever-evolving abstract landscapes that can respond to musical structures, audio analysis and manual gestural inputs. It is an instrument that visualises sound with both the freedom of spontaneous personal interpretation/improvisation and at the same time maintaining the automations and triggers of mathematical precision. Partitura defines a coherent language of its own for the creation of new contemporary abstractions. It is within this system that Partitura creates worlds that expand from a single dot to multiple galaxies, from minimalism to complexity, from rigid to elastic, from solid to liquid, from angular to smoothness, from tentative to boldness, from calm to agitation, from slow to fast, from desaturated to saturation, from dark to lightness, from predictable to unpredictability. Literally ‘everything’ and its opposite... just like a musical flow. - www.quayola.com www.abstractbirds.com

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          • SYN-Phon ( Graphic notation)

            10:56

            from candas sisman / Added

            95.3K Plays / / 39 Comments

            More info: http://www.csismn.com/SYN-Phon Graphical notation and composition by Candas Sisman Barabás Lőrinc: Trumpet Ölveti Mátyás: Cello Candas Sisman: Electronics and Objects Budapest Art Factory (BAF) is pleased to present to you SYN-Phon; sound performance based on graphical notation by Candaş Şişman featuring Barabás Lőrinc & Ölveti Mátyás. Candaş Şişman resided at BAF for the month of June as part of its cross-cultural fertilization residency program. SYN-Phon will be exhibited to act, as a visual linguistic delivery through a cogitation segment followed by the sound performance on June 29th. www.csismn.com www.budapestartfactory.com www.barabaslorinc.com www.accordquartet.hu Coming about to understand the human nature of comprehending linguistics is that of a complex take –on. The constituent elements of language, in general content, bring forward the theory of other minds sharing, with intentioned communication. Thought varies with the use and absence of language that comes to be found in line with the development of thinking and impulses from our daily surrounding. Eventually language creates our point of view just as much as our ideas and perception of matters, individualistically. Art plays a crucial role in demolishing the boarders of our comprehension our mindset is framed into by literate language. Human language serves as a rather conservative form of communication when comparison to musical language; where the freedom of space employs as a resort for that broad horizon of that, that in search of cutting-edge form of broadcast. Candas’s trials of combing various forms don’t necessarily imply the mere creation of a pioneering flash but rather the use of the endless possibilities in associating the known and unknown. Through the unknown, we come about with a new way of thinking that tries to substitute and make space for a new tool of self-expression. Conclusively the graphical notation gives liberate opportunity in creating one’s personal language that holds its basis on feeling the visual and sound in parallel. Phonation, in accordance to Candas is the presence of sound language in SYN- Phon where the structure is supported by the synthesis itself. Music in its myriad forms extends to exploiting a communicative human language, thereby making the conceptual idea much more of significant importance than the actual tool. For Candas the presence of music in positively charged negatives spaces is a key element for substitution of the unknown seeking to be expressed. By the happening of SYN-Phon the line of musician will be crossed into a rather freely inflicted composer. Lőrinc and Mátyás as the musical inputs , on trumpet and cello respectively, of the performance will attain free expression rightfully to the impulses in line of creating a new language. SYN-Phon sound performance will demonstrate an articulation based on Candas’s intimate collective findings of Budapest during the month of June. Buda and Pest in the separate geographical allocation hold different quintessence natures, in addition to the anecdote of recent flooding events of Duna the performance is meant to reach out to the audience as a sensual expressive language. The sound performance will include sounds, constructed and picked up in Budapest recorded by Candas himself. The whole bulk graphical notation will be available in print form to be part of the introductory assimilation.

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            • Cinnamon Skin

              02:14

              from Red Studio / Added

              725K Plays / / 62 Comments

              Cinnamon Skin / Piel Canela Produced by Red Studio redstudio.cl (56-9) 92921980 Music: Francis by Coeur de pirate Cámara EOS 7D EF-S 15-85mm F/3.5-5.6

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              • Partitura 001

                03:02

                from Abstract Birds / Added

                125K Plays / / 77 Comments

                Realtime sound visualisation made with custom software "Partitura" Sound by Telefon Tel Aviv an ongoing collaboration between Abstract Birds and Quayola Partitura is a custom software built in www.vvvv.org to generate realtime graphics aimed at visualising sound. The term “Partitura” (score) implies a connection with music, and this metaphor is the main focus of the project. Partitura aims to create a new system for translating sound into visual forms. Inspired by the studies of artists such as Kandinsky, Paul Klee, Oscar Fischinger and Norman McLaren, the images generated by Partitura are based on a precise and coherent system of relationships between various types of geometries. The main characteristic of this system is its horizontal linear structure, like that of a musical score. It is along this linear environment that the different classes of abstract elements are created and evolve over time according to the sound. Partitura creates endless ever-evolving abstract landscapes that can respond to musical structures, audio analysis and manual gestural inputs. It is an instrument that visualises sound with both the freedom of spontaneous personal interpretation/improvisation and at the same time maintaining the automations and triggers of mathematical precision. Partitura defines a coherent language of its own for the creation of new contemporary abstractions. It is within this system that Partitura creates worlds that expand from a single dot to multiple galaxies, from minimalism to complexity, from rigid to elastic, from solid to liquid, from angular to smoothness, from tentative to boldness, from calm to agitation, from slow to fast, from desaturated to saturation, from dark to lightness, from predictable to unpredictability. Literally ‘everything’ and its opposite... just like a musical flow. - www.abstractbirds.com www.quayola.com

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                • edicisum

                  03:09

                  from candas sisman / Added

                  105K Plays / / 117 Comments

                  directed by Candas Sisman - http://csismn.com soundtrack by Isambard Khroustaliov you can look the interview about edicisum from here http://middlemindproject.com/?p=431 http://www.not-applicable.org/?page_id=6 http://www.not-applicable.org/ http://www.differance.org/

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                  • 3DESTRUCT / Scopitone 2011

                    03:45

                    from Yannick Jacquet (Legoman) / Added

                    73.5K Plays / / 52 Comments

                    3Destruct an audiovisual installation Scopitone Festival / Le Lieu Unique / Nantes / France October 2011 Visuals: YANNICK JACQUET JEREMIE PEETERS Music: THOMAS VAQUIE Management & production: Nicolas Boritch http://www.antivj.com

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                    • 3DESTRUCT v2

                      03:45

                      from ANTIVJ is a visual label / Added

                      87K Plays / / 32 Comments

                      3Destruct an audiovisual installation by Yannick Jacquet, Jeremie Peeters, Thomas Vaquié Filmed at: Scopitone Festival / Le Lieu Unique / Nantes / France, October 2011 Visuals: YANNICK JACQUET JEREMIE PEETERS Music: THOMAS VAQUIE Management & production: Antivj, Nicolas Boritch Bookings: hello@antivj.com www.antivj.com

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